"Corinth Excavations has long held a special place in American archaeology in Greece as the primary training excavation for graduate students associated with the American School of Classical Studies at Athens. As a result, the field manual has had a particular influence among American excavators and projects in Greece, among Mediterranean archaeologists, and in archaeology classrooms"-- Page 4 of cover.

Late antique Corinth was on the frontline of the radical political, economic and religious transformations that swept across the Mediterranean world from the second to sixth centuries CE. A strategic merchant city, it became a hugely important metropolis in Roman Greece and, later, a key focal point for early Christianity. In late antiquity, Corinthians recognised new Christian authorities; adopted novel rites of civic celebration and decoration; and destroyed, rebuilt and added to the city's ancient landscape and monuments. Drawing on evidence from ancient literary sources, extensive archaeological excavations and historical records, Amelia Brown here surveys this period of urban transformation, from the old Agora and temples to new churches and fortifications. Influenced by the methodological advances of urban studies, Brown demonstrates the many ways Corinthians responded to internal and external pressures by building, demolishing and repurposing urban public space, thus transforming Corinthian society, civic identity and urban infrastructure. In a departure from isolated textual and archaeological studies, she connects this process to broader changes in metropolitan life, contributing to the present understanding of urban experience in the late antique Mediterranean.

Byzantine art has been an underappreciated field, often treated as an adjunct to the arts of the medieval West, if considered at all. In illustrating the richness and diversity of art in the Byzantine world, this handbook will help establish the subject as a distinct field worthy of serious inquiry. Essays consider Byzantine art as art made in the eastern Mediterranean world, including the Balkans, Russia, the Near East and north Africa, between the years 330 and 1453. Much of this art was made for religious purposes, created to enhance and beautify the Orthodox liturgy and worship space, as well as to serve in a royal or domestic context. Discussions in this volume will consider both aspects of this artistic creation, across a wide swath of geography and a long span of time. The volume marries older, object-based considerations of themes and monuments which form the backbone of art history, to considerations drawing on many different methodologies-sociology, semiotics, anthropology, archaeology, reception theory, deconstruction theory, and so on-in an up-to-date synthesis of scholarship on Byzantine art and architecture. The Oxford Handbook of Byzantine Art and Architecture is a comprehensive overview of a particularly rich field of study, offering a window into the world of this fascinating and beautiful period of art.

This volume offers a structured presentation of the progress of research into the internal history of a part of the Byzantine world – Greece – in the centuries before the multiple changes induced or accelerated by the Fourth Crusade. Greece is a large area (several Early andMiddle Byzantine provinces), with records, archival, literary, archaeological, architectural, and art-historical, most of which are unequalled in terms of their density and range. This creates opportunities for useful synthesis, and for dialogue with those now engaged in the rewriting, or writing, of the inner history of Byzantium, from Italy to the Caucasus, who have been stimulated by, or involved in, the editing of archives and inscriptions (including sigillographic), and in the publication of monuments, excavations, and surveys (for all of which the ‘Greek space’, the elladikê khôra, is a particular, and fertile, focus of activity, as the conference showed). Much of the material presented here can usually only be found in specialised publication, and indeed much in Greek alone. But, properly contextualised, this material about the ‘Greek space’ deserves to be brought into the dialogues or debates at the heart of Byzantine Studies, for instance about the Late Antique ‘boom’, urban life, the ‘Dark Age’, economic change, the nature of the ‘Byzantine revival’, and of social, socio-economic, and ethnic groups. The studies here synthesise such research, enabling the ‘Greek space’ as a case study in the evolution of a significant region to the west of Constantinople, to take its place more fully as a point of reference in such dialogues or debates. Equally, it provides frameworks for archaeologists dealing with Greece from Late Antiquity onwards – and there are now many – with which to engage, and it makes available a rich source of comparative material for those studying the other regions of the Byzantine world, whether historically or archaeologically, in Southeastern Europe, Italy, or Turkey.

In Approaching Historical Sources in Their Contexts, 12 academics examine how space, time and performance interact to co-create context for source analysis. The chapters cover 2000 years and stretch across the Americas and Europe. They are grouped into three themes, with the first four exploring aspects of movement within and around an environment: buildings, the tension between habitat and tourist landscape, cemeteries and war memorials. Three chapters look at different aspects of performance: masque and opera in which performance is (re)constructed from several media, radio and television. The final group of chapters consider objects and material culture in which both spatial placement and performance influence how they might be read as historical sources: archaeological finds and their digital management, the display of objects in heritage locations, clothing, photograph albums and scrapbooks. Supported by a range of case studies, the contributors embed lessons and methodological approaches within their chapters that can be adapted and adopted by those working with similar sources, offering students both a theoretical and practical demonstration of how to analyse sources within their contexts. Drawing out common threads to help those wishing to illuminate their own historical investigation, this book encourages a broad and inclusive approach to the physical and social contexts of historical evidence for those undertaking source analysis.