The films "Brigadoon" and "Braveheart" have an enormous resonance both for Scots throughout the world and the wide audience of non-Scots for whom such films provide general impressions of "Scottishness". This provocative book discusses the films' representations of Scotland and the Scots, looking at that cluster of images and stories whereby Scotland is (mis)recognized and yet often comes to be "known". Colin McArthur explores "Brigadoon" and documents the contempt the film has elicited, particularly from the Scots intelligentsia. He succumbs to "Brigadoon's" charm, but finds no such mitigating features in "Braveheart". Tracing the film's appropriation by political, touristic and sporting figures, he argues that, far from being "about" Scottish history, it is primarily "about" Hollywood and its cinematic traditions. He looks at the way film distorts history and examines "Braveheart's" sinister appeal to the proto-fascist psyche.

Rosecroft Music Circus, John A. Schaefer presents Doretta Morrow in "Brigadoon," co-starring Jack Washburn, book and lyrics by Alan Jay Lerner, music by Frederick Loewe, directed by Louis Macmilian, musical director Leo Stone, choreography by Robert Paget, settings by Gordon Micunis, costumes by Bernie Joy.

(Vocal Selections). 13 selections from the Lerner & Loewe classic presented in standard piano/vocal format with the melody in the piano part. Includes: Almost like Being in Love * Brigadoon * Come to Me, Bend to Me * Down on MacConnachy Square * From This Day On * The Heather on the Hill * I'll Go Home with Bonnie Jean * Jeannie's Packin' Up * The Love of My Life * My Mother's Weddin' Day * Prologue * There but for You Go I * Waitin' for My Dearie.

Originally published in German in 1846, Germelshausen is a romantic adventure story set in the rugged German countryside. This edition, translated by Orlando F. Lewis, includes extensive notes and a vocabulary to help readers better understand the language and culture of the time. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This book, the second volume in Donald Kagan's tetralogy about the Peloponnesian War, is a provocative and tightly argued history of the first ten years of the war. Taking a chronological approach that allows him to present at each stage the choices that were open to both sides in the conflict, Kagan focuses on political, economic, diplomatic, and military developments. He evaluates the strategies used by both sides and reconsiders the roles played by several key individuals.

A New History of the Peloponnesian War is an ebook-only omnibus edition that includes all four volumes of Donald Kagan's acclaimed account of the war between Athens and Sparta (431–404 B.C.): The Outbreak of the Peloponnesian War, The Archidamian War, The Peace of Nicias and the Sicilian Expedition, and The Fall of the Athenian Empire. Reviewing the four-volume set in The New Yorker, George Steiner wrote, "The temptation to acclaim Kagan's four volumes as the foremost work of history produced in North America in the twentieth century is vivid. . . . Here is an achievement that not only honors the criteria of dispassion and of unstinting scruple which mark the best of modern historicism but honors its readers." All four volumes are also sold separately as both print books and ebooks.