Hollywood's leading aviators were heroic knights of the sky on the screen as well as in real life. These leading aviators performed aerial stunt sequences and acted, plus some wrote and directed motion pictures. Directing giant Cecil B. DeMille was so enthralled with aviation that he owned three airfields. Charlie Chaplin's family airfield also doubled as a motion-picture set. Thomas H. Ince, the famous producer who invented the studio system, owned Ince Airfield, which became the hub of Hollywood aviation. Eternal legends Rudolph Valentino, Oliver Hardy, Harry Houdini, and Mary Pickford performed in aerials. Many aviators gave their lives making motion pictures; three fatalities were incurred for Howard Hughes's great air epic, Hell's Angels. Hughes himself broke records within aircraft and film production. Aviators brought their screen work to life between films through barnstorming. The roaring in 1920s Hollywood was often aviators soaring beyond limits.

This biographical dictionary shines the spotlight on several hundred unheralded stunt performers who created some of the cinema’s greatest action scenes without credit or recognition. The time period covered encompasses the silent comedy days of Buster Keaton and Harold Lloyd, the early westerns of Tom Mix and John Wayne, the swashbucklers of Douglas Fairbanks, Errol Flynn, and Burt Lancaster, the costume epics of Charlton Heston and Kirk Douglas, and the action films of Steve McQueen, Clint Eastwood, and Charles Bronson. Without stuntmen and women working behind the scenes the films of these action superstars would not have been as successful. Now fantastic athletes and leading stunt creators such as Yakima Canutt, Richard Talmadge, Harvey Parry, Allen Pomeroy, Dave Sharpe, Jock Mahoney, Chuck Roberson, Polly Burson, Bob Morgan, Loren Janes, Dean Smith, Hal Needham, Martha Crawford, Ronnie Rondell, Terry Leonard, and Bob Minor are given their proper due. Each entry covers the performer’s athletic background, military service, actors doubled, noteworthy stunts, and a rundown of his or her best known screen credits.

A story inspired by the marriage between Charles and Anne Morrow Lindbergh traces the romance between a handsome young aviator and a shy ambassador's daughter whose relationship is marked by wild international acclaim, history-making flights and the world-shocking abduction of their child. 30,000 first printing.

Airplanes and motion pictures were born within a year of one another. In 100 years they have both risen from uncertain infancy through growing adolescence to robust maturity. While Hollywood's actors and directors learned the art of making movies, the aircraft industry and pilots learned how to conquer the sky. In peace and war, prosperity and depression, the airplanes and motion pictures have become a part of American culture. The relationship was symbiotic. While airplane movies helped sell box office tickets, the movies helped promote aviation. In Flying on Film movie fans and aviation buffs can find their common bond. From wooden biplanes to armadas of warplanes, from majestic China Clippers to huge 747s, from slow monoplanes to swift jets, the movies told the story of the airplane. William A. Wellman's 1927 masterpiece Wings was the first of the breed, the standard to be emulated. Flying on Film is the history behind the films. Veterans and aviators from past and present tell the real story of one of the most fascinating genres of motion pictures in Hollywood. About the Author: Mark Carlson is an aviation historian, writer, classic film buff and student of filmmaking. He has written articles for several national aviation magazines and organizations. As a docent and researcher at the San Diego Air & Space Museum and member of many aviation-related organizations, Carlson has gained an insight into the people who lived the world of airplanes and the movies. He and his wife live in San Diego.

Well before Evel Knievel or Hollywood stuntmen, reality television or the X Games, North America had a long tradition of stunt performance, of men (and some women) who sought media attention and popular fame with public feats of daring. Many of these feats—jumping off bridges, climbing steeples and buildings, swimming incredible distances, or doing tricks with wild animals—had their basis in the manual trades or in older entertainments like the circus. In The Thrill Makers, Jacob Smith shows how turn-of-the-century bridge jumpers, human flies, lion tamers, and stunt pilots first drew crowds to their spectacular displays of death-defying action before becoming a crucial, yet often invisible, component of Hollywood film stardom. Smith explains how these working-class stunt performers helped shape definitions of American manhood, and pioneered a form of modern media celebrity that now occupies an increasingly prominent place in our contemporary popular culture.

COLD CASE CHRONICLES tells the stories of victims –– some missing, some murdered and some with changed identities. All are true, and each are mysterious in their own ways. The cases in this nonfiction narrative date from 1910 through the 1950s and include evolutions in forensics, as well as historical context in order to view the men, women and children through the lens of time. Included are recent theories on the cases of Judge Joseph Crater (missing from New York City in 1930) and film director William Desmond Taylor (shot in Hollywood in 1922). Other chapters help to unravel the mystique of individuals with changed identities. Included, too, is a case of aerial sabotage, the "Boy in the Box," and unusual disappearances of young women, along with child abductions and four missing adventurers –– Everett Ruess, Joseph Halpern, and Glen and Bessie Hyde. Readers are encouraged to draw their own conclusions, consider how detectives would handle these and other cases today, and learn how genetic genealogy brings new hope for the future.

Fifteen years in the making, “860 glittering pages” (The New York Times), the first volume of the astonishing life of Barbara Sanwyck—one of our greatest screen actresses—explores her extraordinary range of eighty-eight motion pictures, her work, her world, and her Hollywood through an American century. Frank Capra called her “the greatest emotional actress the screen has yet known.” Yet Barbara Stanwyck (1907-1990) was also one of its most underrated stars. Now, Victoria Wilson gives us the most complete portrait of this magnificent actress, seen as the quintessential Brooklyn girl whose family was in fact of old New England stock…her years in New York as dancer and Broadway star…her fraught marriage to Broadway genius, Frank Fay…the adoption of a son; her partnership with Zeppo Marx, with whom she created a horse breeding farm; her fairytale romance and marriage to Robert Taylor, America's most sought-after male star… Here is the shaping of her career working with Hollywood's most important directors, all set against the times—the Depression, the rise of the unions, the coming of World War II, and a fast-evolving motion picture industry. At the heart of the book is Stanwyck herself—how she transformed herself from shunned outsider into one of America's most revered screen actresses. Volume One is the result of more than 100 exhaustive interviews with those who knew Stanwyck, many who never before had agreed to be interviewed: her family, friends, and co-workers from Lauren Bacall, Jane Fonda, and Jackie Cooper to Patricia Neal, Milton Berle, and Kirk Douglas; from Billy Wilder, Bruce Dern, and Anthony Quinn to Jane Powell, Charlton Heston, Arthur Laurents, and Sydney Lumet. “An epic Hollywood narrative,” A Life of Barbara Stanwyck includes never-before-seen letters, journals, and photographs.