Draw amazingly accurate portraits starting today! Even if you're an absolute beginner, you can render strikingly realistic faces and self-portraits! Instructor and FBI-trained artist Carrie Stuart Parks makes it simple with foolproof step-by-step instructions that are fun and easy to follow. You'll quickly begin to: • Master proportions and map facial features accurately • Study shapes within a composition and draw them realistically • Use value, light and shading to add life and depth to any portrait • Render tricky details, including eyes, noses, mouths and hair Proven, hands-on exercises and before-and-after examples from Parks' students ensure instant success! It's all the guidance and inspiration you need to draw realistic faces with precision, confidence and style!

Named a Most Anticipated Book of 2024 by Literary Hub From the acclaimed and bestselling writer Nicholson Baker, a deeply personal account of his journey learning how to paint for the first time, and a meditation on the power of art in times of crisis Nicholson Baker wanted to learn how to paint. In 2019, after years of researching and writing about secret and often horrible government programs for his book Baseless: My Search for Secrets in the Ruins of the Freedom of Information Act, he was wiped out. Having been steeped for so long in the history of war, violence, and conspiracy, the world had lost some of its brightness. Photography had scratched a creative itch for years, but now, Baker was desperate to squeeze more out of what he saw – he wanted to live, slowly, through the snatches of life he was recording in photos. Maybe, he thought, he could learn to paint? The idea consumed him, but he was nagged by an even more debilitating doubt: What if he failed? Finding a Likeness is Baker’s record of the years he worked to improve his artistic skills, beginning with his first, humble attempts to set paintbrush to paper. Driven by a natural curiosity and a strong desire to paint faces, clouds, and landscapes that actually resemble faces, clouds, and landscapes, he attends classes from local artists, watches YouTube tutorials, and seeks out master painters from the past and present in the hopes of uncovering their secrets. In his inimitable voice, Baker recounts the highs and lows of the creative process, reflects on memories of growing up as the son of two painters, and learns what it means to really see. Filled with Baker’s own art, as well as the work of artists from around the world, Finding a Likeness is a tender and deeply felt testimony to taking a step back and going back to basics. Baker improves dramatically in his craft, but as he considers what it means to try, fail, and try again, he discovers far more than what it takes to paint a cloud – rather, he shows us how to bear witness to the world, to the good and the bad, and to do it all justice with paper and ink.

“Staggeringly good.” —Counterpunch A major new work, a hybrid of history, journalism, and memoir, about the modern Freedom of Information Act—FOIA—and the horrifying, decades-old government misdeeds that it is unable to demystify, from one of America's most celebrated writers Eight years ago, while investigating the possibility that the United States had used biological weapons in the Korean War, Nicholson Baker requested a series of Air Force documents from the early 1950s under the provisions of the Freedom of Information Act. Years went by, and he got no response. Rather than wait forever, Baker set out to keep a personal journal of what it feels like to try to write about major historical events in a world of pervasive redactions, witheld records, and glacially slow governmental responses. The result is one of the most original and daring works of nonfiction in recent memory, a singular and mesmerizing narrative that tunnels into the history of some of the darkest and most shameful plans and projects of the CIA, the Air Force, and the presidencies of Harry Truman and Dwight Eisenhower. In his lucid and unassuming style, Baker assembles what he learns, piece by piece, about Project Baseless, a crash Pentagon program begun in the early fifties that aimed to achieve "an Air Force-wide combat capability in biological and chemical warfare at the earliest possible date." Along the way, he unearths stories of balloons carrying crop disease, leaflet bombs filled with feathers, suicidal scientists, leaky centrifuges, paranoid political-warfare tacticians, insane experiments on animals and humans, weaponized ticks, ferocious propaganda battles with China, and cover and deception plans meant to trick the Kremlin into ramping up its germ-warfare program. At the same time, Baker tells the stories of the heroic journalists and lawyers who have devoted their energies to wresting documentary evidence from government repositories, and he shares anecdotes from his daily life in Maine feeding his dogs and watching the morning light gather on the horizon. The result is an astonishing and utterly disarming story about waiting, bureaucracy, the horrors of war, and, above all, the cruel secrets that the United States government seems determined to keep forever from its citizens.

Before the Renaissance and Reformation, holy images were treated not as "art" but as objects of veneration which possessed the tangible presence of the Holy. the faithful believed that these images served as relics and were able to work miracles, deliver oracles, and bring victory to the battlefield. In this magisterial book, Hans Belting traces the long history of the sacral image and its changing role--from surrogate for the represented image to an original work of art--in European culture. Likeness and Presence looks at the beliefs, superstitions, hopes, and fears that come into play as people handle and respond to sacred images, and presents a compelling interpretation of the place of the image in Western history. -- Back cover

A follow-up to In the Woods finds a traumatized detective Cassie Maddox struggling in her career and relationship with Sam O'Neill while investigating the unsettling murder of a young woman whose name matches an alias Cassie once had used as an undercover officer. 50,000 first printing.

Artists have always been fascinated by the special challenge of capturing the character, personality, and likeness of their portrait subjects. For the scupltor, clay is certainly the most sympathetic medium. Daisy Grubbs demonstrates in thorough detail a proven method for fashioning clay into convincing portraits. The book is for the beginning as well as the more experienced sculptor. The newcomer will find every detail he needs to know to model a faithful likeness, while the more knowledgeable artist will discover another artist’s approach sure to enlarge his own vocabulary and working methods.

Mean Christianity: Finding Our Way Back to Christ’s Likeness explores the Christian faith as an intentional, daily commitment to others—a cathartic and uncomfortable journey that leads travelers to Christ’s likeness. The book considers how and why individual Christians and the corporate body of Christ have come to be perceived negatively by so many. It describes the primacy of Christ as the central tenet of Christianity, and offers seven “Jesus” life themes for every Christian. These themes, based on a qualitative study of the canonical gospels, assist readers with the development of a framework for a Christlike life. The book defines Mean Christianity and considers its causes and costs. Readers are confronted with both the possibility of meanness in the faith and in their actions, and encouraged to consider a Christlike life as an alternative to meanness. Finally, readers are introduced to the concepts of forgiveness, grace, and mercy as a part of God’s broader plan for reconciliation and fullness in life.