In Discworld, unlike our own frustrating Roundworld, everything makes sense. The world is held up by elephants standing on the back of a swimming turtle who knows where he’s going, the sun goes round the world every day, so it doesn’t have to be very hot, and things always happen because someone intends them to happen. Millions of fans are addicted to Pratchett’s Discworld, and the interest has only intensified since Pratchett’s recent death and the release of his final Discworld novel, The Shepherd’s Crown, in September 2015. The philosophical riches of Discworld are inexhaustible, yet the brave explorers of Discworld and Philosophy cover a lot of ground. From discussion of Moist von Lipwig’s con artistry showing the essential con of the financial system, to the examination of everyone’s favorite Discworld character, the murderous luggage, to the lawless Mac Nac Feegles and what they tell us about civil government, to the character Death as he appears in several Discworld novels, Discworld and Philosophy gives us an in-depth treatment of Pratchett’s magical universe. Other chapters look at the power of Discworld’s witches, the moral viewpoint of the golems, how William de Worde’s newspaper illuminates the issue of censorship, how fate and luck interact to shape our lives, and why the more simple and straightforward Discworld characters are so much better at seeing the truth than those with enormous intellects but little common sense.

Philosophy and Terry Pratchett is the first attempt by philosophers to explore themes in Sir Terry Pratchett's writings. It will appeal to both specialists and fans of Pratchett with serious essays written in a manner accessible to anyone who enjoys, or is curious about, Pratchett's work.

This collection of new essays applies a wide range of critical frameworks to the analysis of prolific fantasy author Terry Pratchett’s Discworld books. Essays focus on topics such as Pratchett’s treatment of noise and silence and their political implications; art as an anodyne for racial conflict; humor and cognitive debugging; visual semiotics; linguistic stylistics and readers’ perspectives of word choice; and Derrida and the “monstrous Regiment of Women.” The volume also includes an annotated bibliography of critical sources. The essays provide fresh perspectives on Pratchett’s work, which has stealthily redefined both fantasy and humor for modern audiences.

The thirteenth Discworld novel — In the beginning was the Word. And the Word was: “Hey, you!” For Brutha, the novice is the Chosen One. He wants peace and justice and brotherly love. He also wants the Inquisition to stop torturing him, now, please.

Terry Pratchett's writing celebrates the possibilities opened up by inventiveness and imagination. It constructs an ethical stance that values informed and self-aware choices, knowledge of the world in which one makes those choices, the importance of play and humor in crafting a compassionate worldview, and acts of continuous self-examination and creation. This collection of essays uses inventiveness and creation as a thematic core to combine normally disparate themes, such as science fiction studies, the effect of collaborative writing and shared authorship, steampunk aesthetics, productive modes of "ownership," intertextuality, neomedievalism and colonialism, adaptations into other media, linguistics and rhetorics, and coming of age as an act of free will.

Not just another science book and not just another Discworld novella, The Science of Discworld is a creative, mind-bending mash-up of fiction and fact, that offers a wizard’s-eye view of our world that will forever change how you look at the universe. Can Unseen University’s eccentric wizards and orangutan Librarian possibly shed any useful light on hard, rational Earthly science? In the course of an exciting experiment, the wizards of Discworld have accidentally created a new universe. Within this universe is a planet that they name Roundworld. Roundworld is, of course, Earth, and the universe is our own. As the wizards watch their creation grow, Terry Pratchett and acclaimed science writers Ian Stewart and Jack Cohen use Discworld to examine science from the outside. Interwoven with the Pratchett’s original story are entertaining, enlightening chapters which explain key scientific principles such as the Big Bang theory and the evolution of life on earth, as well as great moments in the history of science.

The wizards of Unseen University are again called upon to defend their creation, Roundworld, this time in a courtroom—where its very existence hangs in the balance. The Omnians fervently believe that the world is round, not flat, and view the discovery of Roundworld as a vindication of their faith. To leave this artifact in the hands of the wizards would be unacceptable. Not only do the academics hold that Discworld is flat, but by creating the Roundworld universe, they have elevated themselves to the level of gods. Ankh-Morpork’s venerable tyrant Lord Vetinari agrees to a tribunal, where the wizards Ridcully, Rincewind, and Ponder Stibbons can present their case—with key assistance from a Roundworld librarian named Marjorie Daw. JUDGMENT DAY weaves together explorations of such Earthly topics as big science, creation, subatomic particles, the existence of dark matter, and the psychology of belief--a treat for Discworld fans and readers of popular science alike.