Color your very own version of 54-40 or Fight by Emerson Hough! The United States' boundaries were in flux for much of the nineteenth century. Emerson Hough, a frontier lawyer turned Western writer, tackles a border controversy in 54-40 or Fight, a story of the Pacific Northwest's campaign against the British. Hough's work is an exploration of the tensions between Canada and the United States, and the power of nationalism to shape the boundaries between the two countries. His novel captures both the economic and political forces at play during a time of great uncertainty. As a part of art therapy, it has become widely recognized that coloring is an effective way to find inner balance and escape from hectic everyday life. Find your inner peace and balance while coloring beautiful complex shapes. Create an original design of one of your favorite classics! Key Features: ♥ Beautiful landscape designs to color or paint on the first page of each chapter ♥ Front and back covers can be colored with multi-surface paint pens and/or markers ♥ Coloring supports relaxation and stress reduction and resembles soothing meditation ♥ Designed to bring some sunshine to your life, but also help you affect positive change ♥ A nice sized format (6" x 9") to carry, color and read Interested? Then look inside the book and convince yourself of our unique concept. **Multi-surface paint pens and/or markers are recommended for coloring the cover (matte material). You can use watercolor paint or color pencils for coloring the interior pages. As part of our mission to publish great works of literary fiction and nonfiction, Colour the Classics Publishing Corp. is extremely dedicated to bringing to the forefront the amazing works of long dead and truly talented authors.

Color your very own version of 32 Caliber by Donald McGibeny! An unusual accident turns out to be a murder in 32 Caliber! A lawyer becomes a detective in the pursuit of a killer. He leads us through Bolshevik headquarters, country clubs, and a dry creek bed before real clues emerge. The lawyer uncovers a conspiracy, a far-reaching plot involving the wealthy and powerful. He must use all of his wit and cunning to bring the killer to justice. As a part of art therapy, it has become widely recognized that coloring is an effective way to find inner balance and escape from hectic everyday life. Find your inner peace and balance while coloring beautiful complex shapes. Create an original design of one of your favorite classics! Key Features: ♥ Beautiful abstract designs to color or paint on the first page of each chapter ♥ Front and back covers can be colored with multi-surface paint pens and/or markers ♥ Coloring supports relaxation and stress reduction and resembles soothing meditation ♥ Designed to bring some sunshine to your life, but also help you affect positive change ♥ A nice sized format (6" x 9") to carry, color and read Interested? Then look inside the book and convince yourself of our unique concept. **Multi-surface paint pens and/or markers are recommended for coloring the cover (matte material). You can use watercolor paint or color pencils for coloring the interior pages. As part of our mission to publish great works of literary fiction and nonfiction, Colour the Classics Publishing Corp. is extremely dedicated to bringing to the forefront the amazing works of long dead and truly talented authors.

Color your very own version of A Pair of Blue Eyes by Thomas Hardy! Enhance a beloved classic book and create a work of art! A Pair of Blue Eyes is a novel written by Thomas Hardy. It tells the story of Elfride Swancourt, a young woman caught between her love for two men. The novel explores themes of love, betrayal, and societal expectations. Hardy's vivid descriptions bring the landscapes of southwestern England to life, creating a rich backdrop for the emotional turmoil faced by the protagonist. Through Elfride's journey, Hardy delves into the complexities of human relationships and the consequences of following one's heart. A Pair of Blue Eyes is a captivating exploration of love and its complexities set against the backdrop of Victorian society. As a part of art therapy, it has become widely recognized that coloring is an effective way to find inner balance and escape from hectic everyday life. Find your inner peace and balance while coloring beautiful complex shapes. Create an original design of one of your favorite classics! Key Features: ♥ Beautiful dreamy designs to color or paint on the first page of each chapter ♥ Front and back covers can be colored with multi-surface paint pens and/or markers ♥ Coloring supports relaxation and stress reduction and resembles soothing meditation ♥ Designed to bring some sunshine to your life, and to help you affect positive change ♥ A nice sized format (6" x 9") to carry, color and read Interested? Then look inside the book and convince yourself of our unique concept. **Multi-surface paint pens and/or markers are recommended for coloring the cover (matte material). You can use watercolor paint or color pencils for coloring the interior pages. As part of our mission to publish great works of literary fiction and nonfiction, Colour the Classics Publishing Corp. is extremely dedicated to bringing to the forefront the amazing works of long dead and truly talented authors.

Color your very own version of A Connecticut Yankee in King Arthur's Court by Mark Twain! An ill-fated blow to the head awakens Hank Morgan in Mark Twain's 1889 novel A Connecticut Yankee in King Arthur's Court. He finds himself mysteriously transported back in time. The time is early medieval England, during King Arthur's reign, and a Knight of the King takes Hank to Camelot Castle. A miraculous stroke of luck restores Hank's health, and convinces the superstitious King and his subjects that he is endowed with remarkable powers. After being ridiculed for his funny speaking style and dress sense, he is sentenced to burn at the stake. The King is convinced of the Knight's powers, and Hank is appointed as the King's official court jester. Hank uses his unique wit and humor to make the King and his subjects laugh, and bring joy to the castle. As a part of art therapy, it has become widely recognized that coloring is an effective way to find inner balance and escape from hectic everyday life. Find your inner peace and balance while coloring beautiful complex shapes. Create an original design of one of your favorite classics! Key Features: ♥ Beautiful medieval castle designs to color or paint on the first page of each chapter ♥ Front and back covers can be colored with multi-surface paint pens and/or markers ♥ Coloring supports relaxation and stress reduction and resembles soothing meditation ♥ Designed to bring some sunshine to your life, but also help you affect positive change ♥ A nice sized format (6" x 9") to carry, color and read Interested? Then look inside the book and convince yourself of our unique concept. **Multi-surface paint pens and/or markers are recommended for coloring the cover (matte material). You can use watercolor paint or color pencils for coloring the interior pages. As part of our mission to publish great works of literary fiction and nonfiction, Colour the Classics Publishing Corp. is extremely dedicated to bringing to the forefront the amazing works of long dead and truly talented authors.

From a world of daisies as big as moons and of mountainous green hillocks Michael Fane came by some unrealized method of transport to the thin red house, that as yet for his mind could not claim an individual existence amid the uniformity of a long line of fellows. His arrival coincided with a confusion of furniture, with the tramp of men backwards and forwards from a cavernous vehicle very dry and dusty. He found himself continually being lifted out of the way of washstands and skeleton chests of drawers. He was invited to sit down and keep quiet, and almost in the same breath to walk about and avoid hindrance. Finally, Nurse led him up many resonant stairs to the night-nursery which at present consisted of two square cots that with japanned iron bars stood gauntly in a wilderness of oilcloth surrounded by four walls patterned with a prolific vegetation. Michael was dumped down upon a grey pillow and invited to see how well his sister Stella was behaving. Nurse’s observation was true enough: Stella was rosily asleep in an undulation of blankets, and Michael, threatened by many whispers and bony finger-shakes, was not at all inclined to wake her up. Nurse retired in an aura of importance, and Michael set out to establish an intimacy with the various iron bars of his cage. For a grown-up person these would certainly have seemed much more alike than even the houses of Carlington Road, West Kensington: for Michael each bar possessed a personality. Minute scratches unnoticed by the heedless adult world lent variety of expression: slight irregularities infused certain groups with an air of deliberate consultation. From the four corners royal bars, crowned with brass, dominated their subjects. Passions, intrigues, rumours, ambitions, revenges were perceived by Michael to be seething below the rigid exterior of these iron bars: even military operations were sometimes discernible. This cot was guarded by a romantic population, with one or two of whose units Michael could willingly have dispensed: one bar in particular, set very much askew, seemed sly and malignant. Michael disliked being looked at by anybody or anything, and this bar had a persistent inquisitiveness which already worried him. ‘Why does he look at me?’ Michael would presently ask, and ‘Nobody wants to look at such an ugly little boy,’ Nurse would presently reply. So one more intolerable question would overshadow his peace of mind. Meanwhile, far below, the tramp of men continued, until suddenly an immense roar filled the room. Some of the bars shivered and clinked, and Michael’s heart nearly stopped. The roar died away only to be succeeded by another roar from the opposite direction. Stella woke up crying. Michael was too deeply frightened so to soothe himself, as he sat clutching the pointed ears of the grey pillow. Stella, feeling that the fretful tears of a sudden awakening were insufficient, set up a bellow of dismay. Michael was motionless, only aware of a gigantic heart that shook him horribly. At last the footsteps of Nurse could be heard, and over them, the quick ‘tut-tut-tuts’ that voiced her irritation.