This pioneering study of Afro-American narrative is far more critical, historical, and textual than biographical, chronological, and atextual. Robert Stepto asserts that Afro-American culture has its store of canonical stories or pregeneric myths, the primary one being the quest for freedom and literacy. This second edition includes a new preface and an afterward entitled "Distrust of the Reader in Afro-American Narratives."

An unprecedented, sympathetic, and wide-ranging exploration of the mysterious world of Islamic women--the people behind the veils--is presented by female writers and Christian workers.

Just because the marriage is fake doesn't mean the attraction is¿Delilah Barrett is a head-turning beauty on a quest for justice. The former cop with a checkered past has made a career of recovering stolen rare books with her private detective firm. She's level-headed, smart, cool under pressure¿ and entirely unprepared for her new assignment.When a centuries-old book worth an astronomical fortune disappears from Philadelphia's Franklin Museum, Delilah is paired up with Henry Finch, a brilliant rare book librarian and celebrated academic. Their orders: Go undercover as a married couple and recover the book by whatever means necessary.Henry can speak four languages and wear a suit like he was born in Armani. But he's never squared off against criminals. Never operated in this underground society of glamour and greed. And he's certainly never pretended to be married to a woman who both dazzles and distrusts him.Delilah's keen instincts are her greatest gift, but her growing attraction to the sexy librarian is messing with her head. Every feigned caress, every for-the-audience kiss only heightens the seduction, building a fire that refuses to extinguish. As the danger intensifies, so does the temptation to let their fake desire become real. With a priceless artifact at stake, can this undercover couple learn to trust each other¿before it's too late?Author's Note: If fake marriage, closet sex, secret passages, guns and garter belts, high-society galas, mysterious code words, and danger pushes your pleasure buttons Behind the Veil is for you!

The Black male scholars within this important book are painfully aware that the brutal murder of George Floyd was not due to a few "bad apples." They understand that they are perceived as "threats" and "criminals" within a distorted white imaginary that is embedded with processes of mythopoetic construction, racial capitalism, and a deep anti-Black male social ontology. Edited by prominent philosopher George Yancy, Black Men from behind the Veil: Ontological Interrogations emphasizes the importance of Black male epistemic agency and the courage to speak the truth regarding an America that values Black male life on the cheap and that attempts to control the movement of Black men, their capacity to breathe, and their being through anti-Black technologies of surveillance, confinement, policing, and white nation-building. There is no single monolithic Black male voice that dominates this crucial and necessary text. Each voice speaks of pain behind the Veil, revealing narrative specificity and an important recursive truth: Black men, within the white American psyche, are both necessary and yet disposable. The existential and sociohistorical weight of this truth is made painfully clear through the voices of these Black men.

This book is brought to open the eyes and minds of mainly the Israelites throughout this world, who are of the white race and are situated in the countries such as the whole of the British Isle, France, Switzerland, Belgium, Netherlands, Denmark, Sweden, Finland, Norway, the whole of the British Commonwealth of Nations, the United States of America, Greenland, Iceland and wheresoever else they have moved to throughout this world. for we have gone so far away from God's great ways it is absolutely unbelievable. We have actually gone so far from God's ways, we no longer know what we are doing, for we are now in the devil's hand and the hand of the devil's 1st born son, King Saul himself, who is in fact the imaginary pagan individuals, such as the virgin mother and many so called saints. We have forgotten the covenant our ancestors had made with the Lord God, not to worship anyone, or thing via their graven, painted, standing, sitting images of whatsoever, God in Deut, 4:23 forbid us to do this, for he alone we must worship, pray to, serve, sacrifi ce to, and follow only his ways. When I truly began studying the bible all by myself, I came across a scripture I will never forget. This scripture is Proverbs 1:23, "Turn you at my reproof: behold I will pour out my spirit unto you, I will make known my words unto you, "I swear that God Himself was giving me the knowledge and understanding of his great words because I was in fact proving and reproving all the scriptures with one another. One only must read this book and see all the proves and reproves I used to get a true picture of what is really happening today, and it will truly shoke you. I kid you not. Yours: R.A. Mueller

Rashida, an Indian Muslim woman with a questing spirit, falls in love with an author whose work she admires, though she's never laid eyes on him. She refuses other suitors, to the horror of her large, loving family. After years of political turmoil have convulsed India, with the author's fate unknown, he suddenly appears at her door. Rashida marries him at last, and sees him for the first time on their wedding night. His ugliness, slovenly habits, vanity--and finally, treachery--throw her emotions and her family's life into chaos. She begins a scandalous affair with a handsome teacher, defying her culture and destroying her family's honor. Rashida's story unfolds against a sweeping panorama of Indian history and culture, and a vivid, sensuous portrait of a changing India.