Fiction and the Sixth Mass Extinction is one of the first works to focus specifically on fiction’s engagements with human driven extinction. Drawing together a diverse group of scholars and approaches, this volume pairs established voices in the field with emerging scholars and traditionally recognized climate fiction ('cli-fi') with texts and media typically not associated with Anthropocene fictions. The result is a volume that both engages with and furthers existing work on Anthropocene fiction as well as laying groundwork for the budding subfield of extinction fiction. This volume takes up the collective insistence on the centrality of story to extinction studies. In various and disparate ways, each chapter engages with the stories we tell about extinction, about the extinction of animal and plant life, and about the extinction of human life itself. Answering the call to action of extinction studies, these chapters explore what kinds of humanity caused this event and what kinds may live through it; what cultural assumptions and values led to this event and which ones could lead out of it; what relationships between human life and this planet allowed the sixth mass extinction and what alternative relationships could be possible.

ONE OF THE NEW YORK TIMES BOOK REVIEW'S 10 BEST BOOKS OF THE YEAR A major book about the future of the world, blending intellectual and natural history and field reporting into a powerful account of the mass extinction unfolding before our eyes Over the last half a billion years, there have been five mass extinctions, when the diversity of life on earth suddenly and dramatically contracted. Scientists around the world are currently monitoring the sixth extinction, predicted to be the most devastating extinction event since the asteroid impact that wiped out the dinosaurs. This time around, the cataclysm is us. In The Sixth Extinction, two-time winner of the National Magazine Award and New Yorker writer Elizabeth Kolbert draws on the work of scores of researchers in half a dozen disciplines, accompanying many of them into the field: geologists who study deep ocean cores, botanists who follow the tree line as it climbs up the Andes, marine biologists who dive off the Great Barrier Reef. She introduces us to a dozen species, some already gone, others facing extinction, including the Panamian golden frog, staghorn coral, the great auk, and the Sumatran rhino. Through these stories, Kolbert provides a moving account of the disappearances occurring all around us and traces the evolution of extinction as concept, from its first articulation by Georges Cuvier in revolutionary Paris up through the present day. The sixth extinction is likely to be mankind's most lasting legacy; as Kolbert observes, it compels us to rethink the fundamental question of what it means to be human.

A remote military research station in Utah sends out a frantic distress call, ending with a chilling final command: Kill us all! Personnel from the neighbouring base rush in to discover everyone already dead - and not just the scientists, but every living thing for fifty square miles has been annihilated. The land is entirely sterile-and the blight is spreading. To halt the inevitable, Commander Gray Pierce and Sigma must unravel a threat that rises out of the distant past, to a time when Antarctica was green and all life on Earth balanced upon the blade of a knife. Following clues from an ancient map rescued from the lost Library of Alexandria, Sigma will discover the truth about an ancient continent, about a new form of death buried under miles of ice.

This work analyzes 21st-century realistic speculations of human extinction: fictions that imagine future worlds without interventions of as-yet uninvented technology, interplanetary travel, or other science fiction elements that provide hope for rescue or long-term survival. Climate change fiction as a genre of apocalyptic and post-apocalyptic writing usually resists facing the potentiality of human species extinction, following instead traditional generic conventions that imagine primitivist communities of human survivors with the means of escaping the consequences of global climate change. Yet amidst the ongoing sixth great extinction, works that problematize survival, provide no opportunities for social rebirth, and speculate humanity's final end may address the problem of how to reject the impulse of human exceptionalism that pervades climate change discourse and post-apocalyptic fiction. Rather than following the preferences of the genre, the ecocollapse fictions examined here manifest apocalypse where the means for a happy ending no longer exists. In these texts, diminished ecosystems, specters of cannibalism, and disintegrations of difference and othering render human self-identity as radically malleable within their confrontations with the stark materiality of all life. This book is the first in-depth exploration of contemporary fictions that imagine the imbrication of human and nonhuman within global species extinctions. It closely interrogates novels from authors like Peter Heller, Cormac McCarthy and Yann Martel that reject the impulse of human exceptionalism to demonstrate what it might be like to go extinct.

PLEASE NOTE: This is key takeaways and analysis of the book and NOT the original book. The Sixth Extinction: by Elizabeth Kolbert | Key Takeaways, Analysis & Review Preview: The Sixth Extinction is a book by award winning journalist, Elizabeth Kolbert. In this book, the author demonstrates that species are dying out at a rate comparable to the previous mass extinctions, and if the trend of global warming, deforestation, and pollution continues in its present course, the numbers of extinct species will meet or exceed that rate of destruction. This event will include the extinction of humanity. What this means is that the current loss of life today will soon justify the term "The Sixth Extinction," a mass extinction like the one that destroyed the dinosaurs 65 million years ago When humans originated about 100,000 years ago, they began to hunt some species into extinction. Their ability to outcompete other early hominids for food led to the extinction of those species, including Neanderthals. The extinction of species picked up steam when humans began transforming great swaths of forest and plains into farmland about 10,000 years ago... Inside this Instaread of The Sixth Extinction: Overview of the book Important People Key Takeaways Analysis of Key Takeaways About the Author With Instaread, you can get the key takeaways and analysis of a book in 15 minutes. We read every chapter, identify the key takeaways and analyze them for your convenience.

The Sixth Extinction is a haunting account of the age in which we live. Ecologists are calling it the Sixth Great Extinction, and the world isn't losing just its ecological legacy; also vanishing is a vast human legacy of languages and our ways of living, seeing, and knowing. Terry Glavin confirms that we are in the midst of a nearly unprecedented, catastrophic vanishing of animals, plants, and human cultures. He argues that the language of environmentalism is inadequate in describing the unraveling of the vast system in which all these extinctions are actually related. And he writes that we're no longer gaining knowledge with every generation. We're losing it. In the face of what he describes as a dark and gathering sameness upon the Earth, Glavin embarks on a global journey to meet the very things we're losing (a distinct species every ten minutes, a unique vegetable variety every six hours, an entire language every two weeks) and on the way encounters some of the world's wonderful, rare things: a human-sized salmon in Russia; a mysterious Sino-Tibetan song-language; a Malayan tiger, the last of its kind; and a strange tomato that tastes just like black cherry ice cream. And he finds hope in the most unlikely places---a macaw roost in Costa Rica; a small village in Ireland; a relic community of Norse whalers in the North Atlantic; the vault beneath the Royal Botanical Garden at Kew; and the throne room of the Angh of Longwa in the eastern Himalayas. A fresh narrative take on the usual doom and gloom environmentalism, The Sixth Extinction draws upon zoology, biology, ecology, anthropology, and mythology to share the joys hidden within the long human struggle to conserve the world's living things. Here, we find hope in what's left: the absolute and stunning beauty in the Earth's last cultures and creatures.

As the extinction of species accelerates and more species become endangered, activists, filmmakers, writers, and artists have responded to bring this global crisis to the attention of the public. Until now, there has been no study of the frameworks that shape these narratives and images, or of the symbolic meanings that the death of species carries in different cultural communities. Ursula Heise makes the case that understanding how and why endangered species come to matter culturally is indispensable for any effective advocacy on their behalf. Heise begins by showing that the tools of conservation science and law need to be viewed as cultural artifacts: biodiversity databases and laws for the protection of threatened species use rhetorical and cultural resources that open up different approaches to the problem of understanding global wildlife. The second half of her book explores ways of envisioning alternative futures for biodiversity. The narrative of nature s decline or even imminent disappearance has been a successful rallying trope for those skeptical of modernization and ideologies of progress. But environmentalists nostalgia for the past and pessimistic outlook on the future have also alienated parts of the public. Heise tells the story of environmental activists, writers, and scientists who are creating new stories to guide the environmental imagination."