La lucha por los derechos de las mujeres ha tomado el mundo por asalto, pero �por qu� muchas de sus simpatizantes caen en tantas contradicciones? �Por qu� parece haber tantas malas feministas? Roxane Gay, profesora universitaria, colaboradora de The New York Times, ensayista y novelista con m�s de un mill�n de visitas en su charla TED sobre feminismo, tiene algunas respuestas a esas preguntas. La pluma de Gay, filosa como una catana, explora la cultura pop para extraer verdades inc�modas acerca de c�mo somos representados en el cine, la televisi�n y la literatura. Con un estilo a veces �cido y corrosivo, otras �ntimo y personal, pero siempre potente y cr�tico, Roxane atraviesa el entretenimiento masivo: desde Cincuenta sombras de Grey hasta Los juegos del hambre; sin olvidar a Quentin Tarantino y Orange is The New Black, para rescatar valiosas lecciones e inc�modas verdades sobre la discriminaci�n, el privilegio y la frustraci�n de querer un mundo m�s justo. Sus ensayos no exigen la credencial de �feminista� para ser le�dos. Son una invitaci�n abierta a analizar el entorno en el que estamos inmersos bajo la promesa de que, despu�s de leerlos, creer�s firmemente que, como dice la propia Roxane, �tenemos el derecho al mismo respeto�. �Es incompatible querer ser independiente y a la vez ansiar que cuiden de ti, que te gusta la m�sica reggaeton pero te revuelva por dentro lo machista de algunas de sus letras?

The available material in English discussing Latin American anarchism tends to be fragmentary, country-specific, or focused on single individuals. This new translation of Ángel Cappelletti's wide-ranging, country-by-country historical overview of anarchism's social and political achievements in fourteen Latin American nations is the first book-length regional history ever published in English. With a foreword by the translator. Ángel J. Cappelletti (1927–1995) was an Argentinian philosopher who taught at Simon Bolivar University in Venezuela. He is the author of over forty works primarily investigating philosophy and anarchism. Gabriel Palmer-Fernandez is Distinguished Professor of Philosophy and Religious Studies at Youngstown State University.

Winner of the Montserrat Ordóñez Prize 2018 This book provides an original and exciting analysis of Colombian women’s writing and its relationship to feminist history from the 1970s to the present. In a period in which questions surrounding women and gender are often sidelined in the academic arena, it argues that feminism has been an important and intrinsic part of contemporary Colombian history. Focusing on understudied literary and non-literary texts written by Colombian women, it traces the particularities of Colombian feminism, showing how it has been closely entwined with left-wing politics and the country’s history of violence. This book therefore rethinks the place of feminism in Latin American history and its relationship to feminisms elsewhere, challenging many of the predominant critical paradigms used to understand Latin American literature and culture.

This book is about transvestism and the performance of gender in Latin American literature and culture. Ben. Sifuentes-Jáuregui explores the figure of the transvestite and his/her relation to the body through a series of canonical Latin American texts. By analyzing works by Alejo Carpentier, José Donoso, Severo Sarduy and Manuel Puig (author of Kiss of the Spiderwoma n), alongside critical works in gender studies and queer theory, Sifuentes-Jáuregui shows how transvestism operates not only to destabilize, but often to affirm sexual, gender, national and political identities.

Magicians, necromancers and astrologers are assiduous characters in the European golden age theatre. This book deals with dramatic characters who act as physiognomists or palm readers in the fictional world and analyses the fictionalisation of physiognomic lore as a practice of divination in early modern Romance theatre from Pietro Aretino and Giordano Bruno to Lope de Vega, Calderón de la Barca and Thomas Corneille.