The Four Holy Gospels is an exquisitely designed and produced edition of the four canonical Gospels in the English Standard Version, featuring commissioned original paintings by highly-regarded artist Makoto Fujimura.

The Four Holy Gospels is an exquisitely designed and produced edition of the four canonical Gospels in the English Standard Version, featuring newly commissioned original art by artist Makoto Fujimura.

The English Standard Version Bible captures as far as possible the precise wording of the original biblical text and the personal style of each Bible writer, while taking into account differences of grammar, syntax, and idiom between current literary English and the original languages. The ESV thus provides an accurate rendering of the original texts that is in readable, high quality English prose and poetry. This Bible has been growing in popularity among students in biblical studies, mainline Christian scholars and clergy, and Evangelical Christians of all denominations. Along with that growth comes the need for the books of the Apocrypha to be included in ESV Bibles, both for denominations that use those books in liturgical readings and for students who need them for historical purposes. More Evangelicals are also beginning to be interested in the Apocrypha, even though they don't consider it God's Word. The English Standard Version Bible with the Apocrypha, for which the Apocrypha has been commissioned by Oxford University Press, employs the same methods and guidelines used by the original translators of the ESV, to produce for the first time an ESV Apocrypha. This will be the only ESV with Apocrypha available anywhere, and it includes all of the books and parts of books in the Protestant Apocrypha, the Catholic Old Testament, and the Old Testament as used in Orthodox Christian churches. It has a lovely pre-printed case binding, and includes a full-color map section, a table of weights and measures used in the Bible, and many other attractive features. The English Standard Version Bible with Apocrypha is certain to become the preferred Bible in more conservative divinity schools and seminaries, where the Apocrypha is studied from an academic perspective. And it answers the need of conservative Christians in general for a more literal version of these books.

Capitalizing on recent advances in satellite imaging and geographic information systems, the Crossway ESV Bible Atlas offers Bible readers a comprehensive, up-to-date resource that blends technical sophistication with readability, visual appeal, and historical and biblical accuracy. All the key methods of presenting Bible geography and history are here, including more than 175 full-color maps, 70 photographs, 3-D re-creations of biblical objects and sites, indexes, timelines, and 65,000 words of narrative description. The atlas uniquely features regional maps detailing biblically significant areas such as Egypt, Mesopotamia, Italy, and Greece. It also includes access to online maps and illustrations and a removable, 16.5 x 22-inch map of Palestine. This carefully crafted reference tool not only sets a new standard in Bible atlases but will help ESV readers more clearly understand the world of the Bible and the meaning of Scripture.

Combining the best and most recent evangelical Christian scholarship with the highly regarded ESV text, the ESV Study Bible is the most comprehensive study Bible ever published.

The New York Times bestselling author of The Prodigal Prophet uncovers the essential message of Jesus, locked inside his most familiar parable. Newsweek called renowned minister Timothy Keller "a C.S. Lewis for the twenty-first century" in a feature on his first book, The Reason for God. In that book, he offered a rational explanation of why we should believe in God. Now, in The Prodigal God, Keller takes his trademark intellectual approach to understanding Christianity and uses the parable of the prodigal son to reveal an unexpected message of hope and salvation. Within that parable Jesus reveals God's prodigal grace toward both the irreligious and the moralistic. This book will challenge both the devout and skeptics to see Christianity in a whole new way.

From a world-renowned painter, an exploration of creativity’s quintessential—and often overlooked—role in the spiritual life “Makoto Fujimura’s art and writings have been a true inspiration to me. In this luminous book, he addresses the question of art and faith and their reconciliation with a quiet and moving eloquence.”—Martin Scorsese “[An] elegant treatise . . . Fujimura’s sensitive, evocative theology will appeal to believers interested in the role religion can play in the creation of art.”—Publishers Weekly Conceived over thirty years of painting and creating in his studio, this book is Makoto Fujimura’s broad and deep exploration of creativity and the spiritual aspects of “making.” What he does in the studio is theological work as much as it is aesthetic work. In between pouring precious, pulverized minerals onto handmade paper to create the prismatic, refractive surfaces of his art, he comes into the quiet space in the studio, in a discipline of awareness, waiting, prayer, and praise. Ranging from the Bible to T. S. Eliot, and from Mark Rothko to Japanese Kintsugi technique, he shows how unless we are making something, we cannot know the depth of God’s being and God’s grace permeating our lives. This poignant and beautiful book offers the perspective of, in Christian Wiman’s words, “an accidental theologian,” one who comes to spiritual questions always through the prism of art.