Freddie Mercury was rock’s most dazzling showman, a legendary entertainer who in 1991, at the age of just forty-five, became the first major music star to die of AIDS. Mercury’s soaring four-octave voice was a defining element in Queen’s unique sound, crucial to the success of the band’s fifteen studio albums, from Queen (1973) to Made in Heaven (1995). He was also a supremely talented songwriter and musician who wrote many of the band’s greatest hits, including ‘Killer Queen’, ‘We Are the Champions’ and their biggest triumph, the epic anthem ‘Bohemian Rhapsody’. As a solo artist he released two acclaimed albums: Mr. Bad Guy in 1985 and the operatic 'Barcelona' with Spanish soprano Montserrat Caballé in 1988. Mercury’s extraordinary charisma was perhaps best seen in his imperious live performances, in which he’d hold vast stadium crowds to rapturous attention. His outrageous theatrics, physicality and over-the-top costumes led one commentator to describe him as ‘a performer out to tease, shock, and ultimately charm his audience with various extravagant versions of himself’. He pushed the limits of camp in everything he did. His extreme behaviour, in a society in which being gay was only starting to be accepted, just added to Freddie Mercury’s allure. With expert understanding, Mark Blake traces Mercury’s life from his childhood in Zanzibar and India to his untimely death, and charts his astonishing achievements including in Queen’s world-conquering performance at Live Aid in 1985. In the year that marks what would have been his seventieth birthday, Freddie Mercury: A Life celebrates a remarkable life, lived to the fullest. Featuring revealing interviews with fellow musicians, producers and collaborators, and a detailed discography and timeline, this is a memorable tribute to a unique recording artist and an irreplaceable performer who rocked the world.

Vingt-cinq ans après sa disparition, le sortilège jeté par Farrokh Bulsara alias Freddie Mercury sur des millions de fans n'a toujours pas été levé. La faute à un vibrato envoûtant, une technique de chant et des capacités vocales surnaturelles, une théâtralité excentrique, des tenues outrancières, un pied de micro scié en guise de baguette magique qui ont frappé à jamais les coeurs et les esprits. Si le grand nombre de tubes à la tête du groupe Queen - tels "Killer Queen" (1974), "We are the Champions" (1977) ainsi que l'épique "Bohemian Rhapsody" (1975) - ou dans le cadre de sa carrière solo - le lyrique "Barcelona" (1988) avec la soprano espagnole Montserrat Caballé -, a révélé un auteur-compositeur prodigieusement talentueux, son extraordinaire charisme l'a aussi classé comme "un show man fait pour provoquer, choquer et finalement charmer son public avec diverses versions extravagantes de lui-même". En cette année qui marque ce qui aurait été le soixante-dixième anniversaire de ce prestidigitateur du rock, Mark Blake retrace la vie du complexe Farrokh/Freddie depuis son enfance à Zanzibar et en Inde jusqu'à sa mort prématurée en 1991. Entre postures scéniques et impostures pudiques, extravagance et intimité, il passe en revue ses étonnantes prouesses avec comme point culminant une performance miraculeuse au Live Aid en 1985. L'hommage inédit à un interprète unique et un performer irremplaçable qui ensorcela le monde entier.

Queen are one of the biggest stadium rock bands in the world. "Another One Bites the Dust" (1980) became their best-selling single, while their 1981 compilation album Greatest Hits is the best-selling album in the UK and is certified eight times platinum in the US. Their record sales range from 150 million to 300 million records, making them one of the world's best-selling music artists. They were inducted into the Rock and Roll Hall of Fame in 2001. In 2018 they were presented the Grammy Lifetime Achievement Award.

This is the definitive biography of Freddie Mercury. Written by an award-winning rock journalist, Lesley-Ann Jones toured widely with Queen forming lasting friendships with the band. Now, having secured access to the remaining band members and those who were closest to Freddie, from childhood to death, Lesley-Ann has written the most in depth account of one of music's best loved and most complex figures. Meticulously researched, sympathetic, unsensational, the book - like the forthcoming film - will focus on the period in the 1980s when Queen began to fragment, before their Live Aid performance put them back in the frame. In her journey to understand the man behind the legend, Lesley-Ann Jones has travelled from London to Zanzibar to India. Packed with exclusive interviews and told with the invaluable perspective that the twenty years since Mercury's death presents, Freddie Mercury is the most up to date portrait of a legendary man. Fully revised and updated edition.

After 1918, post-war euphoria spread across Europe and America. Technology was changing the pace of life and aeroplanes, motorcars and ocean liners were making the world a smaller place with improved communications. Some were making their fortunes, and for those who could afford it, it was an exciting time of cocktail parties, nightclubs and jazz. Fashion was Paris, elegance, the Paris Expo of 1925 and Art Deco with the lure of the avant-garde; but much of the wealth was in America, represented by the jazz age, glamour, The Great Gatsby and Hollywood. And the emancipated, wealthy, fashionable woman of means wanted newly-designed jewellery and accessories decorated with contemporary motifs to reflect her new status. The vanity case, the ultimate jewelled fashion accessory, was designed and made mostly in Paris by the skilled designers and craftsmen who understood that the fashionable modern woman needed a practical solution to containing her lipstick, powder compact, cigarettes, lighter, theatre tickets, keys and all the other small paraphernalia about her person.0Made of precious metals including platinum and gold, with inlays of lacquer, gemstones, mother of pearl, jade, or enamel, these 'reticules' took hundreds of hours of patient craftsmanship to complete and were very, very expensive. Objects of desire to be passed round and shown off at gatherings of the super-rich, they became miniature status symbols to be seen with at the opera or restaurant.