Celtic modernism had a complex history with classical reception. In this book, Gregory Baker examines the work of W. B. Yeats, James Joyce, David Jones and Hugh MacDiarmid to show how new forms of modernist literary expression emerged as the evolution of classical education, the insurgent power of cultural nationalisms and the desire for transformative modes of artistic invention converged across Ireland, Scotland and Wales. Writers on the 'Celtic fringe' sometimes confronted, and sometimes consciously advanced, crudely ideological manipulations of the inherited past. But even as they did so, their eccentric ways of using the classics and its residual cultural authority animated new decentered idioms of English - literary vernaculars so fragmented and inflected by polyglot intrusion that they expanded the range of Anglophone literature and left in their wake compelling stories for a new age.

Analyzes the complex role receptions of antiquity had in forging nationalist ideology and literary modernism in Ireland, Scotland and Wales.

Celtic modernism had a complex history with classical reception. In this book, Gregory Baker examines the work of W. B. Yeats, James Joyce, David Jones and Hugh MacDiarmid to show how new forms of modernist literary expression emerged as the evolution of classical education, the insurgent power of cultural nationalisms and the desire for transformative modes of artistic invention converged across Ireland, Scotland and Wales. Writers on the 'Celtic fringe' sometimes confronted, and sometimes consciously advanced, crudely ideological manipulations of the inherited past. But even as they did so, their eccentric ways of using the classics and its residual cultural authority animated new decentered idioms of English - literary vernaculars so fragmented and inflected by polyglot intrusion that they expanded the range of Anglophone literature and left in their wake compelling stories for a new age.

Gregory Castle examines the impact of anthropology on the work of Irish Revivalists such as W.B. Yeats, John M. Synge and James Joyce. Drawing on a wide range of post-colonial theory, this book should be of interest to scholars in Irish studies, post-colonial studies, and Modernism.

English poet and cultural critic Matthew Arnold presented a detailed study of Celtic literature through this work. He aimed to deliver information about the Celtic people by systematically analyzing their writings and the Celtic and Welsh cultures. His thoughts are expressed in simple words in this text allowing the common readers to grasp the facts easily.

Examines the role that spectators play in the reception and perpetuation of ableist stereotypes about blindness in the theatre.

Can civil war ever be overcome? Can a better order come into being? This book explores how the Roman civil wars of the first century BCE laid the template for addressing perennially urgent questions. The Roman Republic's collapse and Augustus' new Empire have remained ideological battlegrounds to this day. Integrative and disintegrative readings begun in antiquity (Vergil and Lucan) have left their mark on answers given by Christians (Augustine), secular republicans (Victor Hugo), and disillusioned satirists (Michel Houellebecq) alike. France's self-understanding as a new Rome – republican during the Revolution, imperial under successive Napoleons – makes it a special case in the Roman tradition. The same story returns repeatedly. A golden age of restoration glimmers on the horizon, but comes in the guise of a decadent, oriental empire that reintroduces and exposes everything already wrong under the defunct republic. Central to the price of social order is patriarchy's need to subjugate women.