In the honorable tradition of the eccentric dandyism of Lord Byron, Oscar Wilde, and Quentin Crisp comes Sebastian Horsley's disarming memoir of sex, drugs, and Savile Row.

Marc Bolan was the very first superstar of the 1970s. As the seductive focus of T. Rex he revelled in fame and fortune, released a string of classic records before tragically losing his way. The fatal car accident in 1977 cut short his planned comeback as a punk rocker, but also served to fix Bolan as the definitive icon of the Glam years. Bolan's music and chameleonic style were to influence a generation of future bands. In his various guises he could be a beatnik, a mod, a punk, a hippie and a Glam hero. This biography of a pop obsessive draws from interviews with many friends and colleagues including broadcaster John Peel, brother Harry and band members Mickey Finn and Bill Legend.

Drawing on the collections of the V&A, Glam Rock narrates the story of glam and explores its impact on fashion, theatre and film. In the early 1970s, glam rock changed the face of popular culture in Britain and, against a backdrop of a nation racked by economical and social crises, its flamboyancy and theatricality provided an excuse for a party and an escapist dream for musicians and fans alike. British acts like David Bowie, Roxy Music, T. Rex and Mott the Hoople - together with American fellow-travellers including Lou Reed, Alice Cooper and Sparks - drew on the original blueprint of rock and roll, as well as a host of other traditions, from Hollywood to the music hall, Berlin cabaret and Broadway musicals to science fiction and pop art. The resulting music was a wild blend of camp artifice and avant-garde decadence. By 1975 the era had come to an end, but glam never truly went away. Indeed, its attitudes and aesthetics have shaped much that has followed since, from disco to punk, the new romantics to Britpop, Prince to Lady Gaga.

With a childhood surrounded by alcoholism and petty cruelties, an adolescence of rebellion and punkish anarchy and an adulthood peppered with heroin addiction, voluntary crucifixion, failed suicide and a penchant for sex with prostitutes, Sebastian Horsley’s life was always destined to become a work of art. An artist, dandy and author who was perhaps best known for having undergone a voluntary crucifixion in the Philippines before beginning a regular column in The Erotic Review, Horsley’s memoirs focused on his dysfunctional family, his drug addictions, sex, and his love of prostitutes, and unsurprisingly became a cult literary sensation. Soho Theatre's theatrical version, has been adapted from Horsley’s no-holds-barred memoir and directed by fellow moral delinquent Tim Fountain. This insane tale of the prototype of modern day dandyism has now found its spiritual platform in the heart of the crazy village he likes to call home. Dandy In The Underworld premiered at Soho Theatre in the summer of 2010.

This is the first complete account of two legendary North Norfolk music venues: West Runton Pavilion and The Royal Links Pavilion, Cromer. From the early days of strict tempo dance bands, through soul, disco and glam rock, to heavy metal and punk, this book includes reviews, memories and comments from fans, former owners and stars.

In this series of stand-alone Naughty Bits collections, Gregory takes on pornography, shopping, yuppies, dating, menstru-ation, and much more. The lead character in most is Bitchy Bitch, the perma-nently PMS'd and PO'd embodiment of the female id, who also stars in her own series of cartoon shorts on the Oxygen Network's X-Chromosome animated series. The raunchiest collection, focusing on Bitchy's sexual excapades.