A self-proclaimed knight Señor Quexada has read so many books about knights in shining armor that he thinks he is one. He gives himself a name more fitting for a knight -- Don Quixote -- and sets off one evening with his squire. At dawn they come across what Don Quixote recognizes as an army of monstrous giants. "Master!" cries Sancho Panza. "They are only windmills!" But Don Quixote knows what he has to do . . . Don Quixote is the creation of the Spanish writer Miguel de Cervantes Saavedra. Eric A. Kimmel skillfully and cleverly crystallizes the character, and with his powerful line and vibrant color Leonard Everett Fisher completes the funny, loving portrait.

Cervantes’ Don Quixote is the most widely read masterpiece in world literature, as appealing to readers today as four hundred years ago. In Fighting Windmills Manuel Durán and Fay R. Rogg offer a beautifully written excursion into Cervantes’ great novel and trace its impact on writers and thinkers across centuries and continents. How did Cervantes write such a rich tale? Durán and Rogg explore the details of Cervantes’ life, the techniques with which he constructed the novel, and the central themes of the adventures of Don Quixote and his earthy squire Sancho Panza. The authors then provide an insightful, panoramic view of Cervantes’ powerful influence on generations of writers as diverse as Descartes, Voltaire, Dickens, Dostoyevsky, Twain, and Borges.

In seventeenth-century Valladolid, Spain’s new capital, Miguel Cervantes is busy writing his comic masterpiece, Don Quixote, which is being issued in installments. It is quickly making him the most popular author in the country, when three potential disasters strike: Cervantes discovers that there is a real Don Quixote, just like the character he thought he’d invented; a jealous poet concocts a scheme involving one of the novel’s other characters to make Cervantes a laughingstock; and Cervantes falls in love with a beautiful, widowed, but un-available duchess. Many duels, misunderstandings, politicking, and betrayals later, Don Quixote himself comes to Cervantes’ rescue. This sparkling tale of crazed knights, thwarted love, and literary rivalry is set against the back-ground of a mighty empire suffering from a century of reckless wars and a ruling hierarchy stultified by patronage and ritual. Peopled with an engagingly idiosyncratic cast that ranges from a Machiavellian duke to a misanthropic poacher, this charming story is imbued with the spirit, verve, and humor of the great novel to which it pays playful tribute. Tilting at Windmills is a dazzling evocation of Cervantes’ life and times, and a brilliant weave of fact, fiction, and farce.

This casebook gathers a collection of ambitious essays about both parts of the novel (1605 and 1615) and also provides a general introduction and a bibliography. The essays range from Ram?n Men?ndez Pidal's seminal study of how Cervantes dealt with chivalric literature to Erich Auerbachs polemical study of Don Quixote as essentially a comic book by studying its mixture of styles, and include Leo Spitzer's masterful probe into the essential ambiguity of the novel through minute linguistic analysis of Cervantes' prose. The book includes pieces by other major Cervantes scholars, such as Manuel Dur?n and Edward C. Riley, as well as younger scholars like Georgina Dopico Black. All these essays ultimately seek to discover that which is peculiarly Cervantean in Don Quixote and why it is considered to be the first modern novel.

Describes the life and career of the noted Spanish writer, including the creation of his masterpiece Don Quixote.