Call of Cthulhu 7th edition Sourcebook and scenarios.

Free-spirited Judith McMahon's idea of a good adventure doesn't involve taking over her father's lumber business, but the Chippewa country surrounding the mill inflames her imagination. The reality is something she could never have prepared for - a virile stranger who sets her blood on fire, makes her tremble like a fawn, and calls her his enemy. Fierce yet sensual, Strong Hawk is a Chippewa chieftain's son who grieves for his tribe's vanishing way of life. Strong Hawk's own mixed heritage has left him a man torn between worlds. Now this beautiful white woman has come to threaten his wilderness... and steal his heart. Together, they face a dark storm of danger and treachery, guided only by the beating of their hearts, and dreams of a new beginning...

Coroner Sir John chases down a serial killer with a taste for Biblical justice in this suspenseful instalment in the Crowner John medieval mystery series, set in twelfth-century England. 1195. County coroner Sir John de Wolfe is summoned to inspect a corpse in Exeter’s cathedral precinct. Money-lender Aaron of Salisbury has been found dead, his head enveloped in a brown leather money-bag, a scrap of folded parchment clutched in his hand. On it is written: ‘And Jesus went into the temple and overthrew the tables of the money-changers.’ This is just the beginning of a strange series of murders in which an apt biblical text is left at the scene of the crime. Setting out to track down a literate and Bible-learned killer in an age when only one percent of the population can read or write, Sir John quickly deduces that he is looking for a priest. But with over twenty-five parish churches in Exeter, the pool of suspects includes more than a hundred clerics – and if Sir John doesn’t act fast, the homicidal clergyman may soon strike again . . .

Call of Cthulhu RPG 1930s

The fate of one god hinges on the death of another—and the bravery of a rag-tag band of adventurers—in this classic Harpers novel When Joel became a priest of the new god Finder, he knew it meant forfeiting the honor and security of his position as a master bard. Now his freedom—and his very life—are at stake as the powers of evil embroil the priests of Finder in a struggle against a plot to resurrect the dead god Bane. Accompanied by freedom fighter Holly Harrowslough, the mysterious winged woman Jas, and the aging priest Jedidiah, Joel embarks on a mission to recover the Hand of Bane. His quest leads him from the Realms all the way to the extra-planar city of Sigil. There, Joel must rely on all his courage, wisdom, and strength to thwart the return of Bane the Tyrant and rescue the god Finder from imminent death. Finder’s Bane is the fifteenth book in a series of loosely-connected novels about the Harpers. It is also the first book in the Lost Gods trilogy.

A very striking and curious story, founded on fact, of the West Indies of the early nineteenth century. Robert Rutherford is sent to the Islands to learn the planter’s business from the bottom. He becomes an overseer at Rosehall, the property of a young widow, Mrs Palmer, whose three husbands have all died in curious circumstances. She takes a violent fancy to Rutherford, who is also embarrassed by the attentions of his half-caste housekeeper, Millicent. His housekeeper is urging him, with some success, to fall in with West Indian habits, when Mrs Palmer arrives. Millicent defies her and threatens her with the powers of Takoo, an Obeah man. Mrs Palmer, herself skilled in Obeah magic, puts a spell on the girl, which Takoo’s rites, shattered by the white woman’s stronger magic, are powerless to remove. “de Lisser utilizes the conventions of a romantic entanglement to investigate and debate the wider socio-political issues within the novel that relate to colonialism, Jamaican identity and culture... The White Witch of Rosehall is a delightful read, written by an author who sought not only to entertain, but also to educate.”—Donna-Marie Tuck, Society for Caribbean Studies Newsletter

Drawing on a 200-year-old tradition, this original collection features a deft combination of vintage vampire tales with more contemporary stories. Anthologist Mike Ashley introduces a dozen fantasies that weave together dark, psychological elements with well-recognized vampire themes. His notes trace the development of vampire fiction, illustrating the genre's life beyond the well-known conventions established by Bram Stoker's Dracula. Selections range from Lord Byron's contribution to the legendary storytelling session that produced Mary Shelley's Frankenstein to Nancy Holder's "Blood Gothic," a modern perspective on the corrupting influence of the romantic vampire image. Additional contributors include Alexandre Dumas, Karl von Wachsmann, Tanith Lee, Elizabeth Lynn Linton, Julian Osgood Field, R. Murray Gilchrist, Dick Donovan, Brian Stableford, Sidney Bertram, and Ernst Raupach.