Ann Beattie, Annie Dillard, Maxine Hong Kingston, Toni Morrison, Cynthia Ozick, Grace Paley, Marge Piercy, Anne Redmon, Anne Tyler, and Alice Walker all seem to be especially concerned with narrative management. The ten essays in this book raise new and intriguing questions about the ways these leading women writers appropriate and transform generic norms and ultimately revise literary tradition to make it more inclusive of female experience, vision, and expression. The contributors to this volume discover diverse narrative strategies. Beattie, Dillard, Paley, and Redmon in divergent ways rely heavily upon narrative gaps, surfaces, and silences, often suggesting depths which are lamentably absent from modern experience or which mysteriously elude language. For Kingston and Walker, verbal assertiveness is the focus of narratives depicting the gradual empowerment of female protagonists who learn to speak themselves into existence. Ozick and Tyler disrupt conventional reader expectations of the "anti-novel" and the "family novel," respectively. Finally, Morrison's and Piercy's works reveal how traditional narrative forms such as the Bildungsroman and the "soap opera" are adaptable to feminist purposes. In examining the writings of these ten important women authors, this book illuminates a significant moment in literary history when women's voices are profoundly reshaping American literary tradition.

This collection brings together critical essays that examine questions of identity and community in the fiction of contemporary American women writers among them Alice Walker, Toni Morrison and Sandra Cisnernos. The essays consider how identities and societies are dramatized in particular works of fiction, and how these works reflect cultural communities outside the fictional frame - often the communities in which their authors live and work. The essays included here concern fictional representations of African American, Latino, Asian American, Native American, Anglo and Euro-American communities and their working interactions in the multicultural United States. Each critic asks, in his or her own way, how a particular writer transforms her social grounding into language and literature. The introduction includes an overview of the range of literary criticism devoted to contemporary American women writers, and an extensive bibliography of complementary critical readings is provided to encourage further study. Undergraduate and postgraduate students of contemporary literature will find the text an invaluable guide to contemporary women's writing in America, and the range of criticism that this has given rise to.

For centuries women have been marginalized and overlooked in American literary history. That injustice is corrected in this entertaining and provocative collection of 350 years of poetry and fiction by American women. From Puritan poet Anne Bradstreet to Margaret Fuller to Harriet Beecher Stowe, readers will encounter scores of lesser-known and forgotten writers who fully deserve to be rediscovered and enjoyed by new generations. Our famous women writers, including contemporary stars like Annie Proux and Jhumpa Lahiri, are showcased in their full literary context, offering an epic overview of the canon in one monumental, dazzling volume. This landmark anthology features the best work of our best American women, and was inspired and informed by the author's groundbreaking history celebrating women writers, A Jury of Her Peers.

American women writers have long been creating an extraordinarily diverse and vital body of fiction, particularly in the decades since World War II. Recent authors have benefited from the struggles of their predecessors, who broke through barriers that denied women opportunities for self-expression. This reference highlights American women writers who continue to build upon the formerly male-dominated canon. Included are alphabetically arranged entries for more than 60 American women writers of diverse ethnicity who wrote or published their most significant fiction after World War II. Each entry is written by an expert contributor and includes:^L^DBLA brief biography^L^DBLA discussion of major works and themes^^DBLA survey of the writer's critical reception^L^DBLA bibliography of primary and secondary sources

The Cambridge Companion to African American Women's Literature covers a period dating back to the eighteenth century. These specially commissioned essays highlight the artistry, complexity and diversity of a literary tradition that ranges from Lucy Terry to Toni Morrison. A wide range of topics are addressed, from the Harlem Renaissance to the Black Arts Movement, and from the performing arts to popular fiction. Together, the essays provide an invaluable guide to a rich, complex tradition of women writers in conversation with each other as they critique American society and influence American letters. Accessible and vibrant, with the needs of undergraduate students in mind, this Companion will be of great interest to anybody who wishes to gain a deeper understanding of this important and vital area of American literature.

Sena Jeter Naslund describes the origins of Ahab's Wife in "a vision and a voice." Ann Patchett mourns the ways in which the reality of a novel may fail to live up to her conception of it. Andrea Barrett, a winner of the National Book Award and the recipient of a MacArthur Fellowship, nevertheless characterizes herself as "a very clumsy writer" in her early drafts. The seventeen women interviewed by Sarah Anne Johnson are some of the most popular and accomplished writers at work today--award winners, critically acclaimed, popular with book clubs. Steeped in a thorough knowledge of each writer's work, Johnson's questions range from technical issues of craft to the nurturing of fictional ideas to the daily practice of writing. The authors offer insights into their own works that will delight their fans and also provide practical advice that will be cherished by aspiring writers. From Chitra Banerjee Divakaruni's reflections on her experience of immigration to Lois-Ann Yamanaka's insights on the question of a character's voice, these interviews combine the personal with the professional experience of the writing life.

Encompassing several genres of literary composition, this up-beat, multi-cultural anthology provides an integrated curriculum of contemporary American women writers from diverse backgrounds whose works have recently emerged or made an impact on American literature in the last several decades. Juxtaposing the works of emerging writers with those of American classics, this book comes organized into eight thematic sections - language, family, and multicultural histories, transformation, music/spirituality, work, love, and happiness. It includes a variety of genres in each section - fiction, memoirs, essays, poetry, drama - moving from one to another with ease and a sense of discovery. Presenting an original interview at the end of each section with a distinguished author, it provides clearly and concisely written headnotes for each section. Spanning a broad historical range, from Margaret Walker (1915) to the present day, it includes brief biographies for each author, along with contextual notes for each reading. For professors of American literature and/or women's studies; librarians.