The acclaimed novel by the author of The Why of Things tackles “the Deep South during the Gothic worst of Jim Crow times . . . truly a bravura performance” (Geoffrey Wolff). “One of the finest writers of her generation,” and author of three previously acclaimed novels, Elizabeth H. Winthrop delivers a brave new book that will launch her distinguished career anew (Brad Watson). On the eve of his execution, eighteen-year-old Willie Jones sits in his cell in New Iberia awaiting his end. Across the state, a truck driven by a convict and his keeper carries the executioner’s chair closer. On a nearby highway, Willie’s father Frank lugs a gravestone on the back of his fading, old mule. In his office the DA who prosecuted Willie reckons with his sentencing, while at their gas station at the crossroads outside of town, married couple Ora and Dale grapple with their grief and their secrets. As various members of the township consider and reflect on what Willie’s execution means, an intricately layered and complex portrait of a Jim Crow era Southern community emerges. Moving from voice to voice, Winthrop elegantly brings to stark light the story of a town, its people, and its injustices. The Mercy Seat is a brutally incisive and tender novel from one of our most acute literary observers. “Artful and succinctly poetic . . . A worthy novel that gathers great power as it rolls on propelled by its many voices.”—The New York Times Book Review “A miracle of a novel, with rapid-fire sentences that grab you and propel you to the next page . . . It’s a breakout. It’s a wonder.”—Dallas Morning News

Set on September 12, 2001, The Mercy Seat continues Neil LaBute's unflinching fascination with the often-brutal realities of the war between the sexes. In a time of national tragedy, the world changes overnight. A man and a woman explore the choices now available to them in an existence different from the one they had lived just the day before. Can one be opportunistic in a time of universal selflessness?

“A stylish whodunit . . . Lescroart [is] in his best form yet.”—People Once Dismas Hardy was a cop. Now he spends his days in a lawyer’s suit, billing hours to a corporate client in a downtown San Francisco office. Hardy’s wife and kids like it that way. Then one client changes everything. Graham Russo, a former baseball star, is charged with murdering his dying father. Was it suicide, the last desperate act of a dying man? Was it murder? Or mercy? Now, as a carnival of reporters, activists, cops, lovers, and families throng around the case, Dismas Hardy is going to trial with a client he doesn’t trust, a key witness he cannot believe, and a system that almost destroyed him once. For Dismas, this case will challenge everything he believes about the law, about his family, and about himself. Because a chilling truth is beginning to emerge about an old man’s lonely death. And what Dismas knows could put him next in line to die. . . . Praise for The Mercy Rule “Very entertaining . . . a large and emotionally sprawling novel.”—Chicago Tribune “As usual in a Lescroart novel, character dominates plot as the author proves, yet again, that resonant drama can be found in family.”—The Philadelphia Inquirer “An edge-of-the-seat legal thriller that has it all—hot-button issues, deception, greed, corruption, and a labyrinthine plot that will keep you guessing until the very last page.”—Faye Kellerman

Are you sitting comfortably? Then I'll begin . . . Washington Poe has a story to tell. And he needs you to listen. You'll hear how it started with the robber birds. Crows. Dozens of them. Enough for a murder . . . He'll tell you about a man who was tied to a tree and stoned to death, a man who had tattooed himself with a code so obscure, even the gifted analyst Tilly Bradshaw struggled to break it. He'll tell you how the man's murder was connected to a tragedy that happened fifteen years earlier when a young girl massacred her entire family. And finally, he'll tell you about the mercy chair. And why people would rather kill themselves than talk about it . . . Poe hopes you've been paying attention. Because in this story, nothing is as it seems . . . Praise for M W Craven "Washington Poe is a brilliant creation, from one of the finest and most inventive crime writers of today' Peter James 'Mesmerising, macabre and magnificent. The Mercy Chair is truly terrifying, laugh-out-loud funny, and impossibly clever. Poe and Tilly are unstoppable' Chris Whitaker The Curator shortlisted for the VN Thriller of the Year 2022 & longlisted for the Crime Writers' Association Gold Dagger 2021 Dead Ground longlisted for the Theakston Old Peculiar Crime Novel of the Year 2022 & longlisted for the Crime Writers' Association Ian Fleming Steel Dagger 2022 'The Poe and Tilly books are a joy' Steve Cavanagh 'Unputdownable, gripping, clever and with a rich seam of trademark Craven humour running through it' Imran Mahmood 'A sinful treat' Vaseem Khan 'Fast, furious, and utterly enjoyable.' Keith Nixon 'An unforgettably compulsive read' Bishop's Stortford Independent 'Heart-pounding, hilarious, sharp and shocking, Dead Ground is further proof that M.W. Craven never disappoints. Miss this series at your peril.' Chris Whitaker 'Dark and entertaining, this is top rank crime fiction.' Vaseem Khan, Author of the Malabar House series and the Baby Ganesh Agency series 'M. W. Craven is one of the best crime writers working today. Dead Ground is a cracking puzzle, beautifully written, with characters you'll be behind every step of the way. It's his best yet.' Stuart Turton 'Fantastic' Martina Cole 'Dark, sharp and compelling' Peter James 'I've been following M.W. Craven's Poe/Tilly series from the very beginning, and it just gets better and better. Dead Ground is a fast-paced crime novel with as many twists and turns as a country lane. I can't wait for the next one.' Peter Robinson 'Dead Ground is both entertaining and engaging with great characters and storyline. I loved this first dip into the world of Tilly and Poe!' BA Paris 'A brutal and thrilling page turner' Natasha Harding, The Sun 'A thrilling curtain raiser for what looks set to be a great new series' Mick Herron 'A powerful thriller from an explosive new talent. Tightly plotted, and not for the faint hearted!' David Mark 'Satisfyingly twisty and clever and the flashes of humour work well to offer the reader respite from the thrill of the read.' Michael J. Malone 'Nothing you've ever read will prepare you for the utterly unique Washington Poe' Keith Nixon

Attorney Theo Buchanan - brother of seasoned FBI agent Nick Buchanan, the hero of HEARTBREAKER - is in New Orleans to receive an award for his work with the Department of Justice. When he becomes unexpectedly ill at the gala, a beautiful stranger rushes him to the hospital and saves his life. The woman - a brilliant surgeon named Michelle Renard - intrigues Theo, but before he can learn more about her, she leaves New Orleans and returns to her small clinic in Louisiana. Theo seeks her out to thank her, but finds more than he bargained for. When he arrives in the little town of Bowen, he discovers that Michelle is being followed, her house has been broken into and her clinic destroyed. Theo is in a position to return the ultimate favour. Michelle saved his life...now can he save hers?

In the fifteenth-century kingdom of Brittany, seventeen-year-old Ismae escapes from the brutality of an arranged marriage into the sanctuary of the convent of St. Mortain, where she learns that the god of Death has blessed her with dangerous gifts--and a violent destiny.

NATIONAL BESTSELLER “Ms. Haigh is an expertly nuanced storyteller long overdue for major attention. Her work is gripping, real, and totally immersive, akin to that of writers as different as Richard Price, Richard Ford, and Richard Russo.”—Janet Maslin, New York Times The highly praised, “extraordinary” (New York Times Book Review) novel about the disparate lives that intersect at a women’s clinic in Boston, by New York Times bestselling author Jennifer Haigh For almost a decade, Claudia has counseled patients at Mercy Street, a clinic in the heart of the city. The work is consuming, the unending dramas of women in crisis. For its patients, Mercy Street offers more than health care; for many, it is a second chance. But outside the clinic, the reality is different. Anonymous threats are frequent. A small, determined group of anti-abortion demonstrators appears each morning at its door. As the protests intensify, fear creeps into Claudia’s days, a humming anxiety she manages with frequent visits to Timmy, an affable pot dealer in the midst of his own existential crisis. At Timmy’s, she encounters a random assortment of customers, including Anthony, a lost soul who spends most of his life online, chatting with the mysterious Excelsior11—the screenname of Victor Prine, an anti-abortion crusader who has set his sights on Mercy Street and is ready to risk it all for his beliefs. Mercy Street is a novel for right now, a story of the polarized American present. Jennifer Haigh, “an expert natural storyteller with a keen sense of her characters’ humanity” (New York Times), has written a groundbreaking novel, a fearless examination of one of the most divisive issues of our time.