Publisher Description

For nearly three decades, Ping Chong and his company have written and staged some of the most innovative and arresting examinations of "the Other" on stages in the U.S., Europe, and Asia. His work more than any other artist has explored the ways Asian cultures have intersected with contemporary American society and throughout history. This volume collects four of his masterworks created over the past decade, including: Deshima (1990), a documentary collage of the history of the West and Japan; Chinoiserie (1995), spans centuries, continents and cultures, where the mysterious East meets the mysterious West; After Sorrow (1997), explores the legacy of war in Vietnam; Pojagi (1999), a poetic documentary on Korea from the sixteenth century to today. The Washington Post has said these works are "like poems in their simplicity and power to evoke . . . -carefully wrought and beautifully designed. "As an artist , I’m an outsider in American society. As an experimental artist, I’m an outsider in the art world. As a person of color, I’m an outsider; as an immigrant, I’m an outsider; as a gay man, I’m an outsider. It’s the position that fate has allotted me, but it’s a valuable postion to be in, because I think every society should have a mirror held to it by the outsider."—Ping Chong, 1999 Ping Chong was born in 1946 and raised in the Chinatown section of New York City. He began his theatrical career with Meredith Monk and later founded his own company in 1975, which later became Ping Chong and Company. It was created to explore the meaning of contemporary theatre and art on a national and international level. He has created over fifty major works for the stage, including Humboldt’s Current, Nosferatu, Kind Ness, and Undesirable Elements. His works have received numerous Obie and Bessie Awards and are performed throughout the world.

Full of unforgettable figures and an unrelenting spirit of adventure, Strange Stones is a far-ranging, thought-provoking collection of Peter Hessler’s best reportage—a dazzling display of the powerful storytelling, shrewd cultural insight, and warm sense of humor that are the trademarks of his work. Over the last decade, as a staff writer for The New Yorker and the author of three books, Peter Hessler has lived in Asia and the United States, writing as both native and knowledgeable outsider in these two very different regions. This unusual perspective distinguishes Strange Stones, which showcases Hessler’s unmatched range as a storyteller. “Wild Flavor” invites readers along on a taste test between two rat restaurants in South China. One story profiles Yao Ming, basketball star and China’s most beloved export, another David Spindler, an obsessive and passionate historian of the Great Wall. In “Dr. Don,” Hessler writes movingly about a small-town pharmacist and his relationship with the people he serves. While Hessler’s subjects and locations vary, subtle but deeply important thematic links bind these pieces—the strength of local traditions, the surprising overlap between apparently opposing cultures, and the powerful lessons drawn from individuals who straddle different worlds.

Winner of the 2014 Outstanding Book Award presented by the Association for Theatre in Higher Education Taking a performance studies approach to understanding Asian American racial subjectivity, Joshua Takano Chambers-Letson argues that the law influences racial formation by compelling Asian Americans to embody and perform recognizable identities in both popular aesthetic forms (such as theater, opera, or rock music) and in the rituals of everyday life. Tracing the production of Asian American selfhood from the era of Asian Exclusion through the Global War on Terror, A Race So Different explores the legal paradox whereby U.S. law apprehends the Asian American body as simultaneously excluded from and included within the national body politic. Bringing together broadly defined forms of performance, from artistic works such as Madame Butterfly to the Supreme Court’s oral arguments in the Cambodian American deportation cases of the twenty-first century, this book invites conversation about how Asian American performance uses the stage to document, interrogate, and complicate the processes of racialization in U.S. law. Through his impressive use of a rich legal and cultural archive, Chambers-Letson articulates a robust understanding of the construction of social and racial realities in the contemporary United States.

Examines what adaptation and translation are, and moves towards theorizing both as coherent disciplines.

This book surveys the history of Asian American theatre from 1965 to 2005.

Desperate for the next Game of Thrones? Pick up Empress of the Fall for your full-on fix of epic fantasy. The Emperor is dead - long live the Empress! Emperor Constant is dead and his rivals are scrabbling for power - but any misstep could plunge the land, already devastated by the shocking outcome of the Third Crusade, into a calamitous civil war. The Imperial throne is not the only one in jeopardy. Two brothers, imprisoned veterans of the Crusades, finally return home to find their father's kingdom being plundered - but the price of regaining their birthright will have far-reaching implications for the entire empire. In the East, Sultan Salim, peacemaker and visionary ruler, faces his greatest challenge as his people demand an invasion of the West in retribution for the Rondian Crusades And lurking in the darkness, orchestrating both the power struggles and the inevitable conflicts, is a shadowy group threatening to destroy civilisation itself. Once more, Urte stands on the brink of cataclysm.