"This is a substantial contribution to the understanding of an important aspect of African Christianity; the place of dreams in daily life, and their significance as interpreted by a representative body of African Christians ..."--Andrew Walls

Of Dreams and Assassins is the urgent and rhythmic fourth novel of Malika Mokeddem, her second to appear in English. Born in Algeria to a Bedouin family that had only recently become sedentary, Mokeddem was raised on the stories of her grandmother, who encouraged her education at a time when girls did not go to school. Though raised in a tolerant version of Islam, Mokeddem nevertheless felt the weight of custom and tradition. Of Dreams and Assassins, though not strictly autobiographical, evokes through the beauty and vastness and oppressive heat of the desert Mokeddem's early yearning for freedom. Through its heroine, Kenza, and her simultaneous rebellion and immersion in the literary classics at a boarding school, the novel dramatizes the possibilities for women to express their identities. Kenza is an exile, first in her own society and later in France. Born during a visit to Montpellier in the year of Algerian independence, she returns with her mother to Oran to find her father has taken another wife. Her mother leaves alone, never to return. Kenza's subsequent search for herself through the mother she doesn't know, told in a frank first-person narrative, mirrors the struggle of Algerian women to make a place in a society that has stripped them of their rights in spite of their crucial participation in the war for independence. Kenza's suffocating childhood in the house of her boisterous, leering father is broken only by summers in the desert, where the dates "become golden brown and gleam like little clusters of suns that mock the children." Eventually, Kenza, like Mokeddem herself, leaves her home to go to school in Montpellier, because she can no longer tolerate life in Algeria. Of Dreams and Assassins is a protest, against the subjugation of women in Algeria and the violence of the last ten years, perpetrated by fundamentalist Muslim guerrillas. In exile, Kenza puts her hope in métissage, the blending of cultures embodied by the character of Slim, her friend and confidant, who lives happily with his mixed-race origins. Kenza's story dramatizes Mokeddem's belief that the future of Algeria lies in its women and in education; only through liberation and education can the pain of Kenza's exile be redeemed.

Dream A World Anew is the stunning gift book accompanying the opening of the Smithsonian National Museum of African American History and Culture. It combines informative narratives from leading scholars, curators, and authors with objects from the museum's collection to present a thorough exploration of African American history and culture. The first half of the book bridges a major gap in our national memory by examining a wide arc of African American history, from Slavery, Reconstruction, the Harlem Renaissance, and the Great Migrations through Segregation, the Civil Rights Movement, and beyond. The second half of the book celebrates African American creativity and cultural expressions through art, dance, theater, and literature. Sidebars and profiles of influential figures--including Harriet Tubman, Robert Smalls, Ida B. Wells, Mordecai Johnson, Louis Armstrong, Nina Simone, and many others--provide additional context and interest throughout the book. Dream a World Anew is a powerful book that provides an opportunity to explore and revel in African American history and culture, as well as the chance to see how central African American history is for all Americans.

An African-American child dreams of long-ago Africa, where she sees animals, shops in a marketplace, reads strange words from an old book, and returns to the village where her long-ago granddaddy welcomes her. ‘Greenfield’s lyrical telling and Byard’s marvelous pictures make this book close to an ideal adventure for children, black or white.’ —Publishers Weekly. 1978 Coretta Scott King Award

Where Dreams Come Alive documents the initiatory patterns embedded in the journey of a Zulu woman's heroic confrontation with her calling to be a healer. Archetypal phenomena in the cosmology of the African healer are amplified through the stages of the alchemical opus and the psychology of C.G. Jung.