Sebastian does more than notice Brad; he takes him to bed. Brad's been with plenty of girls, but with Sebastian, the sex is something else entirelyNhot, mind-blowing, affirming, and a little domineering in a way that drives him wild. But when great sex turns into something more, Brad must face the crushing realization that Sebastian doesn't feel the same. Unless, of course, he does. After all, even grad students can be idiots about matters of the heart.

'A serious work of theory.' The Guardian ‘Jonathan Allan has come up with a whole theory of the arsehole.’ Dazed and Confused In a resolute deviation from the governing totality of the phallus, Reading from Behind offers a radical reorientation of the anus and its role in the collective imaginary. It exposes what is deeply hidden in our cultural production, and challenges the authority of paranoid, critical thought. A beautiful work that invites us beyond the rejection of phallocentricism, to a new way of being and thinking about sex, culture and identity.

It's all fun and games until someone puts his heart out. After being outed to his hockey team and then changing schools, Jock figures he's due for something good — like the sex he missed out on in the closet. Toby, the hot grad student he meets at a frat party, seems like a great place to start, and their night together is an awesome introduction to the fine art of hooking up. Toby's heart takes a bruising after the near-perfect experience with Jock leads to...nothing. He's been left on the outside as his friends pair up into blissful coupledom, and he's in danger of never completing (or starting) his thesis. Can't something go right? Then Toby's coerced into chaperoning a Theta Alpha Gamma trip to France. Not that he's complaining. What better place to finish his thesis and get over that frat boy? Except Jock's outing is leaked to the press, turning him into an unwilling gay rights martyr, and he decides France would be a great escape, too. It's a break from reality for both guys, but they soon find their connection is as real as it gets.

Lucas Wilder’s best friend is a traitor. First, Audrey moved back to their hick-infested hometown, Bluewater Bay, and now she’s marrying a local. His own brother, in fact. And as her man of honor, Lucas gets coerced into returning for an extended stay. Although, between his unfaithful ex-boyfriend and his artist’s block, going home isn’t the worst thing that could happen. Even if the best man is Gabriel Savage, Lucas’s first crush, first hookup, and first heartbreak. The only reason Gabe hasn’t been waiting for Lucas to return to Bluewater Bay is because he never thought it’d happen. Not that it matters now that Lucas is back—Gabe’s still a logger who’s never been anywhere (Canada doesn’t count), and Lucas is now a famous sculptor who’s been everywhere twice. Plus, there’s that shared past. When Audrey asks Lucas to make her wedding favors, the only place to set up a kiln is at Gabe’s tree farm. Soon, they pick up where they left off twelve years before, then blow past it, discovering why neither of them forgot the other. Now they have to choose how much of their history they’ll repeat, and what future they’ll make together.

When Plan A fails, turn to Man A. Thanks to Collin Montes, Theta Alpha Gamma now welcomes gay and bisexual students. Persuading his Uncle Monty, president of the TAG Alumni Association, that the open approach won't adversely affect TAG's reputation is Collin's own first step toward coming out. As long as there are no repercussions, he'll escape the closet by graduation. Enter repercussions, stage left: someone rigs the TAG House water heater to launch through the ceiling, then plants a bomb — thankfully unsuccessful — in the fraternity's basement. Now Collin has his hands full not only trying to convince his uncle that this might not be the work of homophobes, but also dealing with a fratful of brothers worried about their kegger fridge. Paramedic Eric Dixon can't stop thinking about the kid he met during a call at his former college fraternity house. The age gap between them is trumped by sexy eyes, so when Eric sees Collin again at the bomb scene, he pursues him. Soon, Eric is dreaming of being a househusband, fighting to keep Collin safe from whoever's trying to destroy the fraternity, and helping his sweet young thang realize that repercussions sometimes have silver linings.

Thirty-seven-year-old Nate Albano’s second relationship ever ended three years ago, and since he’s grace—gray asexual—he doesn’t anticipate beating the odds to find a third. Still, he’s got his dog, his hobbies, and his job as a special effects technician on Wolf’s Landing, so he can’t complain—much. Seth Larson, umpteenth generation Bluewater Bay, is the quintessential good-time guy, content with tending bar and being his grandmother’s handyman. The night they meet, Seth’s looking for some recreational sex to escape family drama. But for Nate, romantic attraction comes before sexual attraction, so while Seth thinks they’re hooking up, Nate just wants to talk . . . genealogy? Dude. Seriously? So they declare a “just friends” truce. Then Seth asks for Nate’s help investigating a sinister Larson family secret, and their feelings start edging way beyond platonic. But Nate may want more than Seth can give him, and Seth may not be able to leave his good-time image behind. Unless they can find a way to merge carefree with commitment, they could miss out on true love—the best time of all. Runner-Up: Best Asexual Book in the 2017 Rainbow Awards

Men, Masculinities, and Popular Romance seeks to open a lively and accessible discussion between critical studies of men and masculinities and popular romance studies, especially its continued interest in what Janice Radway has called "the purity of his maleness." Popular romance novels, perhaps more than any other genre, explore sexuality and gender, creating an ideal space in which to consider and explore theoretical models that think seriously about gender. The romance novel has long been criticized and celebrated by feminist critics. How can these novels maintain, according to some, feminist ideals, while also upholding what Raewyn Connell has long theorized as "hegemonic masculinity"? This volume is an original and important contribution examining the previously underexamined nexus of masculinity and popular romance studies. It will be of key interest to undergraduates and postgraduates in Masculinities, Gender and Women’s Studies, and Literary Studies, and highly relevant to courses in Masculinity Studies, Pop Culture Studies, Queer Studies and Sexuality Studies.