Roger Ailes, former Republican political consultant, and current president of Fox News Channel, is a dominant media figure of our age. His made-for-TV imagery and mastery of “style over substance” has overtaken earlier methods of reporting the news, and radically refashioned our political and communications landscapes. Yet, no book has ever been published on this Oz-like figure: Dark Genius is the definitive study of Ailes and his controversial career. The 1960 television encounter between Richard Nixon and John F. Kennedy was the moment when slick television imagery began to take over politics. Ailes, a young TV producer, absorbed the lessons of the new video age, and put them into practice. While a director on “The Mike Douglas Show”, he met Richard Nixon, who soon hired Ailes to help him conquer the fledgling medium. Riding the wave of that triumph, Ailes went on to aid other key Republican figures like Ronald Reagan, George H.W. Bush, and Rudy Giuliani. In the 1990s, Ailes was hired to run CNBC, the first cable financial network, bringing a talk radio sensibility to the small screen. Then, Rupert Murdoch hired him to implement the media mogul’s vision for a different kind of cable news network. Now, with Murdoch (whose News Corp. has recently acquired the Wall Street Journal), Ailes is launching the FOX News business channel in 2007. Over the span of several decades, Ailes has played a key role in the growing reach of conservatism, first in politics, then in mass media. Part history, part media criticism, part current events, Dark Genius tracks the rise, dominance, and relevance of political television, and how it has been used and abused by its master.

Swint (political science, Kennesaw State U.) provides a portrait of Roger Ailes, the formidable president of Fox News. The book, part media criticism and part history, follows Ailes from his first political campaign with Richard Nixon on 1968 to his ascension to the leadership of the Fox News Channel. This account of the conservative media mogul displays his tenacity, his style-over-substance approach, his ruthless, Machiavellian way of conducting business, and his imprint and influence on American politics and communications.

A New York Times bestseller imagines the life of Jules Verne in this “rollicking whopper of a novel [that] glides down smoothly” (Publishers Weekly). Captain Nemo is the fictional life story of one of Jules Verne’s most memorable characters from 20,000 Leagues Under the Sea and The Mysterious Island. This alternate history covers his boyhood friendship with the dreamer, Jules Verne, adventures aboard sailing ships, battles with pirates, and survival on a mysterious deserted island. Each time he returns home to his beloved France, Captain Nemo shares the tales of his exploits with the struggling writer Verne. We follow Nemo’s exploration of hidden caverns that lead to the center of the earth, travels across darkest Africa in a hydrogen balloon, and his imprisonment by an evil Ottoman caliph who commands the dark genius to construct a sub-marine boat, the Nautilus, in order to attack merchant ships that venture through the newly completed Suez Canal. “K. J. Anderson seamlessly blends events of Jules Verne’s real life with the plotlines of his fictional works. His portrayal of Verne is masterful: a man able to break free from the circumstances that stifle him through his vivid imagination and the inspiration provided by his lifelong friend, Nemo.” —Harry Turtledove, New York Times–bestselling author of The Guns of the South “A swashbuckling mix of Jules Verne, Daniel DeFoe, and Michael Crichton.” —Terry Brooks, New York Times–bestselling author of The Sword of Shannara

At the dawn of sound, he wrote the story for the Academy Award-winning musical The Broadway Melody and collaborated memorably with Gloria Swanson and Joseph Kennedy for The Trespasser. He excelled at anti-war drama (White Banners, The Dawn Patrol, We Are Not Alone), fantastic Bette Davis weepies (Dark Victory, The Old Maid, The Great Lie), lilting romantic dramas (The Constant Nymph, Claudia), big-budgeted literary adaptations (The Razor's Edge), and even film noir (Nightmare Alley).

Examines "melancholia" as a philosophical, medical, and social phenomenon in early modern art. Argues that, despite advances in art and science, the topos of the dispirited intellectual continues to function metaphorically as a locus for society's fears and tensions.

Though reviled for more than a century as Wall Street's greatest villain, Jay Gould was in fact its most original creative genius. Gould was the robber baron's robber baron, the most astute financial and business strategist of his time and also the most widely hated. In Dark Genius of Wall Street, acclaimed biographer Edward J. Renehan, Jr., combines lively anecdotes with the rich social tapestry of the Gilded Age to paint the portrait of the most talented financial buccaneer of his generation-- and one of the inventors of modern business.

Richard Wagner's anti-Semitism considered in the context of his time, place, and aspirations rather than in relation to his later appropriation by the Nazis.