One of the world's leading cartoon artists shows readers how to capture the retro look of Sponge Bob, Dexter, and other popular comics, revealing how to recapture the 1950s in cartoons.

You can follow the beaten path and call yourself an entrepreneur or you can blaze your own trail and really be one. When Derek Sivers started CD Baby, he wasn’t planning on building a major business. He was a successful independent musician who just wanted to sell his CDs online. When no one would help him do it, he set out on his own and built an online store from scratch. He started in 1998 by helping his friends sell their CDs. In 2000, he hired his first employee. Eight years later, he sold CD Baby for $22 million. Sivers didn’t need a business plan, and neither do you. You don’t need to think big; in fact, it’s better if you don’t. Start with what you have, care about your customers more than yourself, and run your business like you don’t need the money.

The popularity of cartoon music, from Carl Stalling's work for Warner Bros. to Disney sound tracks and "The Simpsons"' song parodies, has never been greater. This lively and fascinating look at cartoon music's past and present collects contributions from well-known music critics and cartoonists, and interviews with the principal cartoon composers. Here Mark Mothersbaugh talks about his music for "Rugrats," Alf Clausen about composing for "The Simpsons," Carl Stalling about his work for Walt Disney and Warner Bros., Irwin Chusid about Raymond Scott's work, Will Friedwald about "Casper the Friendly Ghost," Richard Stone about his music for "Animaniacs," Joseph Lanza about "Ren and Stimpy," and much, much more.

"If Walt Disney's life and work evoke feelings of chaste princesses in gleaming white castles, then Ralph Bakshi's should conjure up ladies of ill repute camped out in dim back alleys." "On par with the legendary animation auteurs of our time, Bakshi's name is synonymous with the grand tradition of American cartooning." "Responsible for such memorable films and television shows as Fritz the Cat, the first X-rated animated feature film, Heavy Traffic, Coonskin, Mighty Mouse: The New Adventures, Wizards, and The Lord of the Rings, Bakshi's influence on American popular culture, as well as on artists and writers who came after him, is undeniable and extensive." "Unfiltered: The Complete Ralph Bakshi is the first and only book chronicling the career of this animation pioneer, highlighting his early years, as well as each of his groundbreaking films, TV shows, and other projects. It contains brand-new Bakshi art created especially for this book, as well as hundreds of pieces of pre-production art, animation eels, and never-before-seen rough sketches, line drawings, and doodles, all culled from Bakshi's personal archives containing more than fifty years of his life's work."--Rabat de la jaquette.

Make a face--a funny face! Thats where a cartoon characters personality begins, and bestselling author Christopher Hart presents the ultimate, masterfully detailed tutorial on the topic. His accessible, step-by-step demonstrations explore a range of facial features and show how to build a character, from head types to expressions to movement. An introductory section covers shading techniques, and theres advice on drawing the body.

This exuberant collection of cartoons is an enthusiastic love letter to books and bookstores. The cartoons celebrate and critique the literary world through the work of thirty-three of the masters of cartoon art, including Sam Gross, Roz Chast, Arnie Levin, Danny Shanahan, Peter Steiner, Mick Stevens, Nick Downes, Liza Donnelly, Bob Mankoff, and Michael Maslin. Many of the cartoons have been published in the New Yorker, while others are published here for the first time.