This book is available as open access through the Bloomsbury Open Access programme and is available on www.bloomsburycollections.com. This book explores what is at stake in our confessional culture. Thomas Docherty examines confessional writings from Augustine to Montaigne and from Sylvia Plath to Derrida, arguing that through all this work runs a philosophical substratum - the conditions under which it is possible to assert a confessional mode - that needs exploration and explication. Docherty outlines a philosophy of confession that has pertinence for a contemporary political culture based on the notion of 'transparency'. In a postmodern 'transparent society', the self coincides with its self-representations. Such a position is central to the idea of authenticity and truth-telling in confessional writing: it is the basis of saying, truthfully, 'here I take my stand'. The question is: what other consequences might there be of an assumption of the primacy of transparency? Two areas are examined in detail: the religious and the judicial. Docherty shows that despite the tendency to regard transparency as a general social and ethical good, our contemporary culture of transparency has engendered a society in which autonomy (or the very authority of the subject that proclaims 'I confess') is grounded in guilt, reparation and victimhood.

The poems in Allison Joseph's latest collection are smart, shameless, and empowered confessions of the best kind. In semi-autobiographical verse highlighting in turns light-hearted and harsh realities of modern black womanhood, these poems take the reader down "A History of African-American Hair," visit with both Grace Jones and the Venus de Milo, send Janis Joplin to cheerleading camp, bemoan a treacherous first pair of high heels, and discuss "vagina business." Funny, but never flippant, and always forthcoming about the author's own flaws and foibles, Confessions of a Barefaced Woman is sure to keep readers entranced, entertained, and enlightened.

The excitement then continues as Bare takes us through the highs and lows of his life and career, always with humor."--BOOK JACKET.

'Give me chastity and continence, but not yet' The son of a pagan father and a Christian mother, Saint Augustine spent his early years torn between conflicting world-views. The Confessions, written when he was in his forties, recounts how, slowly and painfully, he came to turn away from his youthful ideas and licentious lifestyle to become one of Christianity's most influential thinkers. A remarkably honest spiritual autobiography, the Confessions also addresses fundamental issues of Christian doctrine, and many of the prayers and meditations it includes are still an integral part of the practice of the faith today. Translated with an Introduction by R. S. PINE-COFFIN

Like the first Hackett edition of the Augustine's Confessions, the second edition features F. J. Sheed's remarkable translation of this classic spiritual autobiography with an Introduction by noted historian of late antiquity Peter Brown. New to this edition are a wealth of notes on literary, philosophical, biblical, historical, and liturgical topics by Michael P. Foley, an Editor's Preface, a map, a timeline, paragraph numbers in the text, a glossary, and a thorough index. The text itself has been completely reset, with textual and explanatory notes placed at the foot of the page for easy reference.