A top-class grandmaster takes more than 50 real-life positions, breaks each one down into its key elements and explains the right strategy for conducting a successful attack. The examples are selected to illustrate a wide variety of attacking themes and to provide an instructive and accurate picture of how modern players attack and defend. This book tackles the vital phases of deciding how and where to attack in the first place, and build up the offensive without giving the opponent any real counter-chances.

Across the Barricades is part of Joan Lingard's ground-breaking Kevin and Sadie series, the sequel to The Twelfth Day of July. Both books are part of The Originals from Penguin - iconic, outspoken, first. Kevin and Sadie just want to be together, but it's not that simple. Things are bad in Belfast. Soldiers walk the streets and the city is divided. No Catholic boy and Protestant girl can go out together - not without dangerous consequences . . . The Originals are the pioneers of fiction for young adults. From political awakening, war and unrequited love to addiction, teenage pregnancy and nuclear holocaust, The Originals confront big issues and articulate difficult truths. The collection includes: The Outsiders - S.E. Hinton, I Capture the Castle - Dodie Smith, Postcards from No Man's Land - Aidan Chambers, After the First Death - Robert Cormier, Dear Nobody - Berlie Doherty, The Endless Steppe - Esther Hautzig, Buddy - Nigel Hinton, Across the Barricades - Joan Lingard, The Twelfth Day of July - Joan Lingard, No Turning Back - Beverley Naidoo, Z for Zachariah - Richard C. O'Brien, The Wave - Morton Rhue, The Red Pony - John Steinbeck, The Pearl - John Steinbeck, Stone Cold - Robert Swindells.

This book vividly evokes radical women's integral roles within France's revolutionary civil war known as the Paris Commune. It demonstrates the breadth, depth, and impact of communard feminist socialisms far beyond the 1871 insurrection. Examining the period from the early 1860s through that century's end, Carolyn J. Eichner investigates how radical women developed critiques of gender, class, and religious hierarchies in the immediate pre-Commune era, how these ideologies emerged as a plurality of feminist socialisms within the revolution, and how these varied politics subsequently affected fin-de-sià ̈cle gender and class relations. She focuses on three distinctly dissimilar revolutionary women leaders who exemplify multiple competing and complementary feminist socialisms: Andre Leo, Elisabeth Dmitrieff, and Paule Mink. Leo theorized and educated through journalism and fiction, Dmitrieff organized institutional power for working-class women, and Mink agitated crowds to create an egalitarian socialist world. Each woman forged her own path to gender equality and social justice.

How the French invented the barricade, and its symbolic impact on popular protests throughout history In the history of European revolutions, the barricade stands as a glorious emblem. Its symbolic importance arises principally from the barricades of Eric Hazan’s native Paris, where they were instrumental in the revolts of the nineteenth century, helping to shape the political life of a continent. The barricade was always a makeshift construction (the word derives from barrique or barrel), and in working-class districts these ersatz fortifications could spread like wildfire. They doubled as a stage, from which insurgents could harangue soldiers and subvert their allegiance. Their symbolic power persisted into May 1968 and, more recently, the Occupy movements. Hazan traces the many stages in the barricade’s evolution, from the Wars of Religion through to the Paris Commune, drawing on the work of thinkers throughout the periods examined to illustrate and bring to life the violent practicalities of revolutionary uprising.

"To the barricades!" The cry conjures images of angry citizens, turmoil in the streets, and skirmishes fought behind hastily improvised cover. This definitive history of the barricade charts the origins, development, and diffusion of a uniquely European revolutionary tradition. Mark Traugott traces the barricade from its beginnings in the sixteenth century, to its refinement in the insurrectionary struggles of the long nineteenth century, on through its emergence as an icon of an international culture of revolution. Exploring the most compelling moments of its history, Traugott finds that the barricade is more than a physical structure; it is part of a continuous insurrectionary lineage that features spontaneous collaboration even as it relies on recurrent patterns of self-conscious collective action. A case study in how techniques of protest originate and evolve, The Insurgent Barricade tells how the French perfected a repertoire of revolution over three centuries, and how students, exiles, and itinerant workers helped it spread across Europe.

What does it mean to live against a wall? Travel to the world’s most disputed edges to meet the people who live alongside the razor wire, concrete, and steel and how the structure of the walls has influenced their lives. In this ambitious first person narrative, Marcello Di Cintio shares tea with Saharan refugees on the wrong side of Morocco’s desert wall. He meets with illegal Punjabi migrants who have circumvented the fencing around the Spanish enclave of Ceuta. He visits fenced-in villages in northeast India, walks Arizona’s migrant trails, and travels to Palestinian villages to witness the protests against Israel’s security barrier. From Native American reservations on the U.S.-Mexico border and the “Great Wall of Montreal” to Cyprus’s divided capital and the Peace Lines of Belfast, Di Cintio seeks to understand what these structures say about those who build them and how they influence the cultures that they pen in. He learns that while every wall fails to accomplish what it was erected to achieve – the walls are never solutions – each wall succeeds at something else. Some walls define Us from Them with Medieval clarity. Some walls encourage fear or feed hate. Some walls steal. Others kill. And every wall inspires its own subversion, either by the infiltrators who dare to go over, under, or around them, or by the artists who transform them.