Look for Robyn’s new book, The Best of Us, a story about family, second chances and choosing to live your best life—order your copy today! Welcome to Grace Valley, California— where blood runs thicker…ties are stronger…and love is all the more sweet. Visitors to the town often remark about the valley's peace and beauty—both of which are plentiful. Unlocked doors, front porches, pies cooling in the windows—this is country life at its finest. But visitors don't always see what lies at the heart of a community. Or just beyond… June Hudson grew up in Grace Valley, the daughter of the town doctor. Leaving only to get her medical training, she returned home and followed in her father's footsteps. Some might say she chose the easy, comfortable route…but June knows better. For June, her emergency room is wherever she's needed—or wherever a patient finds her. She is always on call, her work is her life and these people are her extended family. Which is a good thing, since this is a town where you should have picked your husband in the ninth grade. Grace Valley is not exactly the place to meet eligible men—until an undercover DEA agent suddenly starts appearing at all sorts of strange hours. Everybody has secrets down in the valley. Now June has one of her own.

What do a poet and a potter have in common? Isn’t the daily task of working with clay, be it plugging, glazing or trimming pots ready to be fired in the kiln much the same as writing zero drafts in a journal and moulding these entries into poetry for publication? After many years of taking notes at Fergus Stewart’s pottery studios, Kathy Kituai and Fergus Stewart, who both endeavour to capture the ordinary moment in their art, came to the conclusion that the main difference between pottery and poetry, was only an extra ‘t’. Deep in the Valley of Tea Bowls, then, sets the process of craft into a fluid dialogue between art forms – pottery and poems – with pleasing and sometimes surprising results. In her sustained collaboration with Scottish ceramicist, Fergus Stewart, Kathy Kituai constructs subtle tanka narratives and scenes where writer and artist work, think and feel, yoked together and apart. Wonderful! – David Gilbey An artist can interact with a material, responding to its signals, improvising, or allowing an idea to develop by reacting as it reveals its twists and turns. A richer blending develops when artists collaborate with each other, the diffusion creating something richer than either had imagined. This book is such a collaboration. – Owen Rye

The stories and characters in this diverse collection of stories from the acclaimed novelist Mitch Cullin provide a fascinating gloss on events that have taken place in the second half of the 20th century. They begin at a remote Japanese beach house and end on an unnamed Alaskan island. These are stories about isolation, remembrances of past experiences, and the sometimes inaccurate nature of memory. Cullin's stories examine individuals who have survived momentous, often horrific, social upheavals-where relationships and common day-to-day life are suddenly shaken by unforeseen circumstances. `From the Place in the Valley Deep in the Forest' is a collection that deftly suggests we are all emigrants from personal histories we recall only fleetingly-moments which draw us back, but, as we imagine them, seem increasingly difficult to grasp. These polished and graceful stories are further evidence of the kind of work that makes Cullin one of our best young writers. "If something of the experimentalist shows in Cullin's novels, his stories are old-fashioned in the best sense, reporting slices of life as the characters experience them in a language that is economical yet richly evocative because of its precision."-Booklist

“I re-read these books every year, marveling at how a world so quaint—shirtwaists! Pompadours! Merry Widow hats!—can feature a heroine who is undeniably modern.” —Laura Lippman “There are three authors whose body of work I have reread more than once over my adult life: Charles Dickens, Jane Austen and Maud Hart Lovelace.” —Anna Quindlen Often considered Maud Hart Lovelace’s best novel, Emily of Deep Valley is now back in print. This gorgeous volume includes a new foreword by acclaimed young adult author Mitali Perkins, and compelling historical material about the real people who inspired Lovelace’s beloved characters. Emily of Deep Valley joins the Harper Perennial Modern Classics library next to other enduring favorites like A Tree Grows in Brooklyn, To Kill a Mockingbird, and Lovelace’s Betsy-Tacy books.

"A blissful treasure trove of gossipy insider details that Dolls fans will swiftly devour." --Kirkus Reviews The unbelievable-but-true, inside story of Jacqueline Susann's pop culture icon Valley of the Dolls--the landmark novel and publishing phenomenon, the infamous smash hit film ("the best worst movie ever made"), and Dolls's thriving legacy today Since its publication in 1966, Jacqueline Susann's Valley of the Dolls has reigned as one of the most influential and beloved pieces of commercial fiction. Selling over thirty-one million copies worldwide, it revolutionized overnight the way books got sold, thanks to the tireless and canny self-promoting Susann. It also generated endless speculation about the author's real-life models for its larger-than-life characters. Turned in 1967 into an international box-office sensation and morphing into a much-beloved cult film, its influence endures today in everything from films and TV shows to fashion and cosmetics tributes and tie-ins. Susann's compulsive readable exposé of three female friends finding success in New York City and Hollywood was a scandalous eye-opener for its candid treatment of sex, naked ambition, ageism, and pill-popping, and the big screen version was one of the most-seen and talked-about movies of the time. Dolls! Dolls! Dolls! digs deep into the creation of that hugely successful film--a journey nearly as cut-throat, sexually-charged, tragic, and revelatory as Susann's novel itself--and uncovers how the movie has become a cherished, widely imitated camp classic, thanks to its over-the-top performances, endlessly quotable absurd dialogue, outré costumes and hairdos, despite the high aspirations, money, and talent lavished on it. Screenwriter-journalist-film historian Stephen Rebello has conducted archival research and new interviews to draw back the velvet curtain on the behind-the-scenes intrigue, feuds and machinations that marked the film's production. In doing so, he unveils a rich, detailed history of fast-changing, late 1960s Hollywood, on screen and off.

*Named one of Wall Street Journal's Best Books of 2015 *Selected as a Military Times's Best Book of the Year “You’re going up the Valley.” Black didn’t know its name, but he knew it lay deeper and higher than any other place Americans had ventured. You had to travel through a network of interlinked valleys, past all the other remote American outposts, just to get to its mouth. Everything about the place was myth and rumor, but one fact was clear: There were many valleys in the mountains of Afghanistan, and most were hard places where people died hard deaths. But there was only one Valley. It was the farthest, and the hardest, and the worst. When Black, a deskbound admin officer, is sent up the Valley to investigate a warning shot fired by a near-forgotten platoon, he can only see it as the final bureaucratic insult in a short and unhappy Army career. What he doesn’t know is that his investigation puts at risk the centuries-old arrangements that keep this violent land in fragile balance, and will launch a shattering personal odyssey of obsession and discovery as Black reckons with the platoon’s dark secrets, accumulated over endless hours fighting and dying in defense of an indefensible piece of land. The Valley is a riveting tour de force that changes our understanding of the men who fight our wars and announces John Renehan as one of the great American storytellers of our time.

A collection of truly brilliant short stories, each depicting the deeply personal experience of a universal or historical event. Momentous fiction from the best American writer of his generation. A group of housewives smoke cigars and play cards whilst a tornado approaches a west Texas town. An Asian-American medic bicycles through the Vietnam countryside with her husband and son and returns to the spot where she once held dying soldiers. Or a young rockabilly aficionado prepares for a date in a Ukranian village close to Chenobyl. The words of Beatles songs sung in a Cambodian work camp. Cullin's ability is to miraculously create moments of true pathos which distill important human experience into a single hair-raising image. I can honestly say they are the best stories I have ever read, they are chillingly good and I have utter conviction that this is a great writer.