Earth Matters tells the story of how American theatre has shaped popular understandings of the environment throughout the 20th century as it argues for theatre's potential power in the age of climate change. Using cultural and environmental history, seven chapters illuminate key moments in American theatre and American environmentalism over the course of the 20th century in the US. Earth Matters focuses in particular on how drama has represented environmental injustice, and how inequality has become part of the American environmental landscape. As the first book-length ecocritical study of American theatre, Earth Matters examines both familiar dramas, but also lesser-known grassroots plays, in an effort to show that theatre can be a powerful force for social change From frontier drama of the late nineteenth century to the eco-theatre movement, Earth Matters argues that theatre has been part of the history of environmental ideas and action in the U.S. Earth Matters also maps the rise of an ecocritical thought and ecotheatre practice--what the author calls ecodramaturgy -showing how theatre has informed environmental perceptions and policies. Through key plays and productions, it identifies strategies for artists who want their work to contribute to cultural transformation in the face of climate change.

Earth Matters on Stage: Ecology and Environment in American Theater tells the story of how American theater has shaped popular understandings of the environment throughout the twentieth century as it argues for theater’s potential power in the age of climate change. Using cultural and environmental history, seven chapters interrogate key moments in American theater and American environmentalism over the course of the twentieth century in the United States. It focuses, in particular, on how drama has represented environmental injustice and how inequality has become part of the American environmental landscape. As the first book-length ecocritical study of American theater, Earth Matters examines both familiar dramas and lesser-known grassroots plays in an effort to show that theater can be a powerful force for social change from frontier drama of the late nineteenth century to the eco-theater movement. This book argues that theater has always and already been part of the history of environmental ideas and action in the United States. Earth Matters also maps the rise of an ecocritical thought and eco-theater practice – what the author calls ecodramaturgy – showing how theater has informed environmental perceptions and policies. Through key plays and productions, it identifies strategies for artists who want their work to contribute to cultural transformation in the face of climate change.

The human perception of Earth in space is ever changing. Once upon a time there was this belief that our Earth is flat... But scientifically, what is currently known of Earth in space and life on Earth? In Space-Earth Matters, Dr. Parashar outlines the scientific history of space from the Big Bang and the genesis of stars and planets billions of years ago to the recent human enterprise of placing thousands of satellites in orbit around our Earth. Dr. Parashar will spacewalk you through the characteristics of orbital mechanics and the basics to understanding the motion of planets and satellites in space and answer such questions as: • How are space science and technology through satellites, sensors, and ground systems being employed for the observation of Earth and exploration of our solar system? • Are such activities in space regulated and managed—and by whom? • Who is responsible for the global governance of space including space debris? • Are there any socio-economic returns of space investments and who has the capability to deploy space missions in order to derive these benefits? Dr. Parashar explains why space-based applications like weather and environmental monitoring, resource mapping, disaster management support, communications, and navigation are of utmost value to all of us on Earth. Space-Earth Matters is a diverse and yet thoroughly approachable exploration of all matters Space and Earth for you, your colleagues, friends, and family.

New York Times bestselling author John Eldredge offers readers a breathtaking look into God’s promise for a new heaven and a new earth. This revolutionary book about our future is based on the simple idea that, according to the Bible, heaven is not our eternal home--the New Earth is. As Jesus says in the gospel of Matthew, the next chapter of our story begins with "the renewal of all things," by which he means the earth we love in all its beauty, our own selves, and the things that make for a rich life: music, art, food, laughter and all that we hold dear. Everything shall be renewed "when the world is made new." More than anything else, how you envision your future shapes your current experience. If you knew that God was going to restore your life and everything you love any day; if you believed a great and glorious goodness was coming to you--not in a vague heaven but right here on this earth--you would have a hope to see you through anything, an anchor for your soul, "an unbreakable spiritual lifeline, reaching past all appearances right to the very presence of God" (Hebrews 6:19). Most Christians (most people for that matter) fail to look forward to their future because their view of heaven is vague, religious, and frankly boring. Hope begins when we understand that for the believer nothing is lost. Heaven is not a life in the clouds; it is not endless harp-strumming or worship-singing. Rather, the life we long for, the paradise Adam and Eve knew, is precisely the life that is coming to us. And that life is coming soon.

Max Forrestal is going to fail biology if he doesn't complete a 20-page paper on extinction by 2pm on Tuesday, but his mother, Lily, is dying of cancer, and school is the last thing on his mind. His father, Ellery, a biologist obsessed with saving a rare Bolivian insect, is incapable of dealing with his wife's impending death, or his son's distress. Max's biology teacher, Khim Phan, tries to figure out why Max is failing the class. Helping Max, however, pushes Khim into a magical journey of his own, from the Cambodian fields of his youth into the undiscovered country beyond.

How does the world of theatre and the performing arts intersect with the climate and environmental crisis? This timely book is the first comprehensive account of the sector's response to the defining issue of our time. The book documents a sector in transition and presents theatre professionals, practitioners and organizations with a synthesis of information, knowledge and expertise to guide them to their own endorsement of sustainable thinking and practice. It is illustrated with inspiring case studies and interviews, from London's National Theatre, to Sydney Theatre Company, to the Göteborg Opera and the American Repertory Theatre. These foreground the work of pioneering institutions and individual practitioners whose artistic ingenuity, creative activism and sense of public mission have given shape, content and purpose to what we can now call 'sustainable theatre'. Spanning almost three decades, the book approaches the topic from multiple angles and through an international perspective, recording how climate and environmental concerns have been expressed in cultural policy, arts leadership and organizational ethics; in the greening of infrastructure and daily operations; in the individual and institutional practice of sustainable theatre-making; in performing arts education; and in touring practices and international collaboration. It investigates, too, how the climate crisis influences theatre as a story-teller – on stage and beyond. Written by a leading expert in the field of culture and environmental sustainability and distilling many years of research and hands-on experience, Sustainable Theatre: Theory, Context, Practice is intended to be relevant and useful to professionals involved in the theatre and performing arts sector in many different capacities: from policy-makers, arts leaders and managers to administrators, technicians, artists, scholars and educators.

THE NEW YORK TIMES BESTSELLER! "I had the choice to come back ... or not. I chose to return when I realized that 'heaven' is a state, not a place" In this truly inspirational memoir, Anita Moorjani relates how, after fighting cancer for almost four years, her body began shutting down—overwhelmed by the malignant cells spreading throughout her system. As her organs failed, she entered into an extraordinary near-death experience where she realized her inherent worth . . . and the actual cause of her disease. Upon regaining consciousness, Anita found that her condition had improved so rapidly that she was released from the hospital within weeks—without a trace of cancer in her body! Within this enhanced e-book, Anita recounts—in words and on video—stories of her childhood in Hong Kong, her challenge to establish her career and find true love, as well as how she eventually ended up in that hospital bed where she defied all medical knowledge. In "Dying to Be Me," Anita Freely shares all she has learned about illness, healing, fear, "being love," and the true magnificence of each and every human being!