"Johann Sebastian Bach's works are often classified along the lines of "sacred" versus "secular." While this distinction is fraught with problems, it seems to provide a useful way to distinguish between Bach's vocal works for the liturgy and those that were written to honor courts and members of the nobility. But even there, the lines cannot be drawn that clearly. The political and social systems of Bach's time relied on religion as an ideological foundation and public displays of political power almost always included religious rituals and thus required some form of sacred music. Social constructs, such as class and gender, were also embedded in religious frameworks. The book analyzes public manifestations of the social order during Bach's time in large-scale celebrations, processions, public performances, and visual displays. By analyzing selected cantatas, the book explores how Bach's music functioned as an agent of affective communication within rituals, such as the installation of the town council, and as a place where socio-political norms were perpetuated and-in a few cases-even challenged"--

(Amadeus). The Worlds of J.S. Bach offers both traditional and new perspectives on the life and work of the man who is arguably the central figure in the Western musical tradition. It appears at a time when, because of the fall of the Iron Curtain, extraordinary new discoveries are being made about Bach and his family at an increasing rate thus this book is able to incorporate important information and images not available even in the recent anniversary year of 2000. After making the case for the universality of Bach's art as an epitome of Western civilization, The Worlds of J.S. Bach considers in broad terms the composer's social, political, and artistic environment, its influence on him, and his interaction with it. Renowned specialists in history, religion, architecture, literature, theater, and dance offer the perspectives of these disciplines as they relate to Bach's milieu, while leading Bach specialists from both the U.S. and Germany focus on the man himself. The book is an outgrowth of the "celebrated" ( Boston Globe ) multidisciplinary Academies sponsored by the Aston Magna Foundation for Music and the Humanities with support from the National Endowment for the Humanities.

The cantatas of Johann Sebastian Bach are among the best known and most frequently performed musical works of the Baroque period. In an illuminating discussion of the musical, literary, aesthetic, and theological aspects of the composers early cantatas, leading Bach scholars place the works in their historical and biographical context. 85 photos.

Today a premier tourist destination in the heart of Amish country, Ephrata was a community of radical Pietist Germans who lived in peace and contemplation among magnificent buildings and an idyllic setting. This book is the first definitive work of The Ephrata Cloister and its charismatic founder, Georg Conrad Beissel.

A biography of the eighteenth-century German composer J.S. Bach that discusses his life, family, travels, achievements, and the role his Lutheran beliefs played in his life and work.

Describes how Johann Sebastian Bach survived the sorrows of his childhood and composed the music the world has come to love.

Written for the average reader, Major Religions of the World, which was first published in 1959, is a compact survey of the founders, the holy writings, the worship, and the basic beliefs of the major religions of the world—Hinduism, Zoroastrianism, Buddhism, Judaism, Confucianism and Taoism, Shinto, Island, and Christianity. Dr. Marcus Bach’s approach is one of understanding and appreciation. He looks at each religion first through the eyes of a believer of that faith and then as an impartial observer pointing out the parallels in that religion and Christianity. The result is an unusually sensitive and provocative account. Included at the beginning of each study is a helpful glossary of terms. And informative and thought-provoking read!