Awarded the prestigious Institute of Historical Research Prize, Ridley's sparkling history brings vividly to life the tragicomic story of a rhinoceros named Clara who became a star in 18th century Europe.

"A rhinoceros tours Europe in the mid-18th century and becomes a sensation--based on a true story"--

With snapshots, passenger lists, itineraries, and postcards, and from Cairo to Burma and back again, authors Barbara Levine and Kirsten Jensen transport readers back to the dawn of world travel when the middle class toured the world for the first time.

The year was 1765. Eminent botanist Philibert Commerson had just been appointed to a grand new expedition: the first French circumnavigation of the world. As the ships’ official naturalist, Commerson would seek out resources—medicines, spices, timber, food—that could give the French an edge in the ever-accelerating race for empire. Jeanne Baret, Commerson’s young mistress and collaborator, was desperate not to be left behind. She disguised herself as a teenage boy and signed on as his assistant. The journey made the twenty-six-year-old, known to her shipmates as “Jean” rather than “Jeanne,” the first woman to ever sail around the globe. Yet so little is known about this extraordinary woman, whose accomplishments were considered to be subversive, even impossible for someone of her sex and class. When the ships made landfall and the secret lovers disembarked to explore, Baret carried heavy wooden field presses and bulky optical instruments over beaches and hills, impressing observers on the ships’ decks with her obvious strength and stamina. Less obvious were the strips of linen wound tight around her upper body and the months she had spent perfecting her masculine disguise in the streets and marketplaces of Paris. Expedition commander Louis-Antoine de Bougainville recorded in his journal that curious Tahitian natives exposed Baret as a woman, eighteen months into the voyage. But the true story, it turns out, is more complicated. In The Discovery of Jeanne Baret, Glynis Ridley unravels the conflicting accounts recorded by Baret’s crewmates to piece together the real story: how Baret’s identity was in fact widely suspected within just a couple of weeks of embarking, and the painful consequences of those suspicions; the newly discovered notebook, written in Baret’s own hand, that proves her scientific acumen; and the thousands of specimens she collected, most famously the showy vine bougainvillea. Ridley also richly explores Baret’s awkward, sometimes dangerous interactions with the men on the ship, including Baret’s lover, the obsessive and sometimes prickly naturalist; a fashion-plate prince who, with his elaborate wigs and velvet garments, was often mistaken for a woman himself; the sour ship’s surgeon, who despised Baret and Commerson; even a Tahitian islander who joined the expedition and asked Baret to show him how to behave like a Frenchman. But the central character of this true story is Jeanne Baret herself, a working-class woman whose scientific contributions were quietly dismissed and written out of history—until now. Anchored in impeccable original research and bursting with unforgettable characters and exotic settings, The Discovery of Jeanne Baret offers this forgotten heroine a chance to bloom at long last.

In this captivating novel, New York Times bestselling author Fiona Davis takes readers into the glamorous lost art school within Grand Central Terminal, where two very different women, fifty years apart, strive to make their mark on a world set against them. For most New Yorkers, Grand Central Terminal is a crown jewel, a masterpiece of design. But for Clara Darden and Virginia Clay, it represents something quite different. For Clara, the terminal is the stepping stone to her future. It is 1928, and Clara is teaching at the lauded Grand Central School of Art. Though not even the prestige of the school can override the public's disdain for a "woman artist," fiery Clara is single-minded in her quest to achieve every creative success—even while juggling the affections of two very different men. But she and her bohemian friends have no idea that they'll soon be blindsided by the looming Great Depression...and that even poverty and hunger will do little to prepare Clara for the greater tragedy yet to come. By 1974, the terminal has declined almost as sharply as Virginia Clay's life. Dilapidated and dangerous, Grand Central is at the center of a fierce lawsuit: Is the once-grand building a landmark to be preserved, or a cancer to be demolished? For Virginia, it is simply her last resort. Recently divorced, she has just accepted a job in the information booth in order to support herself and her college-age daughter, Ruby. But when Virginia stumbles upon an abandoned art school within the terminal and discovers a striking watercolor, her eyes are opened to the elegance beneath the decay. She embarks on a quest to find the artist of the unsigned masterpiece—an impassioned chase that draws Virginia not only into the battle to save Grand Central but deep into the mystery of Clara Darden, the famed 1920s illustrator who disappeared from history in 1931.

Dame Clara Butt (1872-1936) was one of the most celebrated singers of the Victorian and Edwardian eras, a symbol of the glory of a Britain on whose Empire the sun never set. Standing an Amazonian 6'2" tall, Clara had a glorious contralto voice of such power that when she sang in Dover, Sir Thomas Beecham swore she could be heard in Calais. A friend of the royal family, Clara was made a Dame in recognition of her sterling work during the First World War. Her rousing performances of Land of Hope and Glory brought the nation together and raised thousands of pounds for charity. In the first biography since her death, Maurice Leonard tells Dame Clara Butt's remarkable story, from humble beginnings in Sussex, to her dazzling apotheosis by an adoring nation. With humour and insight, Leonard reveals the woman behind the cultural icon.

The rhinoceros’s horn and massive leathery frame belie its docile and solitary nature, causing the animal to be consistently perceived by humans as a monster to be feared. Kelly Enright now deftly sifts fact from fiction in Rhinoceros. Enright chronicles the vexed interactions between humans and rhinos, from early sightings that mistook the rhinoceros for the mythical unicorn to the eighteenth-century display of the rhinoceros in Europe as a wonder of nature and its introduction to the American public in 1830. The rhinoceros has long been a prized hunting object as well, whether for its horn as a valuable ingredient in Asian medicine or as a coveted trophy by nineteenth-century big-game hunters such as Theodore Roosevelt, and the book explains how such practices have led to the rhino’s status as an endangered species. Enright also considers portrayals of the animal in film, literature, and art, all in the service of discovering whether the reputed savagery of the rhino is a reality or a legacy of its mythic past. A wide-ranging, highly illustrated study, Rhinoceros will be essential for scholars and animal lovers alike.