Chaucer's writings (the 'Canterbury Tales', lyrics and dream poems and Troilus) are here freshly examined in relation to the religions, the religious traditions and the religious controversies of his era.

Chaucer and Religious Controversies in the Medieval and Early Modern Eras adopts a comparative, boundary-crossing approach to consider one of the most canonical of literary figures, Geoffrey Chaucer. The idea that Chaucer is an international writer raises no eyebrows. Similarly, a claim that Chaucer's writings participate in English confessional controversies in his own day and afterward provokes no surprise. This book breaks new ground by considering Chaucer's Continental interests as they inform his participation in religious debates concerning such subjects as female spirituality and Lollardy. Similarly, this project explores the little-studied ways in which those who took religious vows, especially nuns, engaged with works by Chaucer and in the Chaucerian tradition. Furthermore, while the early modern "Protestant Chaucer" is a familiar figure, this book explores the creation and circulation of an early modern "Catholic Chaucer" that has not received much attention. This study seeks to fill gaps in Chaucer scholarship by situating Chaucer and the Chaucerian tradition in an international textual environment of religious controversy spanning four centuries and crossing both the English Channel and the Atlantic Ocean. This book presents a nuanced analysis of the high stakes religiopolitical struggle inherent in the creation of the canon of English literature, a struggle that participates in the complex processes of national identity formation in Europe and the New World alike.

These essays, in a second collection by Professor Kelly, investigate legal and religious subjects touching on the age and places in which Geoffrey Chaucer lived and wrote, especially as reflected in the more contemporary sections of the Canterbury Tales. Topics include the canon law of incest (consanguinity, affinity, spiritual kinship), the prosecution of sexual offences and regulation of prostitution (especially in the Stews of Southwark), legal opinions about wife-beating, and the laws of nature concerning gender distinction (focusing on Chaucer's Pardoner) and the technicalities of castration. Sacramental and devotional practices are discussed, especially dealing with confession and penitence and the Mass. Chaucer's Prioress serves as the starting point for a treatment of regulations of nuns in medieval England and also for the presence, real and virtual, of Jews and Saracens (Muslims and pagans) in England and conversion efforts of the time, as well as sympathetic or antipathetic attitudes towards non-Christians. Included is a case study on the legend of St Cecilia in Chaucer and elsewhere, and as patron of music; and a discussion of canonistic opinion on the licit limits of medicinal magic (in connection with the ministrations of John the Carpenter in the Miller's Tale).

Provides a rich and varied reference resource, illuminating the different contexts for Chaucer and his work.

These thirteen essays by distinguished Chaucerians deal with the most neglected genre of the 'Canterbury Tales', the religious tales. Although the prose works are also discussed, the primary focus of the volume is on Chaucer's four poems in rhyme royal: the 'Clerk's Tale', the 'Man of Law's Tale', the 'Second Nun's Tale' and the 'Prioress's Tale'. Almost all of Chaucer's tales are religious in some sense, but these four works deal specifically and deeply with faith and spiritual transcendence. They appeal to qualities, such as pathos, not now in critical fashion, but at the same time they seem extraordinarily contemporary in their special interest in women and feminist issues. The time is appropriate to recognise their importance in Chaucer's canon, for he is a religious poet as surely as he is a poet of comedy and secular love. These essays survey past criticism on the religious tales and offer new approaches.Contributors: C.DAVID BENSON, ELIZABETH ROBINSON, DEREK PEARSALL, BARBARA NOLAN, ROBERT WORTH FRANK, LINDA GEORGIANNA, CHARLOTTE C. MORSEA.S.G. EDWARDS, CAROLYN COLETTE, ELIZABETH D. KIRK, GEORGE R. KEISER, JANE COWGILL.

This title was first published in 2002: The purpose of "Chaucer's Church" is to provide clear, concise and reliable explanations of every term Chaucer uses that has a religious, liturgical, or ecclesiastical meaning. It uses a dictionary format, arranged according to Chaucer's spellings, to make information readily accessible for students, teachers, critics, and the general reader. The shorter entries present brief definitions which are more lively and illuminating than those in standard dictionaries or glossaries; the longer entries are in fact short essays, with suggestions for further reading, on broader or more complex topics. In all cases the entries concentrate on lucid and accurate presentation of the meanings that the terms had or could have had for Chaucer and a 14th-century audience. The book is a compact but precise reference for readers of all levels of experience on the vocabulary of fourteenth-century religion, which is often unfamiliar or only hazily understood. A careful system of cross-references guides the reader to related terms, so that individual entries can be further explored in related or larger contexts. The book may also be browsed or read on its own, for the entries taken together, especially the brief essays, provide a coherent introduction to the Christian world of the late fourteenth century. In Chaucer's Church, the editors have succeeded in compiling a volume that combines ease of use with readability and rigorous accuracy. This book provides convenient and trustworthy access to Chaucer's religious world.