Adeline Virginia Woolf (1882–1941) was an English writer. She is widely hailed as being among the most influential modernist authors of the 20th century and a pioneer of stream of consciousness narration. She suffered numerous nervous breakdowns during her life primarily as a result of the deaths of family members, and it is now believed that she may have suffered from bipolar disorder. In 1941, Woolf drowned herself in the River Ouse at Lewes, aged 59. The last novel written by Woolf, “Between the Acts” is set just before the onset of World War II and describes a play and all its elements performed at an rustic English Village festival. The chief portion of the book is written in verse, representing one of Woolf's most lyrical works. A must read for fans and collectors of Woolf's seminal work. Other notable works by this author include: “To the Lighthouse” (1927), “Orlando” (1928), and “A Room of One's Own” (1929). Read & Co. Classics is proudly republishing this novel now in a brand new edition complete with a specially-commissioned biography of the author.

A provocative, challenging masterpiece by John Ashbery that set a new standard for the modern prose poem “The pathos and liveliness of ordinary human communication is poetry to me,” John Ashbery has said of this controversial work, a collection of three long prose poems originally published in 1972, adding, “Three Poems tries to stay close to the way we talk and think without expecting what we say to be recorded or remembered.” The effect of these prose poems is at once deeply familiar and startlingly new, something like encountering a collage made of lines clipped from every page of a beloved book—or, as Ashbery has also said of this work, like flipping through television channels and hearing an unwritten, unscriptable story told through unexpected combinations of voices, settings, and scenes. In Three Poems, Ashbery reframes prose poetry as an experience that invites the reader in through an infinite multitude of doorways, and reveals a common language made uncommonly real.

The author's last novel, written during the early years of World War II, was completed just before her death. The action takes place on a single summer's day at a country house, Pointz Hall, in the heart of England. In the garden the villagers are presenting their annual pageant - on this occasion scenes from English history up to and including 'ourselves,' the audience, in June 1939. During the interludes the inhabitants of Pointz Hall, the Olivers, their guests, and the villagers have tea, stroll, and talk. There is an intense interplay among the unhappy Isa Oliver, her handsome husband, Giles, whom she loves and hates, and a guest, Mrs. Manresa, who is pursuing him. A storm interrupts the final tableau, and the pageant comes to an end. The performers and the audience depart to resume their ordinary lives and Isa and Giles to confront each other.

Acts is the sequel to Luke's gospel and tells the story of Jesus's followers during the 30 years after his death. It describes how the 12 apostles, formerly Jesus's disciples, spread the message of Christianity throughout the Mediterranean against a background of persecution. With an introduction by P.D. James

Between the Acts takes place on a June 1939 day at Pointz Hall, the Oliver family's country house in the heart of England. In the garden, everyone from the village has gathered for the annual pageant---scenes from the history of England, beginning with the age of Chaucer and ending with "ourselves," the audience. As the story unfolds, the lives of the villagers also take shape. We learn of the strained relationship between Isa Oliver and her husband, Giles, discontented stockbroker and son of the owner of Pointz Hall. After an ominous formation of warplanes passes overhead, the performers and the audience take their leave, and Giles and Isa are finally left alone. In its juxtaposition of interior life and social life, personal history and world history, Woolf's final novel reveals the richness of what happens between the acts. -- Back cover.

"Sherman's insightful ethnography sheds light on the interactional dimension of symbolic boundaries and class relations as they are lived by luxury hotel clients and the workers who serve them. We learn how both groups perform class through emotion work and deepen our understanding of the role played by "niceness" in constituting equality and reversing hierarchies. As such, Class Acts is a signal contribution to a growing literature on the place of the self concept in class boundaries. It will gain a significant place in a body of work that broadens our understanding of class by moving beyond structural determinants and taking into consideration the performative, emotional, cognitive, and expressive dimensions of inequality."--Michele Lamont, author of The Dignity of Working Men: Morality and the Boundaries of Race, Class, and Immigration "Eye-opening, amusing, and appalling, Rachel Sherman's Class Acts explains how class inequality is normalized in the refined atmosphere of luxury hotels. This beautifully observed and engagingly written ethnography describes what kinds of deference and personal recognition money can buy. Moreover, it shows how workers who provide luxury service avoid seeing themselves as subordinate and how those whose whims are catered to are made comfortable with their privilege. Class Acts is a sobering and timely account of the legitimation of extreme inequality in a culture that prizes egalitarianism."--Robin Leidner, University of Pennsylvania "Rachel Sherman provides a penetrating and engrossing study of workers and guests in luxury hotels. Do workers resent the guests? Do guests disdain the workers? Sherman argues neither is true-and explains why."--Julia Wrigley, author of Other People's Children