Poetry. Latinx Studies. Romina Freschi's ECHO OF THE PARK is a philosophical long poem that surveys made spaces, both elevated and debased. In dialogue with First Dream by Sor Juana In�s de la Cruz, Freschi captures fleeting states of grace, such as "ecstasy" and "bliss," and the ensuing gravitational pull of urban life's "imperfect terrain." All urban spaces are interior and exterior, private and public, confining and freeing. Ultimately the park, and the "parkified" speech of the poem, are sites of mourning. Can a former site of political violence be converted into a public green space? Jeannine Marie Pitas's nuanced translation presents Romina Freschi as one of the most singular and startling voices in contemporary Argentine poetry. "Romina Freschi's ECHO OF THE PARK explores dualities of capture and flight. Held by power, routine, poison, cultivation, gravity's many forms? Her language honors ecstatic break through, a feathered bird named Sor Juana, an interspecies heart, introspective focus, and passage to deep grief, and altogether punctuates turbulence with a rare calm...Read Romina Freschi's poetry: like her work as a publisher, professor, and instigator of cultural conversation, it startles us with vulnerable yet durable language. Be a cloud. A shadow-casting amorphous volume in flight for a short time. Be an ant. A ghost."�Deborah Meadows "Romina Freschi's ECHO OF THE PARK is one long poem that lets the reader chose whether to wander through the pages or rush from one short line to the next as it moves from the mystical dream world of Sor Juana to fallen Eden of the present, from the contemporary to the eternal, from speech to silence, from the smell of fallen, rotting avocados to the scent of wet cement, as effortlessly as a small finch flits through the sky. In this fluid, masterful translation by Jeannine Pitas, ECHO OF THE PARK is a book to read in one sitting, then read again�slowly savoring each line."�Jesse Lee Kercheval "The poems of Romina Freschi are a welcome addition to American poetry, where we have a tendency to be isolationist by default. This potent voice from Buenos Aires employs vivid imagery and fierce intellect and sprays candlelight into the cave of what it means to be human, lost between realms, where memory takes many forms�an impossible road, a small basket, a chute we slide down�none of them satisfying. But Freschi's poetry itself engages the mind and ear."�Jeffrey Mcdaniel "Tracing the language of paradise, Romina Freschi's ECHO OF THE PARK, in Jeannine Marie Pitas' brilliant, searing translation, explores a paradise lost, one never-had, in which the poem traverses various registers of pastoral and urban life and asks the reader to 'inhabit then / imperfect terrain.' Through negation�'There is no nature / in the park'�and accumulation alike, this book explores impermanence in its most entropic and lasting forms, leaving its mark on terrain that pushes through the literary and into its liminal outskirts, settling somewhere between 'the dream and its scar.'"�Alexis Almeida

Explores the lives of those who shed their ethnic identity in pursuit of the American dream with a different character in each chapter, including Hector, a day laborer who witnesses a murder, and Felicia, who survives a drive-by shooting.

First in a “spellbinding”* series about a coven of witches living in L.A., from Amber Benson, author of the Calliope Reaper-Jones novels. Unbeknownst to most of humankind, a powerful network of witches thrives within the shadows of society, using magic to keep the world in balance. But the witches are being eliminated—and we will all pay if their power falls… When Lyse MacAllister’s great-aunt Eleanora, the woman who raised her, becomes deathly ill, Lyse puts her life in Georgia on hold to rush back to Los Angeles. And once she returns to Echo Park, Lyse discovers her great-aunt has been keeping extraordinary secrets from her. Not only is Lyse heir to Eleanora’s Victorian house; she is also expected to take her great-aunt’s place in the Echo Park coven of witches. But accepting her destiny means placing herself in deadly peril—for the world of magic is under siege, and the battle the witches now fight may be their last…

Just as he's on the verge of cracking an unsolved case, Detective Harry Bosch discovers an old clue that could have saved lives -- and the guilt begins to haunt him. In 1995, Marie Gesto disappeared after walking out of a supermarket in Hollywood. Harry Bosch worked the case but couldn't crack it, and the 22-year-old woman never turned up, dead or alive. Now Bosch is in the Open-Unsolved Unit, where he still keeps the Gesto file on his desk, when he gets a call from the DA. A man accused of two heinous killings is willing to come clean about several other murders, including the killing of Marie Gesto. Bosch must now take Raynard Waits's confession and get close to the man he has sought -- and hated -- for eleven years. But when Bosch learns that he and his partner missed a clue back in 1995 that could have led them to Gesto's killer -- and that would have stopped nine murders that followed -- he begins to crack. Michael Connelly's suspenseful new novel pits the detective People magazine calls "one of the most complex crime fighters around" against one of the most sadistic killers he has ever confronted. It confirms that Michael Connelly "is the best writer of suspense fiction working today" (Richmond Times-Dispatch).

From the author of The Other Boy comes a poignant and heartfelt novel that explores what it means to be a family. Perfect for fans of Counting by 7s. Nevaeh, Vic, and Mara are veterans of the Los Angeles foster care system. For over a year they’ve been staying with Mrs. K in Echo Park. Vic spends most of his time living in a dream world, Mara barely speaks, and Nevaeh is forced to act as a back-up parent. Though their situation isn’t ideal, it’s still their best home yet. Then Child Protective Services places Quentin in the house, and everything is turned upside down. Nevaeh really can’t handle watching over anyone else, especially a boy on the autism spectrum. Meanwhile, Quentin is having trouble adjusting and attempts to run away. So when Vic realizes Quentin just wants to see his mom again, he plans an “epic quest” to reunite them. It could result in the foster siblings getting sent to different group homes. But isn’t family always worth the risk?

This Is Dinosaur was first published in 1955, in the midst of a bitter controversy over the proposed construction of dams at Echo Park. The outcome of the controversy--a congressional vote to prohibit the dams--"set in brass the principle that any part of the national park system should be immune from any sort of intrusion and damage," wrote Wallace Stegner in the 1985 edition of the book. Reprinted with new color photographs, This Is Dinosaur still stands as a classic introduction to the historic, scenic, archeological, and biological resources of the Monument by an impressive array of writers. Contains the following essays: "The Marks of Human Passage" by Wallace Stegner "Geological Exhibit" by Eliot Backwelder "The Natural World of Dinosaur" by Olaus Murie and Joseph W. Penfold "The Ancients of the Canyons" by Robert Lister "Fast Water" by Otis "Dock" Marston "A Short Look at Eden" by David Bradley "The National Park Idea" by Alfred A. Knopf

Harvey details the first major clash between conservationists and developers after World War II, the successful fight to prevent the building of Echo Park Dam. The dam on the Green River was intended to create a recreational lake in northwest Colorado and generate hydroelectric power, but would have flooded picturesque Echo Park Valley and threatened Dinosaur National Monument, straddling the Utah-Colorado border near Wyoming.