India’s global proximities derive in good measure from its struggle against British imperialism. In its efforts to become a nation, India turned modern in its own unusual way. At the heart of this metamorphosis was a "colourful cosmopolitanism," the unique manner in which India made the world its neighbourhood. The most creative thinkers and leaders of that period reimagined diverse horizons. They collaborated not only in widespread anti-colonial struggles but also in articulating the vision of alter-globalization, universalism, and cosmopolitanism. This book, in revealing this dimension, offers new and original interpretations of figures such as Kant, Tagore, Heidegger, Gandhi, Aurobindo, Gebser, Kosambi, Narayan, Ezekiel, and Spivak. It also analyses cultural and aesthetic phenomena, from the rasa theory to Bollywood cinema, explaining how Indian ideas, texts, and cultural expressions interacted with a wider world and contributed to the making of modern India.

This book consists of incisive and imaginative readings of culture, politics, and history – and their intersections – in eastern India from the 16th to the 20th century. Focusing especially on Assam, Odisha, Bengal, and their margins, the volume explores Indo-Islamic cultures of rule as located on the cusp of Mughal-cosmopolitan and regional–local formations. Tracking sensibilities of time and history, senses of events and persons, and productions of the past and the present, the volume unravels intimate expressions of aesthetics and scandals, heroism and martyrdom, and voice and gender. It examines key questions of the interchanges between literary cultures and contending nationalisms, culture and cosmopolitanism, temporality and mythology, literature and literacy, history and modernity, and print culture and popular media. The book offers grounded and connected accounts of a large, important region, usually studied in isolation. It will be of interest to scholars and students of history, literature, politics, sociology, cultural studies, and South Asian studies.

'Cultural History Of Modern India Edited By Dilip M. Menon Definitely Qualifies For Interesting Reading&The Different Approach Attempted Through The Book Indubitably Is A Fresh Endeavour For A Multidisciplinary Approach With Sociologists, Art Historians And Music Theorists Working Within A Historical Paradigm.' The Statesman, 9 December 2006 The History Of Modern India Has Been Narrated Largely In Terms Of The Nationalist Movement, Personalities And What Has Been Seen As The 'High' Politics Of The State. Recent Shifts In History Writing Have Tried To Bring In Subordinated Histories Of Regions And Of Groups. We Are Moving Towards A Wider Understanding Of Politics, History And Of The Ordinary People Who Make History. This Collection Tries To Push The Emerging Paradigm Further By Moving Away From Conventional Notions Of The History Of The Nation And Indeed Of The Political. The Six Essays In This Collection Present Original And Pioneering Forays In The Study Of Cricket, Oral History, Gender Studies, Film, Popular Culture And Indian Classical Music. Whether Looking At Issues Of Caste On The Seemingly Level Playing Field Of Cricket In Early Twentieth Century India; Or How A Nineteenth Century Housewife Comes To Pen The First Autobiography By An Indian Woman; Calendar Art Reflecting Deeper Notions Of Religion And Community; Or How An Idea Of Pure Classical Music Faces The Challenge Of Technology, These Essays Show How Ideas Of Self, Community And Art Are Formed Within A Larger Politics. Moreover, Culture Far From Being A Refuge From The Political Is Also The Space Within Which Politics Comes To Be Worked Out.

This innovative work of historical anthropology explores how India's Dalits, or ex-untouchables, transformed themselves from stigmatized subjects into citizens. Anupama Rao's account challenges standard thinking on caste as either a vestige of precolonial society or an artifact of colonial governance. Focusing on western India in the colonial and postcolonial periods, she shines a light on South Asian historiography and on ongoing caste discrimination, to show how persons without rights came to possess them and how Dalit struggles led to the transformation of such terms of colonial liberalism as rights, equality, and personhood. Extending into the present, the ethnographic analyses of The Caste Question reveal the dynamics of an Indian democracy distinguished not by overcoming caste, but by new forms of violence and new means of regulating caste.

Seminar papers.

This book examines the middle classes — who they are and what they do — and their influence in shaping contemporary cultural politics in India. Describing the historical emergence of these classes, from the colonial period to contemporary times, it shows how the middle classes have changed, with older groups shifting out and new entrants taking place, thereby transforming the character and meanings of the category. The essays in this volume observe multiple sites of social action (workplaces and homes, schools and streets, cinema and sex surveys, temples and tourist hotels) to delineate the lives of the middle classes and show how middle-class definitions and desires articulate hegemonic notions of the normal and the normative.