Contains essays which explore the interrelationships among African American music, literature, and popular culture. This book first lays out the case for the blues as constituting a body of literature, and then offers a tour of the movement through classic jazz, bop, and the explosions of the free jazz era, followed by a section on R & B and Soul.

The publication of the King James version of the Bible, translated between 1603 and 1611, coincided with an extraordinary flowering of English literature and is universally acknowledged as the greatest influence on English-language literature in history. Now, world-class literary writers introduce the book of the King James Bible in a series of beautifully designed, small-format volumes. The introducers' passionate, provocative, and personal engagements with the spirituality and the language of the text make the Bible come alive as a stunning work of literature and remind us of its overwhelming contemporary relevance.

How do we help our friends who have just become Christians or are young in the faith? In this concise and accessible book, Mike Patton unpacks the basics of the Christian faith, helping new believers think rightly about God and live fully for God as they begin their new life in Christ. In ten easy-to-read chapters, Patton introduces readers to the foundational teachings and life-giving practices of Christianity—from the doctrine of the Trinity to reading and understanding the Bible. Designed for individual use or small group discussion, this handbook on the Christian faith has the potential to become the go-to guide for new believers wanting to follow Jesus with their heads and their hands.

Included in this 2nd edition is a critical essay commissioned by and featured on AcrossTheMargin.com, "Uncloaking Beneath The Underground" by Malik Ameer Crumpler, which was included in the BEST OF ATM 2018, ARTS, MUSIC, FILM & CULTURE. The raps within this book, are a mélange of monologues, existential raps, experimental improvisations, memoirs, operas, conjure songs and nano-plays written, recorded, transcribed and performed from 2000 to 2018.

“Our Father, who art in heaven….” The opening words of the Lord’s Prayer have become so familiar that we often speak them without a thought, sometimes without any awareness that we are speaking at all. But to the disciples who first heard these words from Jesus, the prayer was a thunderbolt, a radical new way to pray that changed them and the course of history. Far from a safe series of comforting words, the Lord’s Prayer makes extraordinary claims, topples every earthly power, and announces God’s reign over all things in heaven and on earth. In this groundbreaking new book, R. Albert Mohler Jr. recaptures the urgency and transformational nature of the prayer, revealing once again its remarkable, world-upending power. Step by step, phrase by phrase, The Prayer That Turns the World Upside Down explains what these words mean and how we are to pray them. The Lord’s Prayer is the most powerful prayer in the Bible, taught by Jesus to those closest to him. We desperately need to relearn its power and practice. The Prayer That Turns the World Upside Down shows us how.

By “our premier writer about jazz and the blues . . . and a fictional tale spinner in the grand Southern tradition” (Washington Post Book World), The Spyglass Tree is a deeply affecting novel of elegant, lyrical reminiscence and profound sophistication about a young black man’s advent into the world of academia—an imaginary Alabama college—in the 1930s. Admist the excitement of the world of ideas and adventures with new friends, Scooter sallies into “the territory of the blues,” where recollection becomes legend. Here he learns to deal with the vicissitudes of life—the complexities of family ties and camaraderie, his sexuality, pride of excellence in school, the darker realities of history and human passion—through confrontation and improvisation, and with style and courage. “[The Spyglass Tree] strikes a perfect balance between the black folk tradition and Faulknerian rumination. . . . One reads this very fine novel for the glissando effect of its language, the vibrancy of its characters and the unabashed pleasure Mr. Murray takes in nostalgia for its own sake . . . with level-headed clarity and honesty.”—The New York Times Book Review