An illustrated, deep dive into Albert Hofmann's infamous "Bicycle Day" from Brian Blomerth.

An illustrated account R. Gordon and Valentina Wasson, the pioneering scientist couple responsible for popularizing the use of psychedelic mushrooms.

Timothy Leary, the visionary Harvard psychologist who became a guru of the 1960s counterculture, reentered as an icon of new edge cyberpunks. HIGH PRIEST chronicles 16 psychedelic trips taken in the days before LSD was made illegal. The trip guides or "High Priests" include Aldous Huxley, Gordon Wasson, William S. Burroughs, Godsdog, Allen Ginsberg, Ram Dass, Ralph Metzner, Willy (a junkie from New York City), Huston Smith, Frank Barron, and others. The scene was Millbrook, a mansion in Upstate New York, that was the Mecca of Psychedellia during the 1960s, and of the many luminaries of the period who made a pilgrimage there to trip with Leary and his group, The League for Spiritual Discovery. Each chapter includes an I-Ching reading, a chronicle of what happened during the trip, marginalia of comments, quotations, and illustrations. A fascinating window into an era. This edition includes a Foreword by Allen Ginsberg, an introduction by Timothy Leary about the intergenerational counterculture, and illustrations by Howard Hallis.

Artist Joe Roberts has spent more than a decade honing a deeply unique and unapologetically hallucinogenic style of art. Collecting over 100 new and recent paintings, drawings and mixed-media works along with an introduction by Hamilton Morris (Hamilton's Pharmacopeia), We Ate the Acid is the latest product of Roberts' visionary journeys and a testament to his expansive, singular imagination.

Andy and Mandy Ride the School Bus is the sequel to Andy and Mandy Learn to Ride the School Bus. The prequel helps preschool-aged children learn safe school bus riding behaviors, and Andy and Mandy Ride the School Bus helps young children visualize how an everyday school bus ride may occur.

"Free of self-loathing . . . [Rabagliati's] black-and-whie panels eschew half-tones for a spirited line." —Voice Literary Supplement This fourth installment in Michel Rabagliati's semiautobiographical series finds Paul settling comfortably into adult life, occasional twinges of anxiety aside. His graphic design business has taken off, his partner, Lucie, is pregnant, it's mid-July and time to leave behind the city to go fishing. Long lazy days stretch out while Paul's thoughts wander from the colorful characters at the fish-and-game camp to the lurking depths of childhood, a Holden Caulfield–esque adolescence, and the encounters that have shaped his sense of family thus far. But the golden glow soon lifts off his vacation with the realization that the lake isn't as idyllic as it would seem, and neither is pregnancy. Elegant composition and spare, condensed drawing crystallize emotion and atmosphere in this wistful and engaging account of everyday hopes and hardships, told with a keen and playful sense of iconic detail. Even the mundane holds beauty and meaning in this compassionate story of expectation, disappointment, and wonder.