Death Makes Great TV. Frankie Percival is cashing in her chips. To save her brother from financial ruin, Frankie—a single stage performer and mentalist who never made it big—agrees to be assassinated on the most popular television show on the planet: Death Warrant. Once she signs her life away, her memory is wiped clean of the agreement, leaving her with no idea she will soon be killed spectacularly for global entertainment. After years of working in low-rent theaters, Frankie prepares for the biggest performance of her life as her Death Warrant assassin closes in on her. Every person she encounters could be her killer. Every day could be her last. She could be a star, if only she lives that long.

To Michael Collins the signing of the Treaty between Ireland and Britain in 1921 was a 'stepping stone'. Eamon de Valera called it 'treason'. The controversy surrounding the Treaty which led to the Civil War of 1922-1923 is examined in this compelling study of the controversy surrounding the infamous negotiations.

First account of the most valuable haul in British criminal history, the Brinks Mat robbery of 1983

In the sequel to Death Wish, Paul Benjamin continues his vigilante killing spree Paul Benjamin was an ordinary New Yorker until a gang of drug addicts killed his wife and raped his daughter. When the police proved helpless, Benjamin bought a gun and found his own vengeance, methodically tracking the addicts and killing them one by one. Now he is in Chicago, and the cycle of violence is about to begin anew. On his first night in the city, he stumbles out of a bar in a bad part of town, pretending to be drunk. When two thugs set upon him, they find their quarry sober and armed. He kills them both, escaping before the police arrive. They will not be the last of Chicago’s criminal class to suffer his wrath. Written by Garfield as “penance” for the success of the grisly film adaptation of Death Wish, this sequel shows that when a decent man relies on violence to settle scores, murder becomes addictive.