This collaborative study in economic theory is cast as a sort of conversation, implicating not only the authors (an American economic anthropologist and a Colombian colleague) but also the rural Colombian people, who contributed the raw materials for the conversation.

A series of conversations Hans Ulrich Obrist began in 2010 that turned into a comprehensive mapping of an artistic landscape. This publication is not only a book of interviews with artists, filmmakers, writers, and even the former mayor of Bogotá, but a multilayered collaborative project with special contributions by artists Beatriz González, Mateo López, Gabriel Sierra, and José Antonio Suárez Londoño.

As a young American university exchange student in the early 1970s, author Robert Hodum found himself in the exotic and mystifying South American country of Colombia. The time he spent there left an indelible imprint upon his life and led him to a career in Latin American history. Journey back to a country torn by poverty and civil unrest, and travel through some of Colombias most perilous and magical settings in conversations on La Playa. With candor and a good dose of humor, Hodum recreates all the sights, smells, and sounds of Colombia. He recounts the subterranean, dangerous world of the city of Medelln, its mist-enshrouded Cordillera neighborhoods, and the haunting characters of its urban landscape. In addition to his personal journey, Hodum includes an extensive glossary of important people, places, and things as well as cultural and historical information that are indispensable for any traveler to the country. He also gives a complete listing of survival vocabulary and expressions in Spanish that off er a deeper appreciation of Colombia, its people, and their language. Travel through Cordillera mountain ranges, mysterious jungles and deserts, and endure the travails of life on the road through one of South Americas most exciting countries with Conversations on La Playa.

Colombia is the least understood of Latin American countries. Its human tragedy, which features terrifying levels of kidnapping, homicide and extortion, is generally ignored or exploited. In this urgent new work Forrest Hylton, who has extensive first-hand experience of living and working in Colombia, explores its history of 150 years of political conflict, characterized by radical-popular mobilization and reactionary repression. Evil Hour in Colombia shows how patterns of political conflict, from the mid-nineteenth century to today's guerilla narco-traffickers and paramilitaries, explain the wear currently destroying Colombian lives, property, communities and territory. In doing so, it traces how Colombia's "coffee capitalism" gave way to the cattle and cocaine republic of the 1980s, and how land, wealth and power have been steadily accumulated by the light-skinned top of the social pyramid through a brutal combination of terror, expropriation and economic depression.

Looking at the years 1870-2016, this book analyses the reasons behind Colombia’s chronically slow economic growth. As a comparative economic history, it examines why Colombia has seen lower growth rates than countries with similar institutions, culture and colonial origins, such as Argentina in 1870-1914, Mexico in 1930-1980, and Chile from 1982 onwards. While Colombia's history has shown relative macroeconomic stability, it has also shown a limited capacity for integrating into the world economy and embracing technological breakthroughs compared to the rest of the world, including steam, mass production and Information Technology. This volume thus moves away from the long-held view that institutional path dependence is the main determinant of differences in long-run economic growth across countries.

Why did an Italian opera singer put together Colombia's national anthem? Did Catherine the Great inspire the national flag? Can you really lose a country in a poker game? Are sins and corruption good for the economy? Why is the Venus de Milo wearing a poncho? What is arroz en bajo and why are the corridors of Colombian justice full of jumping monkeys? Colombia a comedy of errors tells the story of all fifty million Colombians, examining the country's history, people, culture, colombianomics and justice. The first edition of this funny, full-colour book was a bestseller in Colombia from the first month of its release. This, the second edition, contains brand new and expanded chapters including: Dating, Beauty, A to B and Justice, which gives the book its name. The book was written by British writer Victoria Kellaway and Colombian artist Sergio J. Lievano and reveals the secrets behind a nation that has drama and comedy seeped into its bloodstream. The pair study the country with an eye for detail that will surprise everyone, from the most knowledgeable reader to those who don't have a clue about the country. This lively, humour-filled book has a serious heart and makes for an ideal gift or travel companion. It contains more than 200 illustrations, caricaturing famous faces (including Shakira, Bolivar, Nieto Gil, Botero and Uribe) as well as the millions of Colombians fighting to survive their country's daily contradictions. Colombia a comedy of errors is an inspiring journey into the depths of the Colombian gene and what it means for Colombians everywhere. Praise for Colombia a comedy of errors (first edition) "A must-read for the thousands of foreigners who come to our country every year." Semana "There is no better way to express what the country can be than the phrase 'Colombia a comedy of errors'. We recommend it." SOHO "It's an instruction manual for understanding Colombian identity." El Tiempo "Make sure it's on your reading list." The Washington Post

SHORTLISTED FOR THE 2019 MAN BOOKER INTERNATIONAL PRIZE A sweeping tale of conspiracy theories, assassinations, and twisted obsessions -- the much anticipated masterpiece from Juan Gabriel Vásquez. The Shape of the Ruins is a masterly story of conspiracy, political obsession, and literary investigation. When a man is arrested at a museum for attempting to steal the bullet-ridden suit of a murdered Colombian politician, few notice. But soon this thwarted theft takes on greater meaning as it becomes a thread in a widening web of popular fixations with conspiracy theories, assassinations, and historical secrets; and it haunts those who feel that only they know the real truth behind these killings. This novel explores the darkest moments of a country's past and brings to life the ways in which past violence shapes our present lives. A compulsive read, beautiful and profound, eerily relevant to our times and deeply personal, The Shape of the Ruins is a tour-de-force story by a master at uncovering the incisive wounds of our memories.