If we are willing to shift our approach to church, we will better connect with increasingly heterogeneous cultures. This shifting requires curation. Church leaders must learn to be curators! Churches in modernity were set up to facilitate a particular kind of experience with God. Church was its own (protected) culture. In the wake of postmodernity, facilitated by new forms of (digital) communication, we are entering a new epoch in the history of the church. Curators manage the tasks of connection, preservation, and transformation, in their care for cultural artifacts and communities. When someone serves as a curator, they make connections between different elements in the culture, preserving the best of cultural traditions, and promoting fresh ways of thinking and being in the world. What might this work of curation mean for us? In Curating Church, readers learn how curation can reorient and sharpen the ways and work of the church. Curation can inform how we connect with cultures beyond the church, preserve what is best in the rich history of Christian thought and expression, and nurture spaces where contemporary persons may be transformed by the gospel. This book helps readers to understand with new richness the church and the world, and it equips them to become active in making those connections—as curators—with and for others.

The Art of Worship is about transitioning our understanding and practice of worship to one of design or curation. According to Mark Pierson, a pioneer in worship, worship needs to be seen as an art form rather than a linear task of filling in the gaps on an order of service. Many practical examples are used to illustrate ways in which worship in regular services as well as in specially designed spaces inside and outside the church building can be designed and delivered for spiritual formation and mission.

Curation: the act of imagining and overseeing an exhibition or art experience. Worship Curation: the act of imagining and overseeing a worship experience. Worship curator Jonny Baker introduces this original approach to the design and sharing of worship. Rather than simply presiding over liturgy or leading a worship team, Baker and a new generation of leaders are negotiating between institutions and artists, crafting beauty for God out of whatever they’ve got on hand, helping people to make connections between their own lives and stories and the life and story of God. Curating Worship is presented in two parts. The first considers the kind of thinking, skills and disciplines involved in good curation. The second part features in-depth interviews that tease out the ideas, theories and processes behind the creative approaches of people who are curating worship experiences around the world.

Outreach Resource of the Year Something is not right. The witness of the church in North America is eroding. Many Christians are alarmed by the decline in church attendance and seek a culprit. Too often, we point the finger away from the church, make culture the enemy, and build walls between us and others. But our antagonism and enemy-making are toxins that further eat away at our witness. Is there a better way? Tara Beth Leach could easily be one of those millennials giving up on the church. Instead, she is a pastor who loves the church and is paradoxically hopeful for its future. In an era where the church has lost much of its credibility, Leach casts a radiant vision for Christians to rediscover a robust, attractive witness. We need to name the toxic soil we've grown in, repent for past wrongs, and lean into a better way to become the church that Jesus proclaimed we would be. Leach casts down idolatrous false images of God to recover a winsome picture of a kingdom of abundance and goodness. We can be sustained by practices that will tune our hearts to God's and form us into the radiant communities God intends for us and those around us.

"This book offers a systematic overview of the responses made by museums and other repositories in the UK to the ownership, care, storage, display and interpretation of human remains." -- back cover.

This is a book for pacesetters -- church leaders who desire to help their churches break free of the things that turn them in on themselves. It is a masterly mix of biblical principle, objective analysis, and personal experience.

In which ways are environments (post-)socialist and how do they come about? How is the relationship between the built environment, memory, and debates on identity enacted? What are the spatial, material, visual, and aesthetic dimensions of these (post-)socialist enactments or interventions? And how do such (post-)socialist interventions in environments become (re)curated? By addressing these questions, this volume releases ›curation‹ from its usual museological framing and carries it into urban environments and private life-worlds, from predominantly state-sponsored institutional settings with often normative orientations into spheres of subjectification, social creativity, and material commemorative culture.