Bats, beetles, wolves, butterflies, bulls, panthers, apes, leopards and spiders are among the countless creatures that crowd the pages of literature of the late nineteenth century. Whether in Gothic novels, science fiction, fantasy, fairy tales, journalism, political discourse, realism or naturalism, the line between the human and the animal becomes blurred. Beastly Journeys examines these bestial transformations across a range of well-known and less familiar texts and shows how they are provoked not only by the mutations of Darwinism but by social and economic shifts that have been lost in retellings and readings of them. The physical alterations described by George Gissing, George MacDonald, Arthur Machen, Arthur Morrison, W.T. Stead, Bram Stoker, H.G. Wells, Oscar Wilde, and many of their contemporaries, are responses to changes in the social body as Britain underwent a series of social and economic crises. Metaphors of travel DS social, spatial, temporal, mythical and psychological DS keep these stories on the move, confusing literary genres along with the indeterminacy of physical shape that they relate. Beastly Journeys will appeal to anyone interested in the relationship between nineteenth-century literature and its contexts and especially to those interested in the fin de siècle and in metaphors of travel, animals and shape-changing.

David Attenborough, Dion Leonard (Finding Gobi), Dervla Murphy and Brian Jackman are just four of the authors whose work features in this new anthology from Bradt focusing on true stories about travelling with animals. In Beastly Journeys, there are 46 tales of extraordinary animal travel experiences, from hilarious holidays with pets to journeys on which wild animals somehow came along for the ride, including: David Attenborough tries to get an armadillo through Paraguayan customs; adventurer Ash Dykes takes a white cockerel to Maromokotro to ward off evil spirits; Mike Gerrard shares a car journey from Belsize Park to Canvey Island with a python; Brian Jackman rides, walks and swims with Abu the elephant; Bradt New Travel Writer of the Year Dom Tulett rows with a kingfisher; and John Rendall travels to Africa with Christian, the lion he bought at Harrods and raised in west London. Also included is a brand new piece of writing from ultramarathon runner Dion Leonard about his experience with Gobi, the stray dog who accompanied him for 80 miles over the treacherous Tian Shian mountains. A mix of new, previously unpublished writers and old favourites are included, with extracts from writers such as Mark Shand (Travels on my Elephant), Dervla Murphy (Eight Feet in the Andes) and Robert Louis Stevenson (Travels with a Donkey), not to mention Gerald Durrell, 19th-century explorer Isabella Bird and renowned publisher Michael Joseph. Compelling, engaging, surprising, humorous and entertaining. if this book proves one thing it's that travel with animals is every bit as unpredictable as you would expect it to be.

A critical exploration of travel, animals and shape-changing in fin de siècle literature.

While the study of animal-human interactions within the context of tourism has been explored in a greater number and diversity of ways within the last decade, the discourse remains divided between traditional tourism academia and outside disciplines 'looking in'. Tourism academia has borrowed philosophical, ethical, gender studies, sociological, ecological conservation, and economic lenses to explore animals in tourism, however collaboration with authors external to tourism studies remains few. This edited volume strengthens the bridge between tourism academia and other disciplines by highlighting the fresh perspectives, emerging methodologies and innovative interdisciplinary conventions at the forefront of animals in tourism research, whilst critically working towards more ethical human-animal interactions within the tourism and leisure space. Split into four parts 'emerging motivations', 'emerging cultures', 'emerging narratives', and 'emerging reflections', this unique text will be widely applicable to scholars working towards equitable human-animal interactions within tourism.

Wolves lope across Gothic imagination. Signs of a pure animality opposed to humanity, in the figure of the werewolf they become liminal creatures that move between the human and the animal. Werewolves function as a site for exploring complex anxieties of difference – of gender, class, race, space, nation or sexuality – but the imaginative and ideological uses of wolves also reflect back on the lives of material animals, long persecuted in their declining habitats across the world. Werewolves therefore raise unsettling questions about the intersection of the real and the imaginary, the instability of human identities and the worldliness and political weight of the Gothic. This is the first volume concerned with the appearance of werewolves and wolves in literary and cultural texts from the mid-nineteenth century to the present. Drawing on representations of werewolves and wolves in literature, film, television and visual culture, the essays investigate the key texts of the lycanthropic canon alongside lesser-known works from the 1890s to the present. The result is an innovative study that is both theoretically aware and historically nuanced, featuring an international list of established and emerging scholars based in Britain, Europe, North America and Australia.