The science fiction writer Damon Knight wrote once that writers were basically toads in childhood. They were the introverts, the loners, the less-than-handsome or beautiful children in school. Many of those toads gravitated to literature to read about better times and better worlds, he noted. The writer Frederick Pohl objected. He claimed he did not have an unhappy childhood nor was he ugly. Until he knocked a tooth out when he was about ten, Pohl said he was a rather cute little kid. Whether cute or ugly, this book is for the men and women who have gravitated to literature and dream of being a writer. To be honest, no book can make you a best selling author. That must come through your own creativity. What books can do is give you tips on plotting, dialogue, prose, pace, characterization and other aspects of the writing craft. While you can never teach creativity, a book can give you sound advice on action verbs, crisp dialogue and good characterization. Almost every best selling writer can point to advice from another writer or a book that helped him develop his craft. While there are some things that cannot be leaned - such as how to copy George V. Higgins' amazing dialogue 0 other aspects of the writing craft can be studied and incorporated into your own work, while still allowing flexibility for your own special style. Even with sound advice and some writing talent, a great deal of knowledge about writing will be learned at your own keyboard, pecking out scenes of mystery or science fiction or childhood longing.

The first novel-writing guide from the best-selling Save the Cat! story-structure series, which reveals the 15 essential plot points needed to make any novel a success. Novelist Jessica Brody presents a comprehensive story-structure guide for novelists that applies the famed Save the Cat! screenwriting methodology to the world of novel writing. Revealing the 15 "beats" (plot points) that comprise a successful story--from the opening image to the finale--this book lays out the Ten Story Genres (Monster in the House; Whydunit; Dude with a Problem) alongside quirky, original insights (Save the Cat; Shard of Glass) to help novelists craft a plot that will captivate--and a novel that will sell.

The second book in the They Stay Series, and the sequel to young adult supernatural mystery, They Stay.

The Snowflake Method-ten battle-tested steps that jump-start your creativity and help you quickly map out your story.

George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Why I Write, the first in the Orwell’s Essays series, Orwell describes his journey to becoming a writer, and his movement from writing poems to short stories to the essays, fiction and non-fiction we remember him for. He also discusses what he sees as the ‘four great motives for writing’ – ‘sheer egoism’, ‘aesthetic enthusiasm’, ‘historical impulse’ and ‘political purpose’ – and considers the importance of keeping these in balance. Why I Write is a unique opportunity to look into Orwell’s mind, and it grants the reader an entirely different vantage point from which to consider the rest of the great writer’s oeuvre. 'A writer who can – and must – be rediscovered with every age.' — Irish Times

Expert writing advice from the editor of the Boston Globe best-seller, The Writer's Home Companion Dissertation writers need strong, practical advice, as well as someone to assure them that their struggles aren't unique. Joan Bolker, midwife to more than one hundred dissertations and co-founder of the Harvard Writing Center, offers invaluable suggestions for the graduate-student writer. Using positive reinforcement, she begins by reminding thesis writers that being able to devote themselves to a project that truly interests them can be a pleasurable adventure. She encourages them to pay close attention to their writing method in order to discover their individual work strategies that promote productivity; to stop feeling fearful that they may disappoint their advisors or family members; and to tailor their theses to their own writing style and personality needs. Using field-tested strategies she assists the student through the entire thesis-writing process, offering advice on choosing a topic and an advisor, on disciplining one's self to work at least fifteen minutes each day; setting short-term deadlines, on revising and defing the thesis, and on life and publication after the dissertation. Bolker makes writing the dissertation an enjoyable challenge.