An African proverb states that when a knowledgeable old person dies, a whole library disappears. In that light, this book presents knowledge that is new or has not been readily available until now because it has not previously been captured or reported by indigenous people. Indigenous knowledge that embraces ornithology takes in whole social dimensions that are inter-linked with environmental ethos, conservation and management for sustainability. In contrast, western approaches have tended to reduce knowledge to elemental and material references. This book also looks at the significance of ind.

Indigenous knowledge that embraces ornithology takes in whole social dimensions that are inter-linked with environmental ethos, conservation and management for sustainability. In contrast, western approaches have tended to reduce knowledge to elemental and material references. This book looks at the significance of indigenous knowledge of birds and their cultural significance, and how these can assist in framing research methods of western scientists working in related areas. As well as its knowledge base, this book provides practical advice for professionals in conservation and anthropology by demonstrating the relationship between mutual respect, local participation and the building of partnerships for the resolution of joint problems. It identifies techniques that can be transferred to different regions, environments and collections, as well as practices suitable for investigation, adaptation and improvement of knowledge exchange and collection in ornithology. The authors take anthropologists and biologists who have been trained in, and largely continue to practise from, a western reductionist approach, along another path - one that presents ornithological knowledge from alternative perspectives, which can enrich the more common approaches to ecological and other studies as well as plans of management for conservation.

Ethno-ornithology is the study of the relationship between people and birds. This book makes an in-depth study of ethno-ornithological traditions of the Lepchas—an aboriginal group of people of North-East India. Bringing to light the Lepcha bird nomenclature, it describes in detail the place of birds in Lepcha myths of origins and their importance in the day-to-day lives of the Lepcha people. Taking note of Lepcha views on the birds, it also presents behaviour of different birds as depicted in Lepcha folktales, songs and dances.

"Investigates social interactions between Native American groups and birds along the upper Missouri River in all their tangible and intangible expressions"--Provided by publisher.

The Missouri River Basin is home to thousands of bird species that migrate across the Great Plains of North America each year, marking the seasonal cycle and filling the air with their song. In time immemorial, Native inhabitants of this vast region established alliances with birds that helped them to connect with the gods, to learn the workings of nature, and to live well. This book integrates published and archival sources covering archaeology, ethnohistory, historical ethnography, folklore, and interviews with elders from the Blackfoot, Assiniboine, Mandan, Hidatsa, Arikara, and Crow communities to explore how relationships between people and birds are situated in contemporary practice, and what has fostered its cultural persistence. Native principles of ecological and cosmological knowledge are brought into focus to highlight specific beliefs, practices, and concerns associated with individual bird species, bird parts, bird objects, the natural and cultural landscapes that birds and people cohabit, and the future of this ancient alliance. Detailed descriptions critical to ethnohistorians and ethnobiologists are accompanied by thirty-four color images. A unique contribution, The Winged expands our understanding of sets of interrelated dependencies or entanglements between bird and human agents, and it steps beyond traditional scientific and anthropological distinctions between humans and animals to reveal the intricate and eminently social character of these interactions.

Before the massive environmental change wrought by the European colonization of the South, hundreds of species of birds filled the region's flyways in immeasurable numbers. Before disease, war, and displacement altered the South's earliest human landscape, Native Americans hunted and ate birds and made tools and weapons from their beaks, bones, and talons. More significant to Shepard Krech III, Indians adorned themselves with feathers, invoked avian powers in ceremonies and dances, and incorporated bird imagery on pottery, carvings, and jewelry. Krech, a renowned authority on Native American interactions with nature, reveals as never before the omnipresence of birds in Native American life. From the time of the earliest known renderings of winged creatures in stone and earthworks through the nineteenth century, when Native southerners took part in decimating bird species with highly valued, fashionable plumage, Spirits of the Air examines the complex and changeable influences of birds on the Native American worldview. We learn of birds for which places and people were named; birds common in iconography and oral traditions; birds important in ritual and healing; and birds feared for their links to witches and other malevolent forces. Still other birds had no meaning for Native Americans. Krech shows us these invisible animals too, enriching our understanding of both the Indian-bird dynamic and the incredible diversity of winged life once found in the South. A crowning work drawing on Krech's distinguished career in anthropology and natural history, Spirits of the Air recovers vanished worlds and shows us our own anew.