Bringing Zion Home examines the role of culture in the establishment of the "special relationship" between the United States and Israel in the immediate postwar decades. Many American Jews first encountered Israel through their roles as tastemakers, consumers, and cultural impresarios—that is, by writing and reading about Israel; dancing Israeli folk dances; promoting and purchasing Israeli goods; and presenting Israeli art and music. It was precisely by means of these cultural practices, argues Emily Alice Katz, that American Jews insisted on Israel's "natural" place in American culture, a phenomenon that continues to shape America's relationship with Israel today. Katz shows that American Jews' promotion and consumption of Israel in the cultural realm was bound up with multiple agendas, including the quest for Jewish authenticity in a postimmigrant milieu and the desire of upwardly mobile Jews to polish their status in American society. And, crucially, as influential cultural and political elites positioned "culture" as both an engine of American dominance and as a purveyor of peace in the Cold War, many of Israel's American Jewish impresarios proclaimed publicly that cultural patronage of and exchange with Israel advanced America's interests in the Middle East and helped spread the "American way" in the postwar world. Bringing Zion Home is the first book to shine a light squarely upon the role and importance of Israel in the arts, popular culture, and material culture of postwar America.

Demonstrates how American Jews used culture—art, dance, music, fashion, literature—to win the hearts and minds of postwar Americans to the cause of Israel. Bringing Zion Home examines the role of culture in the establishment of the “special relationship” between the United States and Israel in the immediate postwar decades. Many American Jews first encountered Israel through their roles as tastemakers, consumers, and cultural impresarios—that is, by writing and reading about Israel; dancing Israeli folk dances; promoting and purchasing Israeli goods; and presenting Israeli art and music. It was precisely by means of these cultural practices, argues Emily Alice Katz, that American Jews insisted on Israel’s “natural” place in American culture, a phenomenon that continues to shape America’s relationship with Israel today. Katz shows that American Jews’ promotion and consumption of Israel in the cultural realm was bound up with multiple agendas, including the quest for Jewish authenticity in a postimmigrant milieu and the desire of upwardly mobile Jews to polish their status in American society. And, crucially, as influential cultural and political elites positioned “culture” as both an engine of American dominance and as a purveyor of peace in the Cold War, many of Israel’s American Jewish impresarios proclaimed publicly that cultural patronage of and exchange with Israel advanced America’s interests in the Middle East and helped spread the “American way” in the postwar world. Bringing Zion Home is the first book to shine a light squarely upon the role and importance of Israel in the arts, popular culture, and material culture of postwar America.

From Jerusalem to Ghana to Katrina-ravaged New Orleans, a woman reclaims her history in a “beautifully written and thought-provoking” memoir (Dave Eggers, author of A Hologram for the King and Zeitoun). A biracial woman from a country still divided along racial lines, Emily Raboteau never felt at home in America. As the daughter of an African American religious historian, she understood the Promised Land as the spiritual realm black people yearned for. But while visiting Israel, the Jewish Zion, she was surprised to discover black Jews. More surprising was the story of how they got there. Inspired by their exodus, her question for them is the same one she keeps asking herself: have you found the home you’re looking for? In this American Book Award–winning inquiry into contemporary and historical ethnic displacement, Raboteau embarked on a ten-year journey around the globe and back in time to explore the complex and contradictory perspectives of black Zionists. She talked to Rastafarians and African Hebrew Israelites, Evangelicals and Ethiopian Jews—all in search of territory that is hard to define and harder to inhabit. Uniting memoir with cultural investigation, Raboteau overturns our ideas of place, patriotism, dispossession, citizenship, and country in “an exceptionally beautiful . . . book about a search for the kind of home for which there is no straight route, the kind of home in which the journey itself is as revelatory as the destination” (Edwidge Danticat, author of The Farming of Bones).

"The son of a Jewish father and Baptist mother, Paul Wilbur grew up attending synagogue. In college he was transformed by a Baptist minister's teaching about a rabbi, Jesus, who fulfilled the promise of the Torah. As he grew in his relationship with Jesus, Wilbur was reintroduced to the God of the Old Testament and began exploring his Jewish heritage. Along the way, he discovered the power of Jewish worship traditions-the weekly Shabbat, with the power of Holy Communion and dedication to family, along with other high holy traditions and feast days. Observing those ancient rituals, now infused with the power of the Holy Spirit, Wilbur heard a sound that he describes as a "roar from Zion." As evangelicals came to understand and incorporate ancient Jewish worship practices in their home and church lives, miracles broke out, fathers assumed their roles as the head of their families, prodigal children returned home, and marriages were restored. What began with one man is now becoming a movement, with tens of thousands taking part"--

Examines the image of Israel in American culture before 1960.

Explores Jewish emigration from Palestine and Israel during the critical period between 1945 and the late 1950s by weaving together the perspectives of governments, aid organizations, Jewish communities and the personal stories of individual migrants.

From the late nineteenth century through the post-Holocaust era, the world was divided between countries that tried to expel their Jewish populations and those that refused to let them in. The plight of these traumatized refugees inspired numerous proposals for Jewish states. Jews and Christians, authors and adventurers, politicians and playwrights, and rabbis and revolutionaries all worked to carve out autonomous Jewish territories in remote and often hostile locations across the globe. The would-be founding fathers of these imaginary Zions dispatched scientific expeditions to far-flung regions and filed reports on the dream states they planned to create. But only Israel emerged from dream to reality. Israel’s successful foundation has long obscured the fact that eminent Jewish figures, including Zionism’s prophet, Theodor Herzl, seriously considered establishing enclaves beyond the Middle East. In the Shadow of Zion brings to life the amazing true stories of six exotic visions of a Jewish national home outside of the biblical land of Israel. It is the only book to detail the connections between these schemes, which in turn explain the trajectory of modern Zionism. A gripping narrative drawn from archives the world over, In the Shadow of Zion recovers the mostly forgotten history of the Jewish territorialist movement, and the stories of the fascinating but now obscure figures who championed it. Provocative, thoroughly researched, and written to appeal to a broad audience, In the Shadow of Zion offers a timely perspective on Jewish power and powerlessness. Visit the author's website: http://www.adamrovner.com/.