Previously published as 'Final Fugue' by Noct Moll. Murder means the end of the world for the murdered person... ...except when they enter another world. Zacharias Steele dreams of making it big as a professional pianist. In the 1920s, the most dazzling place in which to accomplish that dream is New York City. Once there, Zach auditions, interviews, tries out, you name it. But mysteriously, something always goes wrong. Ten years later, he ends up dejected and unsuccessful in a small town. There, one night, unexpectedly, he has the opportunity to perform to a full house. Problem? His girlfriend stops by his dressing room and gives him a mysterious warning: don’t wear the new suit. Zach should have listened to her. This will be the last time he’ll play in this world.

Complete score of The Art of Fugue plus extensive commentary features all 14 fugues plus the four canons. The commentary outlines the fugues' contrapuntal devices and offers keen observations on the composer's craftsmanship.

This vintage book contains a comprehensive yet concise guide to 'fugue'. A fugue is a compositional technique in two or more voices that is build upon a theme - which is brought in at the beginning in imitation and recurs throughout a composition. Including simple explanations and useful illustrations, this easily-digestible treatise is ideal for the student or those with an interest in music theory, and it would make for a great addition to collections of related literature. Chapters of this book include: 'The Subject', 'The Answer', 'The Counter Subject', 'The Exposition and Counter-Exposition', 'Episode', 'Stretto', 'The Middle and Final Sections of a Fugue', 'Fughatta and Gugato', etcetera. We are republishing this vintage text now in an affordable, modern edition - complete with a specially commissioned new biography of the author.

Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.

Published in its first edition in 1983, Boyds treatment of this canonical composer is essential reading for students, scholars, and everyone interested in Baroque music. In this third edition, biographical chapters alternate with commentary on the works, to demonstrate how the circumstances of Bachs life helped to shape the music he wrote at various periods. We follow Bach as he travels from Arnstadt and Muhlhausen to Weimar, Cothen, and finally Leipzig, these journeys alternating with insightful discussions of the great composers organ and orchestral compositions. As well as presenting a rounded picture of Bach, his music, and his posthumous reputation and influence, Malcolm Boyd considers the sometimes controversial topics of parody and arrangement, number symbolism, and the style and meaning of Bachs late works. Recent theories on the constitution of Bachs performing forces at Leipzig are also present. The text and the appendixes (which include a chronology, personalia, bibliography, and a complete catalogue of Bachs works) were thoroughly revised in this edition to take account of more recent research undertaken by Bach scholars, including the gold mine of new information uncovered in the former USSR.

The Keyboard Music of J.S. Bach provides an introduction to and comprehensive discussion of all the music for harpsichord and other stringed keyboard instruments by Johann Sebastian Bach (1685-1750). Often played today on the modern piano, these works are central not only to the Western concert repertory but to musical pedagogy and study throughout the world. Intended as both a practical guide and an interpretive study, the book consists of three introductory chapters on general matters of historical context, style, and performance practice, followed by fifteen chapters on the individual works, treated in roughly chronological order. The works discussed include all of Bach's individual keyboard compositions as well as those comprising his famous collections, such as the Well-Tempered Clavier, the English and French Suites, and the Art of Fugue.