From its ancient headwaters on the semiarid plains of eastern New Mexico to its mouth at the Gulf of Mexico, the Brazos River carves a huge and paradoxical crescent through Texas geography and history. Its average flow is the largest of Texas rivers, but its floods, low flows, silt, and natural salt have often frustrated human desires. It is one of the most dammed of Texas rivers, but its lower four hundred miles constitute one of the longest undammed stretches of river in North America. In Exploring the Brazos River, Jim Kimmel follows this long, changeable river from its rocky “arms” in West Texas, through the stretch made famous by John Graves in his classic book, Goodbye to a River, to its lumbering presence as it flows, undammed and mostly untouched, down the Brazos Valley and into the Gulf of Mexico. Exploring the entire river system, Kimmel first sets the context of climate and geology that determines the characteristics of the Brazos. He then explains the ecological processes that define the Brazos watershed before focusing on four reaches of the river, from the headwaters to the mouth. Each chapter features the captivating photography of Jerry Touchstone Kimmel and includes maps, charts, and descriptions of the water, land, ecology, and people. To encourage readers to explore on their own, Kimmel closes the chapters with tips on where best to experience the river and the surrounding countryside. Amateur and professional naturalists and outdoor enthusiasts of all stripes will find Exploring the Brazos River a practical and inspiring guide for the introduction of—or re-acquaintance with—one of the most important, historic, and diverse natural resources in the Lone Star State. To learn more about The Meadows Center for Water and the Environment, sponsors of this book's series, please click here.

In the 1950s, a series of dams was proposed along the Brazos River in north-central Texas. For John Graves, this project meant that if the stream’s regimen was thus changed, the beautiful and sometimes brutal surrounding countryside would also change, as would the lives of the people whose rugged ancestors had eked out an existence there. Graves therefore decided to visit that stretch of the river, which he had known intimately as a youth. Goodbye to a River is his account of that farewell canoe voyage. As he braves rapids and fatigue and the fickle autumn weather, he muses upon old blood feuds of the region and violent skirmishes with native tribes, and retells wild stories of courage and cowardice and deceit that shaped both the river’s people and the land during frontier times and later. Nearly half a century after its initial publication, Goodbye to a River is a true American classic, a vivid narrative about an exciting journey and a powerful tribute to a vanishing way of life and its ever-changing natural environment.

Mumford, Texas, the summer of '69. Matt Ruggirello believes he is doomed to enter the farming life, just like everyone else in his family. Josh, his middle brother, wants nothing more than Papa's approval. While little brother Tommy observes all the happenings in and around the Ruggirello family home of Three Pecans, a nickname christened by the three brothers. Yet Matt receives news that could take him away from the cotton fields and into the big city. The obstacle in the way is Papa, whose suspicions make him fearful of change in the family. Along the way the brothers experience rivalries, car crashes, a torrential storm, familial stories of the past, the music of KTSA 550 San Antonio, and the dinner table discussions that define the Italian-American household. Inspired by stories his family has told over the years, Peter L. Scamardo II provides a window into the lives of the Central Texas farming communities, and a different perspective on the Italian-American experience.

Explores the history, geography, and culture of the rivers of Texas, accompanied by full-color photographs depicting the rivers.

Historians have long believed that the "frontier" shaped Texas plantation society, but in this detailed examination of Texas's most important plantation region, Sean M. Kelley asserts that the dominant influence was not the frontier but the Mexican Republic. The Lower Brazos River Valley -- the only slave society to take root under Mexican sovereignty -- made replication of eastern plantation culture extremely difficult and complicated. By tracing the synthesis of cultures, races, and politics in the region, Kelley reveals a distinct variant of southern slavery -- a borderland plantation society. Kelley opens by examining the four migration streams that defined the antebellum Brazos community: Anglo-Americans and their African American slaves who constituted the first two groups to immigrate; Germans who came after the Mexican government barred immigrants from the U.S. while encouraging those from Europe; and African-born slaves brought in through Cuba who ultimately made up the largest concentration of enslaved Africans in the antebellum South. Within this multicultural milieu, Kelley shows, the disparity between Mexican law and German practices complicated southern familial relationships and master-slave interaction. Though the Mexican policy on slavery was ambiguous, alternating between toleration and condemnation, Brazos slaves perceived the Rio Grande River as the boundary between white supremacy and racial egalitarianism. As a result, thousands fled across the border, further destabilizing the Brazos plantation society. In the1850s, nonslaveholding Germans also contributed to the upheaval by expressing a sense of ethnic solidarity in politics. In an attempt to undermine Anglo efforts to draw a sharp boundary between black and white, some Germans hid runaway slaves. Ultimately, Kelley demonstrates how the Civil War brought these issues to the fore, eroding the very foundations of Brazos plantation society. With Los Brazos de Dios, Kelley offers the first examination of Texas slavery as a borderland institution and reveals the difficulty with which southern plantation society was transplanted in the West.

The San Marcos springs have flowed for around ten million years. In this ode to the river they form, Jim Kimmel brings us a picture of a watercourse brimming with life, past and present. Native, non-native, prehistoric, and modern-day plants, animals, and people have inhabited the river and its banks. Kimmel touches on them all with the affectionate and knowledgeable voice of one whose own life has been closely linked to the San Marcos. As readers journey with Kimmel from the river's headwater springs to its junction with the Guadalupe River, The San Marcos: A River's Story will capture the imagination and provide valuable information about the river and its crucial role in the ecological health of Texas. Original photographs by Jerry Touchstone Kimmel add a sense of the beauty and complexity of the river.

Matt Andersen was dead. Shot down in a hold up that shocked the small community of Bozeman, Montana. At least the townsfolk thought he was dead. A case of mistaken identity may have saved Matt's life but it would have to be a life lived in exile. His adventures took him south where he served in the confederate army. After the Civil War, he followed his commanding general to Texas to work as a hired gun. Range wars and cattle drives kept him busy, and home life on the ranch was good.Then, one summer day, three cowboys rode in from Montana to bring him home. Matt's life would change forever as he found himself having to decide between the life and love he found in Texas and his family's ranch in Montana.A sweeping saga of greed, lust, gunfights, cattle drives, and family loyalty, Across the Brazos is a story of one man's struggle to find himself and his home.