"Haunting ... teems with raw emotion, and McCullough deftly captures the experience of learning to behave in a male-driven society and then breaking outside of it."—The New Yorker "I will be haunted and empowered by Artemisia Gentileschi's story for the rest of my life."—Amanda Lovelace, bestselling author of the princess saves herself in this one A William C. Morris Debut Award Finalist 2018 National Book Award Longlist Her mother died when she was twelve, and suddenly Artemisia Gentileschi had a stark choice: a life as a nun in a convent or a life grinding pigment for her father's paint. She chose paint. By the time she was seventeen, Artemisia did more than grind pigment. She was one of Rome's most talented painters, even if no one knew her name. But Rome in 1610 was a city where men took what they wanted from women, and in the aftermath of rape Artemisia faced another terrible choice: a life of silence or a life of truth, no matter the cost. He will not consume my every thought. I am a painter. I will paint. Joy McCullough's bold novel in verse is a portrait of an artist as a young woman, filled with the soaring highs of creative inspiration and the devastating setbacks of a system built to break her. McCullough weaves Artemisia's heartbreaking story with the stories of the ancient heroines, Susanna and Judith, who become not only the subjects of two of Artemisia's most famous paintings but sources of strength as she battles to paint a woman's timeless truth in the face of unspeakable and all-too-familiar violence. I will show you what a woman can do. ★"A captivating and impressive."—Booklist, starred review ★"Belongs on every YA shelf."—SLJ, starred review ★"Haunting."—Publishers Weekly, starred review ★"Luminous."—Shelf Awareness, starred review

This text offers 6th - 12th grade educators guided instructional approaches for including diverse young adult (YA) literature in the classroom as a form of social justice teaching and learning. Through the YA books spotlighted in this text, educators are provided pre-, during-, and after reading activities that guide students to a deeper understanding of topics that are often considered taboo in the classroom - race, racism, mental health, immigration, gender, sexuality, sexual assault - while increasing their literacy practices.

“At once tender, poetic and ferocious, Enter The Body breathes new life into the Bard’s most tragic heroines. More than a tribute to Shakespeare, this kaleidoscopic, ambitious novel-in-verse gives Juliet, Ophelia, Cordelia, and Lavinia the chance to tell their own stories full of passion, justice, sisterhood, and love. Simply spectacular.”—Michael L. Printz Award winner Laura Ruby, author of Bone Gap In the room beneath a stage's trapdoor, Shakespeare’s dead teenage girls compare their experiences and retell the stories of their lives, their loves, and their fates in their own words. Bestselling author Joy McCullough offers a brilliant testament to how young women can support each other and reclaim their stories in the aftermath of trauma.

Thirteen-year-old former elite gymnast Eden is feeling lost after a career-ending injury, but when she meets new friends who open her eyes to period poverty, the struggle that low-income people have trying to afford menstrual products, she becomes an advocate for fair treatment and rediscovers her passion and drive.

From the author of the acclaimed Blood Water Paint, a new contemporary YA novel in prose and verse about a girl struggling with guilt and a desire for revenge after her sister's rapist escapes with no prison time. Em Morales's older sister was raped by another student after a frat party. A jury eventually found the rapist guilty on all counts--a remarkable verdict that Em felt more than a little responsible for, since she was her sister's strongest advocate on social media during the trial. Her passion and outspokenness helped dissuade the DA from settling for a plea deal. Em's family would have real justice. But the victory is short-lived. In a matter of minutes, justice vanishes as the judge turns the Morales family's world upside down again by sentencing the rapist to no prison time. While her family is stunned, Em is literally sick with rage and guilt. To make matters worse, a news clip of her saying that the sentence makes her want to learn "how to use a sword" goes viral. From this low point, Em must find a new reason to go on and help her family heal, and she finds it in the unlikely form of the story of a fifteenth-century French noblewoman, Marguerite de Bressieux, who is legendary as an avenging knight for rape victims. We Are the Ashes, We Are the Fire is a searing and nuanced portrait of a young woman torn between a persistent desire for revenge and a burning need for hope.