In Writing Worship: How to Craft Heartfelt Songs for the Church, the Christian songwriter will explore the depths of the heart, immersing in relationship with God before learning practical worship songwriting skills. Award-winning songwriter Krissy Nordhoff helps lyricists and musicians sharpen their skills in starting songs, adding dimension, removing distractions, maintaining momentum, and co-writing. Songwriters and worship leaders are challenged to trust the Lord with their gifts as they put their new skills into practice. They also have access to: Links to video with examples A songwriter personality assessment Podcast episodes for every songwriter personality Access to special downloads, including a leader’s guide for group learning and an audiobook with extra content from Krissy

Graham Kendrick, John Bell and John Harper join other top names in religious music in this manual for church musicians which covers all tastes and styles. They explore what kind of music will speak in today's consumerist, multi-cultural, post-modern society where church attendance is in decline, yet chart-topping sales of CDs by composers such as John Tavener indicate real spiritual openness. This volume assesses the great variety of music on offer in different churches and searches for a way forward for music in worship. A cross-denominational resource, it is aimed at musicians, worship leaders, clergy and all concerned with the mission and worship of the churches.

How music makes worship and how worship makes music in Evangelical churches Music is a nearly universal feature of congregational worship in American churches. Congregational singing is so ingrained in the experience of being at church that it is often misunderstood to be synonymous with worship. For those who assume responsibility for making music for congregational use, the relationship between music and worship is both promising and perilous – promise in the power of musical style and collective singing to facilitate worship, peril in the possibility that the experience of the music might eclipse the worship it was written to facilitate. As a result, those committed to making music for worship are constantly reminded of the paradox that they are writing songs for people who wish to express themselves, as directly as possible, to God. This book shines a new light on how people who make music for worship also make worship from music. Based on interviews with more than 75 songwriters, worship leaders, and music industry executives, Shout to the Lord maps the social dimensions of sacred practice, illuminating how the producers of worship music understand the role of songs as both vehicles for, and practices of, faith and identity. This book accounts for the human qualities of religious experience and the practice of worship, and it makes a compelling case for how – sometimes – faith comes by hearing.

(Integrity). This instructional book by songwriters Paul Baloche and Jimmy & Carol Owens covers basic songwriting principles like how to develop a song after inspiration comes, 30 characteristics that make a song memorable, 16 shared qualities of great worship songs and 12 keys to unlock writer's block. You will also learn how to gain the listener's attention quickly, find fresh ways of expressing worship and choose just the right words. God Songs also contains advice on how to make your song its best before releasing it, how to get your songs heard and used by others, and ways to minister most effectively with your music. Song stories and advice from writers and publishers such as Darlene Zschech, Chris Tomlin, Matt Redman, Bart Millard, Craig Dunnagan and Rita Baloche are also included. Softcover, 304 pages.

This is a compelling and inspiring look at spiritual beliefs that influenced some of the world's greatest composers, now revised and expanded with eight additional composers.

How music makes worship and how worship makes music in Evangelical churches Music is a nearly universal feature of congregational worship in American churches. Congregational singing is so ingrained in the experience of being at church that it is often misunderstood to be synonymous with worship. For those who assume responsibility for making music for congregational use, the relationship between music and worship is both promising and perilous – promise in the power of musical style and collective singing to facilitate worship, peril in the possibility that the experience of the music might eclipse the worship it was written to facilitate. As a result, those committed to making music for worship are constantly reminded of the paradox that they are writing songs for people who wish to express themselves, as directly as possible, to God. This book shines a new light on how people who make music for worship also make worship from music. Based on interviews with more than 75 songwriters, worship leaders, and music industry executives, Shout to the Lord maps the social dimensions of sacred practice, illuminating how the producers of worship music understand the role of songs as both vehicles for, and practices of, faith and identity. This book accounts for the human qualities of religious experience and the practice of worship, and it makes a compelling case for how – sometimes – faith comes by hearing.