The action plan for the conservation of the wolves (Canis Lupus) in Europe was prepared for the Large Carnivore Initiative in Europe, a voluntary organisation supported by the World Wide Fund for Nature. The plan was discussed and endorsed in the framework of the Council of Europe's Wildlife Convention (Bern Convention). It contains valuable information on the status of the species and useful recommendations and guidelines for its conservation and management

One cold February morning the mangled body of a homeless derelict turned up in one of Houston's wooded and desolate suburbs. The body was deteriorated and torn apart by animals. Animals disturbing bodies was not unusual, however, forensics showed clear and very convincing evidence that one or more animals may have been involved in the killing itself. Perplexed Houston police asked the Health Department's Animal Control Director, Dr. Duncan MacDonell, to assist. Footprints of the suspect animal showed it to be a large canine, much bigger than any domestic dog. Representatives from Texas Parks and Wildlife speculated that it might have been a very large Mexican red wolf. Within a week a second body showed up, then a third. It wasn't long before MacDonell began to suspect the killer might be human, and it might be someone he knew.

This is a troubled world controlled by a parasite called the Lowi. It is also war weary after many years of conflict with neither side winning or losing. Marcus Cobb arrives on this planet intent on destroying the Lowi, little realising that this could cost him his life.

The role of the dog in human society is the connecting thread that binds the essays in "Canis Africanis," each revealing a different part of the complex social history of southern Africa. The essays range widely from concerns over disease, bestiality, and social degradation through gambling on dogs to anxieties over social status reflected through breed classifications, and social rebellion through resisting the dog tax imposed by colonial authorities. With its focus on dogs in human history, this project is part of what has been termed the 'animal turn' in the social sciences, which investigates the spaces which animals inhabit in human society and the way in which animal and human lives interconnect, demonstrating how different human groups construct a range of identities for themselves (and for others) in terms of animals. So instead of conceiving of animals as merely constituents of ecological or agricultural systems, they can be comprehended through their role in human cultures.

Modernist literature might well be accused of going to the dogs. From the strays wandering the streets of Dublin in James Joyce’s Ulysses to the highbred canine subject of Virginia Woolf’s Flush, dogs populate a range of modernist texts. In many ways, the dog in the late nineteenth and early twentieth centuries became a potent symbol of the modern condition—facing, like the human species, the problem of adapting to modernizing forces that relentlessly outpaced it. Yet the dog in literary modernism does not function as a stand-in for the human. In this book, Karalyn Kendall-Morwick examines the human-dog relationship in modernist works by Virginia Woolf, Jack London, Albert Payson Terhune, J. R. Ackerley, and Samuel Beckett, among others. Drawing from the evolutionary theories of Charles Darwin and the scientific, literary, and philosophical work of Donna Haraway, Temple Grandin, and Carrie Rohman, she makes a case for the dog as a coevolutionary and coadapting partner of humans. As our coevolutionary partners, dogs destabilize the human: not the autonomous, self-transparent subject of Western humanism, the human is instead contingent, shaped by its material interactions with other species. By demonstrating how modernist representations of dogs ultimately mongrelize the human, this book reveals dogs’ status both as instigators of the crisis of the modern subject and as partners uniquely positioned to help humans adapt to the turbulent forces of modernization. Accessibly written and convincingly argued, this study shows how dogs challenge the autonomy of the human subject and the humanistic underpinnings of traditional literary forms. It will find favor with students and scholars of modernist literature and animal studies.