100 Different Ways to play the same song. Piano students learn 100 fun left hand patterns to take any music and change it up 100 different ways. Also included in the book is the FUN FAKEBOOK which includes 100 piano pieces in facebook format where the melody (Right Hand - treble clef) and the given chords for each measure are shown. The students can then fake or make up a left hand pattern to go along with the melody.

Essential Jazz Piano Exercises Every Piano Player Should Know is a book everyone can use to improve their understanding of jazz basics, blues scales, the ii-V-I chord progressions, modal jazz improv, other fun jazz chord progressions, and more. Essential Jazz Piano Exercises Every Piano Player Should Know was created as one of the resources for the members of the Essential Piano Exercises Course (essentialpianoexercises.com/). This book is dedicated to the many piano students, young and old, who have asked Jerald Simon over the years to release a book with all of the jazz piano exercises he feels are essential to help pianists learn how to improvise, arrange, and even compose in a jazz style. In this book, Jerald teaches the following: Key Signatures - page 6, Basic Music Intro/Review - page 12, Most Common Chords - page 22, Blues Pentascales - page 38, 12 Bar Blues - page 48, The Major Blues Scale - page 76, 2 - 5 - 1 (ii7 - V7 - I7) - page 88, Jazz Modes - page 98, Whole - Half - Half - page 105, Using the Chromatics Scale - page 110, Using Jazz Chords - page 116, The Boogie-Woogie - page 138, Using 7th Chords - page 170, Improv Lessons - page 198, Modal Jazz Improvisation - page 222, 9th Chords - page 237, Modulating from one Key to Another - page 244, Over 100 Measures of RH Riffs and Improv Patterns Created from the Minor Blues Scale - page 248, and Over 100 Measures of RH Riffs and Improv Patterns Created from the Major Blues Scale - page 252.Jerald also includes 33 original jazz pieces to help piano students learn jazz the fun way - by actually playing jazz music and seeing the practical application of the jazz theory they have learned.The entire book follows a pattern of: 1. Teaching the jazz music theory concept, 2. Presenting exercises that focus on implementing and applying the jazz music theory concepts, and 3. Demonstrating how the theory and and jazz exercises can be combined together to create actual jazz music by having the piano student play jazz music that was composed using the exact jazz theory concepts the student has just learned. Essential Jazz Piano Exercises Every Piano Player Should Know is part of the Essential Piano Exercises Series. The first book in this series is titled Essential Piano Exercises Every Piano Player Should Know. It was followed by 100 Left Hand Patterns Every Piano Player Should Know. This is the third book in the series. Other books in this series will soon be available as well (i.e. Essential New Age Piano Exercises Every Piano Player Should Know, Essential Pop Piano Exercises Every Piano Player Should Know, Essential Rock Piano Exercises Every Piano Player Should Know, 100 Chord Progressions Every Piano Player Should Know, 100 Improvised Licks Every Piano Player Should Know, etc.).

Learn Intervals, Pentascales, Tetrachords, Scales (major and minor), Chords (triads, sus, aug., dim., 6th, 7th), Chord Progressions, Modes, and FUN, COOL Piano Exercises in all Key Signatures and in all inversions.

Essential Piano and Keyboard Technique is a thorough and comprehensive study of keyboard technique, taking early-intermediate students well into advanced levels. This book fulfills not only the current technical requirements established by the Music Teachers National Association (MTNA) and the Music Teachers' Association of California (MTAC), but exceeds them by providing important technique not found in either program. Four sections present technical exercises by category for easy reference. Click the "LOOK INSIDE " feature to find the Table of Contents, How to use this Book and other pages helpful to the consumer in understanding this valuable resource.

Brahms composed these melodic finger exercises for use in preparation for performing his more challenging piano works. They encompass a great many technical problems found in piano music composed up to and including the Romantic period. Great emphasis is placed on finger independence as well as on the total independence of hands.

This edition is comprised of 86 different technical exercises composed by Liszt during 1868 to 1880. Liszt intended these highly challenging exercises to build greater performance skills in virtuoso pianists. The complete series consists of twelve volumes, each one dealing with a different pianistic problem. This edition has been compiled from the original set to present the exercises in a reasonable length without harming the essence and effectiveness of the original work.