Powerful essays by such luminaries and literary giants as Daniel Day-Lewis and Martin Amis offer a compassionate look at the crises that most affect our world today. An important book for anyone interested in global issues, Writing on the Edge features twelve essays that take the reader to countries in crisis. Award-winning writer Martin Amis experienced firsthand the problems of gang violence in Colombia, South America; New York Times bestselling author Tracy Chevalier focuses on the abuse of women in Burundi, East Africa; Oscar-winning actor Daniel Day-Lewis writes of meeting children raised in war-torn Palestine; Booker Prize-winning author DBC Pierre addresses the unusually high incidence of mental health issues in Armenia. Award-winning photographer Tom Craig was commissioned by the humanitarian charity Médecins Sans Frontières/Doctors without Borders to document the writers in these places in trouble. His striking photographs amplify the sense of compassion required while also demonstrating that beautiful humanity is the victim of tragedy.

Britain's most important contemporary authors reflect intelligently and imaginatively on the nature and development of the modern novel.

Ann Beattie, Annie Dillard, Maxine Hong Kingston, Toni Morrison, Cynthia Ozick, Grace Paley, Marge Piercy, Anne Redmon, Anne Tyler, and Alice Walker all seem to be especially concerned with narrative management. The ten essays in this book raise new and intriguing questions about the ways these leading women writers appropriate and transform generic norms and ultimately revise literary tradition to make it more inclusive of female experience, vision, and expression. The contributors to this volume discover diverse narrative strategies. Beattie, Dillard, Paley, and Redmon in divergent ways rely heavily upon narrative gaps, surfaces, and silences, often suggesting depths which are lamentably absent from modern experience or which mysteriously elude language. For Kingston and Walker, verbal assertiveness is the focus of narratives depicting the gradual empowerment of female protagonists who learn to speak themselves into existence. Ozick and Tyler disrupt conventional reader expectations of the "anti-novel" and the "family novel," respectively. Finally, Morrison's and Piercy's works reveal how traditional narrative forms such as the Bildungsroman and the "soap opera" are adaptable to feminist purposes. In examining the writings of these ten important women authors, this book illuminates a significant moment in literary history when women's voices are profoundly reshaping American literary tradition.

Emerging focuses on the skills necessary for academic writing in any discipline—and offers concrete strategies for improving those skills. Author Barclay Barrios uses an inquiry-based approach to help students understand and write about a variety of texts, while innovative assignment sequences explore the important but unsettled issues that shape our lives, such as How is technology changing us?, How can you make a difference in the world?, and a central question of our time, How can we get along? Thought-provoking, contemporary readings help students address those questions in meaningful ways. Fifteen new readings and updated writing assignments keep Emerging in tune with current ideas that will challenge students to think beyond their own experiences—and beyond the classroom.

Long before John Barth announced in his famous 1967 essay that late 20th-century fiction was 'The Literature of Exhaustion,' authors have been retelling and recycling stories. Barth was, however, right to identify in postmodern fiction a particular self-consciousness about its belatedness at the end of a long literary tradition. This book traces the move in contemporary women's writing from the self-conscious, ironic parodies of postmodernism to the nostalgic and historical turn of the 21st century. It analyses how contemporary women writers deal with their literary inheritances, offering an illuminating and provocative study of contemporary women writers' re-writings of previous texts and stories. Through close readings of novels by key contemporary women writers including Toni Morrison, Doris Lessing, Margaret Atwood, Zadie Smith, Emma Tennant and Helen Fielding, and of the ITV adaptation, Lost in Austen, Alice Ridout examines the politics of parody and nostalgia, exploring the limitations and possibilities of both in the contexts of feminism and postcolonialism.

An inclusive multi-genre anthology of late 20th century African-American literature.

"An exciting new anthology of short fiction chosen by thirty-five of this country's most distinguished and popular fiction writers, You've Got to Read This offers readers an unusually intimate glimpse into how accomplished writers experience literature." "Here are stories that inspired today's leading novelists and short-story writers to embark on their own writing careers, stories that took their breath away and changed them, or the way they responded to literature, forever. Oscar Hijuelos confesses his debt to the great Argentine writer Jorge Luis Borges, whose brilliant story "The Aleph" inspired him to become a writer himself. Mary Gordon stands in awe of what James Joyce wrought in "The Dead," and wonders how writers who come after him can equal it. Robert Coover writes movingly of Angela Carter and her mysterious story "Reflections," while Kenneth A. McClane says that "Sonny's Blues" by James Baldwin literally saved his life." "Some of the stories presented here are classics, like Anton Chekhov's "Gooseberries," introduced by Eudora Welty, or Flannery O'Connor's "A Good Man Is Hard to Find," selected by Sue Miller. Some are less well known, like Lars Gustafsson's "Greatness Strikes Where It Pleases," introduced by Charles Baxter, or John Updike's "Packed Dirt, Churchgoing, a Dying Cat, a Traded Car," whose beauty stunned Lorrie Moore." "All were critically important to some of our finest contemporary writers - among them Annie Dillard, John Irving, Amy Tan, Louise Erdrich, Russell Banks, Jane Smiley, Bobbie Ann Mason, Tobias Wolff - and their comments about the selections offer fascinating entrances into the stories. For lovers of fiction, You've Got to Read This is a treasure trove, a dazzling collection of stories passionately and imaginatively chosen."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved