In New York Times bestselling author Kay Hooper’s latest Bishop/Special Crimes Unit novel, an SCU team investigates a disturbing string of disappearances... How do you find someone who has vanished without a trace? Something strange is happening in the small mountain town of Serenity, Tennessee. People going on routine errands never reach their destination. Over the past few weeks, it’s happened to five men and women—and now a child. A team from the FBI’s Special Crimes Unit is immediately sent in. Agents Lucas and Samantha Jordan, partners in work and in life, have very different abilities. Samantha is clairvoyant and Lucas is able to find the lost or abducted. With them are new partners Dante Swann, a medium, and Robbie Hodge, a telepath. The town is already on the edge of panic, but when a cop is killed, the team’s hunt for the lost turns into something very personal…and very dangerous.

A beautiful werewolf and her ferocious protector face deadly enemies and dark desires in a supernatural romance by the New York Times bestselling author. Cassie is a werewolf prophet blessed with visions that portend the fate of the world. A rare and delicate creature, she must be protected at all costs. Enter Caine, a powerful cur turned pureblooded Were whose recent tangles with a demon lord have left him in serious need of redemption. Caine is duty-bound to keep Cassie out of danger—and that includes resisting his potent urge to seduce her. As Cassie's mysterious visions lead them in and out of danger, Caine becomes increasingly certain that he has found his true mate. Cassie is charmed and frightened by Caine's magnetism. But she can't afford to doubt Caine now. A deadly enemy bent on destruction is closer than they realize—and only they can keep chaos from ruling the world.

'One of the best thriller writers working today' Lee Child 'If you want a thriller that will chill your blood, break your heart and make your pulse race, Chris Mooney is your man' Mark Billingham A KILLER WATCHES. A TOWN WAITS. Fear grips a town in Colorado as a murderer targets entire families in their own homes. As police and the FBI struggle to contain the situation, they bring in forensic investigator and serial killer expert Darby McCormick. What she finds is a brutal and elusive predator who stays one step ahead of their investigation. As Darby navigates the blood-ties and broken promises that divide the locals, she knows that all the while the killer is watching, waiting and circling his next target: her. She must not only meet evil - and somehow survive - but also be prepared to face this small town's dark heart... * * * Praise for Chris Mooney: 'Chris Mooney is a wonderful writer. Compelling, thrilling and touching' Michael Connelly 'Harrowing, gripping, haunting, gut-wrenching and beautifully written' Harlan Coben 'A compelling story that will keep you up past your bedtime' Karin Slaughter 'A scary, breakneck ride with thrills that never let up' Tess Gerritsen 'An exceptional thriller writer. I envy those who have yet to read him' John Connolly

Fearless Jones and Paris Minton, stars of the bestsellers Fearless Jones and Fear Itself, return in a high-velocity, larger-than-life thriller about family, betrayal, and revenge. "I'm in trouble, Paris." Paris Minton has heard these words before. They mean only one thing: that his neck is on the line too. So when they are uttered by his lowlife cousin Ulysses S. Grant, Paris keeps the door firmly closed. With family like Ulysses -- useless to everyone except his mother -- who needs enemies? But trouble always finds an open window, and when "Useless" Ulysses' mother, Three Hearts, shows up from Louisiana to look for her son, Paris has no choice but to track down his wayward cousin. Finding a con artist like Useless is easier said than done. But with the aid of his ear-to-the-ground friend Fearless Jones, Paris gets a hint that Useless may have expanded his range of enterprise to include blackmail. Now he has disappeared, and Paris's mission is to discover whether he is hiding from his vengeful victims -- or already dead. Traversing the complicated landscape of 1950s Los Angeles, where a wrong look can get a black man killed, Paris and Fearless find desperate women, secret lives, and more than one dead body along the way. Fear of the Dark is filled with the sheer-nerve plotting and brilliant characterizations that prompted The Nation to credit Walter Mosley for "the finest detective oeuvre in American literature."

It's hard to recognize the devil when his hand is on your shoulder. That's because a psychopath is just a person before he becomes a headline....Psychopaths have preferences for Starbucks or Dunkin' Donuts coffee, denim or linen, Dickens or...well, you get the point. Ex-FBI agent Brigid Quinn has seen more than her share of psychopaths. She is ready to put all that behind her, building a new life in Tucson with a husband, friends, and some nice quiet work as a private investigator. Sure, she could still kill a man half her age, but she now gets her martial arts practice by teaching self-defense at a women's shelter. But sometimes it isn't that simple. When her sister-in-law dies, Brigid take in her seventeen-year-old niece, Gemma Kate. There has always been something unsettling about Gemma-Kate, but family is family. Which is fine, until Gemma-Kate starts taking an unhealthy interest in dissecting the local wildlife. Meanwhile, Brigid agrees to help a local couple by investigating the death of their son—which also turns out not to be that simple. Her house isn't the sanctuary it used to be, and new dangers—including murder—seem to lurk everywhere. Brigid starts to wonder if there is anyone she can trust, or if the devil has simply moved closer to home. Becky Masterman's Fear the Darkness is the masterful follow-up to the Edgar Award and CWA Gold Dagger finalist Rage Against the Dying.

Studies of the portrayal of black people in film have tended to be studies for the ideological correctness of the depictions of black people and the extent to which they rely on stereotypes. By closely examining films such as Sapphire (1959), Leo the Last (1969), Black Joy (1977), Playing Away (1986) and Mona Lisa (1987) and situating them in their historical and social context, Fear of the Dark develops a particualar critical perspective on the film portrayal of black female sexuality and questions the extent to which black film makers have challenged stereotypes.

In the sleepy and secluded town of Barrow, Alaska -- the northernmost settlement in North America -- its citizens are preparing for the annual coming of the Dark, when the sun will set for more than thirty consecutive days and nights. But this year, the Dark will bring something else. From across the frozen wasteland, a horrifying evil descends upon Barrow, mercilessly besieging its residents with unrelenting terror and swift death. And as the darkness continues and the thirty days of night seemingly have no end in sight, Barrow's only remaining hope lies with Sheriff Eben Oleson and Deputy Stella Oleson, a husband and wife who are torn between saving the town they love and their own survival...