Explosion in Paris is the story of one woman's determination to better her life because she has finally found the man of her dreams! By refusing to accept her husband's death sentence assessment of her soul, Angela Briann Scott is challenging herself to reach beyond her limits. This is especially true since her accidental meeting with the devastatingly handsome Ross Leigh Stafford. He's a man of high principles, irreproachable character, unsinkable spirit, and unwavering compassion, all the qualities that her husband, Mitch, is seriously lacking. Angie's adopted country of France glows with charm and beauty through her eyes. By reinventing herself to save her life, she discovers her true essence and she develops a strong sense of self-worth. Her impressive success and enduring strength tell a story that will keep readers engrossed to the very end!

Explosion in Paris is the story of one womans determination to better her life because she has finally found the man of her dreams! By refusing to accept her husband's death sentence assessment of her soul, Angela Briann Scott is challenging herself to reach beyond her limits. This is especially true since her accidental meeting with the devastatingly handsome Ross Leigh Stafford. He's a man of high principles, irreproachable character, unsinkable spirit, and unwavering compassion, all the qualities that her husband, Mitch, is seriously lacking. Angies adopted country of France glows with charm and beauty through her eyes. By reinventing herself to save her life, she discovers her true essence and she develops a strong sense of self-worth. Her impressive success and enduring strength tell a story that will keep readers engrossed to the very end!

History of the 1962 plane crash at Orly Field near Paris in which 122 leaders of the arts community in Atlanta were killed.

Franco-German cultural exchange reached its height at the 1937 Paris World’s Fair, where the Third Reich worked to promote an illusion of friendship between the two countries. Through the prism of this decisive event, Grand Illusion examines the overlooked relationships among Nazi elites and French intellectuals. Their interaction, Karen Fiss argues, profoundly influenced cultural production and normalized aspects of fascist ideology in 1930s France, laying the groundwork for the country’s eventual collaboration with its German occupiers. Tracing related developments across fine arts, film, architecture, and mass pageantry, Fiss illuminates the role of National Socialist propaganda in the French decision to ignore Hitler’s war preparations and pursue an untenable policy of appeasement. France’s receptiveness toward Nazi culture, Fiss contends, was rooted in its troubled identity and deep-seated insecurities. With their government in crisis, French intellectuals from both the left and the right demanded a new national culture that could rival those of the totalitarian states. By examining how this cultural exchange shifted toward political collaboration, Grand Illusion casts new light on the power of art to influence history.

Distinguished historian John Merriman maintains that the Age of Modern Terror began in Paris on February 12, 1894, when anarchist Emile Henry set off a bomb in the Café Terminus, killing one and wounding twenty French citizens. The true story of the circumstances that led a young radical to commit a cold-blooded act of violence against innocent civilians makes for riveting reading, shedding new light on the terrorist mindset and on the subsequent worldwide rise of anarchism by deed. Merriman’s fascinating study of modern history’s first terrorists, emboldened by the invention of dynamite, reveals much about the terror of today.

This beloved cult novel—about a young man who makes a business of relaying messages from the dead—is now in a sparkling English translation Poor, poor, hard-luck Herbert Sarkar: born into a fancy Calcutta family but cursed from birth (his philandering movie director father is killed in a car crash and his mother dies soon after, when he’s still just a baby), he is taken as an orphan into his uncle’s house, only to fall further and further down the family totem pole. Despite good looks (“Hollywood-ish, Leslie Howard-ish)” and native talents, he is scorned by all but his kind aunt. Poor Herbert: so lovable but so little loved. Cheated of his inheritance, living on the roof in cast-off clothing, he pines for love, but all is woe: his own nephews beat him up. At twenty, however, he suddenly seems to possess the gift of speaking with the dead. Herbert is bathed in glory. From less than zero to starry heights—what an apotheosis. The wheel of fortune turns again, all too soon... Legendary, scathingly satiric, wildly energetic, deeply tender, Herbert is an Indian masterwork.